Showing posts with label Reviews. Show all posts
Showing posts with label Reviews. Show all posts

Friday, August 29, 2014

Review: The Girls at The Kingfisher Club by Genevieve Valentine

I so enjoyed this book! Flappers, bootleggers, speakeasies, drinking, dancing, cross-starred lovers, and a villainous father!
"Jo guessed even then that Mother's purpose was to have a son, and she was kept from all other causes. Them included."
The Girls at the Kingfisher Club is based on The Twelve Dancing Princesses fairy tale but this is not a fantasy piece, it is strictly fiction set in 1920's Manhattan. The story loosely follows the same structure as the fairy tale with twelve sisters born to a wealthy Mr. Hamilton who kept his wife pregnant in the hopes of having a son to carry on the Hamilton name until the wife died. He confines his twelve daughters to the second floor and attic severely neglecting them. The girls' one and only outlet is dancing. The four eldest daughters, Jo the "general," vivacious Lou, gorgeous Ella, and down-to-earth Doris sneak out at night and hit the Manhattan speakeasies at age fourteen until they find a home at The Kingfisher Club. After that, as the rest of the girls come of age and under Jo’s watchful eye, they dance their nights away at the only place where they feel safe and taste precious moments of freedom.
“The girls were wild for dancing, and nothing else. No hearts beat underneath those thin, bright dresses. They laughed like glass.“
I love how well Valentine integrates the fairy tale and her own version with the Hamilton daughters as 1920's flappers. It is a great story with a controlling father as the ultimate misogynist who attempts to sell his daughters to men like himself as a solution to financial troubles, and how his daughters outwit him and make their way in a world they don't recognize by daylight.
“The girls could hope that these husbands, wherever her father planned to find them, would be kinder and more liberal men than he was. But the sort of man who wanted a girl who’d never been out in the world was the sort whose wife would stay at home in bed and try to produce heirs until she died of it.“
There is a romance of sorts between the eldest daughter Jo and bootlegger turned club owner Tom, but Jo emerges as the mistress of her own destiny and throughout and to the end controls her own happiness.
"You can't expect people to give you the things you love, unless you know how to ask."
Of the sisters, Jo is the best developed character with Lou, Doris, and Ella following in importance. The rest of the sisters are sometimes distinguishable only by the dances they prefer or key characteristics. Of the secondary characters, Mr. Hamilton, Tom, and Jake, The Kingfisher Club's bartender and loyal friend make the greatest impact.

There is a certain awkwardness to the writing style or structure as a result of long paragraphs containing thoughts or commentary placed between parentheses. Although after a while I became used to this ongoing style, there was always an awareness at the back of my mind that interrupted the reading flow throughout the novel. However, the story itself is engaging and a quick read with excellent Roaring Twenties atmosphere and gritty details of Manhattan's underground speakeasies as the setting. The descriptions of dancing in seedy or glamorous clubs are gorgeous. The heartbreaking moments, Jo's sacrifices for her sisters, the sisters' escape from captivity into the real world, and the final payoff, all make for a magnificent tale by Valentine.
“She was still trying to discover how people related to each other, and how you met the world when you weren’t trying to hide something from someone. It was a lesson slow in coming.“

Wednesday, August 27, 2014

Wilde Stories 2014: The Year's Best Gay Speculative Fiction ed. Steve Berman

The Wilde Stories anthology series edited by Steve Berman features gay themed speculative fiction short stories published during the previous year. This year all the short works included in Steve Berman's 2014 Wilde Stories: The Year's Best Gay Speculative Fiction are written by new contributors. The collection begins with an introduction by Berman, an interesting one at that, however today I am concentrating on a long review that includes all the stories.

The anthology begins with three very good stories that quickly engage the reader, particularly with the short but highly effective contemporary piece "Grindr" by Clayton Littlewood in which text messaging, infused with edgy horror, is utilized as the spec fic element. In "The Ghosts of Emerhad" by Nghi Vo ghosts play a role in a fantasy setting with eerie atmosphere, yet it is not a chilling read, instead this is the redeeming war tale of a man coming to terms with personal loses. And with "How to Dress an American Table" by J. E. Robinson, the collection shifts to a contemporary tale with an unsettling "human monster" at its center, the kind that is often more disturbing than stories about fictional monsters hiding under the bed.

"Caress" by Eli Easton is just an excellent, complete steampunk sff romance piece filled with outstanding details, world-building and "graphic novel" atmosphere. I visualized a graphic novella while reading this romance between a young man with a clockwork heart whose genius and skills save a soldier from a fate worse than death. Following is another excellent story. "57 Reasons for the Slate Quarry Suicides" by Sam J. Miller strongly stands out with a unique format that flows effortlessly, and memorable young adult characters, outstanding speculative fiction elements, gay theme, and a plot focused on friendship, bullying, revenge and betrayal.

The collection continues the young adult theme with "Happy Birthday, Numskull" by Robert Smith, a piece that is so freaking interesting because the spec fic elements come from a sensitive, imaginative child’s perceived horrors as he experiences the adult world surrounding him. Everything changes with "Right There in Kansas City" by Casey Hannan, the only story in the anthology that veers into the realm of the weird with dense speculative fiction elements that hit the reader from its inception. There is an obvious sub-text to the story, but take it from me this one is very good and out there.

"The Water that Falls from Nowhere" by John Chu won the 2014 Hugo Award for Best Short Story. A reread, this story stands out for the subtle approach with which Chu uses rain as the speculative fiction element while the main thrust of the story is focused on a committed gay couple attempting to gain understanding and acceptance from the narrator’s traditional Chinese family. I have enjoyed Damon Shaw’s work in the past, and he did it again with "Seven Lovers and the Sea." This is a story I loved for its unique twist on both vampiric and seafaring mythical tales.

Although "The Brokenness of Summertime" by R. W. Clinger may be considered a contemporary horror tale by some or perhaps contemporary with a rather sharp edge (pun intended) after all it depicts ye ole green-eyed monster at its best, my totally warped sense of humor turned it into a highly amusing, insane, demented sort of read -- so, so enjoyable! It was then surprising that "Lacuna" by Matthew Cheney gutted me with its ending and not necessarily with the speculative fiction details. Let me explain, in this story there is a running narrative by a writer as he creates a speculative fiction piece. So, there are two stories at once, one interrupting the other's flow and ending in the writer's reality with a shocking revelation and the reasons why "words are not magic." I must be particularly susceptible at the moment because after this story I stopped reading the anthology for a bit before picking it up again. That's a good thing, it means that the story made a strong impact.

"Super Bass" by Kai Ashante Wilson is a fantastic tale with magical aspects of ancient African religions utilized as the root for the speculative fiction elements. In his story, Ashante Wilson amplifies those magical aspects within a high religious ceremony in which two lovers participate, with one transforming into the Most High Summer King and the other giving him strength through loving. The islanders traditionally marry in threes -- two men, one woman -- creating an organic same-gender, gender-mixed society. This aspect of the world-building is not deeply explored. Rather, it is an organic part of its creation and left open to the reader for further thought and speculation.

The last piece with young adults as central characters is a mythology-based story by Cory Skerry, "Midnight at the Feet of the Caryatides," that focuses on a arrogant click of students that choose to abuse the weak and different. I enjoyed the gothic atmosphere and gargoyles, but for me the most memorable aspect of the story is the combination of darkness and tenderness found in the narrative. And the anthology ends with "The Revenge of Oscar Wilde" by Sean Eads, a zombie story with Oscar playing the forceful and introspective knight avenging his lover Bosie's honor to the horrifying, bittersweet end. This is a short story worth reading for its beautiful writing and excellent alternate perspective into Wilde's last days in Paris. . . and on. "If there is a god to them now, he walks this earth and his name is Oscar Wilde."

This anthology ebbs and flows with short works that include contemporary, fantasy, steampunk, magical, and mythology-based speculative fiction – some action-filled, others quieter and more introspective, going from dark to light, and darker yet. Horror-based speculative fiction tales reign supreme with some excellent otherworldly pieces and plenty of stand outs. Personally, I found quite a few favorites as I made my way through this year's edition of Wilde Stories.

Category: LGBT/ Gay/ Speculative Fiction / Anthology
Series: Wilde Stories Anthologies
Publisher/Release Date: Lethe Press/August 2014 - Kindle ed.
Grade: B+

Series:
Wilde Stories 2011
Wilde Stories 2012
Wilde Stories 2013

Monday, August 25, 2014

Review: Visions (Cainsville #2) by Kelley Armstrong

Omens was more of a thriller with an edge of horror and a small dose of fantasy than urban fantasy. I personally loved it. However when reading Visions, it quickly becomes evident that Omens is a very important base whereupon this urban fantasy stands. Key questions and clues are there, while Visions is where the urban fantasy aspects of this series strongly emerge. More importantly, in Visions the main characters take shape, emerging stronger and more intriguing than in the previous book.

Visions begins the day after Omens ends with Olivia finding the dead body of a woman in her car. While waits for help from Gabriel, the body disappears, and she questions whether it was a death omen. Their brand new partnership is broken when Olivia distances herself from Gabriel after learning about his deal with her ex-fiancé James. Feeling hurt and betrayed by Gabriel, Olivia re-establishes contact with James who wants her back, while at the same time beginning a sexual relationship with the young biker and son of the Satan Saints' gang leader Ricky Gallagher. Yet, as the story progresses, Olivia continues to reach out to Gabriel, and it is from Gabriel that she seeks intimacy and with whom she feels complete, settled and happy. That seems to be mutual as Gabriel and Olivia become quietly but fiercely protective of each other.

Armstrong develops the urban fantasy aspects of this series through events unfolding around Olivia's investigation into the disappearance of a local Cainsville girl, a girl who looks just like the dead body she saw in her car and coincidentally a lot like Olivia. Cainsville and the townspeople become central in Visions and the exploration into the mythological side of the series begins in earnest. Olivia's powers are no longer restricted to reading omens, and she experiences dreamlike visions when she stumbles into a mysterious empty house in Cainsville. New players are introduced as Olivia, Gabriel, and even Ricky and James get pulled into an increasingly dangerous game with both Olivia and Gabriel becoming the main targets of some powerful otherworldly beings. But how is all this related to the Larsens? And why? Clues abound in this installment if, as Gabriel says, "you just pay attention."

Visions is driven by the characters and evolving relationships: Olivia, Gabriel, Ricky, and James, and Gabriel, Olivia and Cainsville residents (Rose, Patrick, Ida, Walter, Veronica). The characters and the relationships they establish are the most compelling aspect of this novel. And it is through them that everything else comes to fruition, including the mystery that surrounds the murders and the Welsh folklore Armstrong utilizes to build the magical aspects of the urban fantasy -- omens, visions, horses, hounds, ravens, fairy circles, and more. So far, I am enjoying her modern twist on the folklore. The mystery in Visions is weaker, or let's say less complex, than the one in Omens, however, by the end Armstrong beautifully ties it to the main story arc.

Most of the novel is again narrated from Olivia's first point of view perspective, intermingled with key chapters written in the third point of view from different characters, with Gabriel's chapters providing the most interesting personal views of himself and Olivia. His character is the most attractive and mysterious of this series so far. Olivia ironically refers to herself as a "special snowflake" at one point in the narrative. Well, with Gabriel, Ricky, and James fighting for her attention (and others courting her favor), she certainly fits the description.

I hate triangles even when there is only a possibility of romance involved as is the case between Olivia and Gabriel. I simply love Gabriel's character. James is a dangerous whacko who is being influenced so he doesn't count, but the highly lusty relationship between Olivia and Ricky is surprising. Having said that, I find Armstrong portrayal of both Ricky and Gabriel as males who don't judge Olivia for her personal relationships extremely refreshing. I do wonder if that will last? And, yes, Olivia is strong, intuitive and trying to figure out who she is, but at times I find her to be somewhat immature and impulsive with a touch of arrogance.

I love the ending. There is a step forward for Gabriel. It seems like the main story arc will pick up some momentum now that we have some major players and know a bit more about Cainsville. A new character will be added to the mix and I can't wait to see how that will play out! Do I really have to wait another year for the next book? Sigh…

Category: Urban Fantasy
Series: Cainsville
Publisher/Release Date: Dauton/August 19, 2014
Grade: B+

Visit Kelley Armstrong here..

Cainsville Series:
Omens, Book #1
Visions, Book #2

Friday, August 22, 2014

Review: Nice Dragons Finish Last by Rachel Aaron

Rachel Aaron's Nice Dragons Finish Last is the first installment in her new Heartstrikers urban fantasy series. Aaron’s world-building is based on the return of magic to the world that unleashes ancient magical beings such as dragons, Algonquin, the Lady of the Lakes, and awakens human mages and powerful spirits. As the setting, the new city of Detroit works well with Aaron's world building. Created sixty years ago when the powerful Algonquin’s magic cleansed and marked it as her territory, Detroit is divided into sections with a brand new, shiny surface showing the wealth of successful corporations lying on top of a rotted old Detroit that serves as a wild and dangerous underground where crime and poverty abound, and anything goes. The city as a whole is called the DFZ or the Detroit Free Zone where crimes are committed without real repercussions and most magical beings and practices are allowed with the exception of dragons who are banned and hunted by Algonquin.

The book has a combination of great action, humor, and fun characters with an overall storyarc that only begins to emerge at the end. Julius Heartstriker is the youngest and too nice to fit in with a vast family of ambitious, manipulative dragons. His mother Bethesda the Heartstriker kicks him out without warning and seals his dragon powers, so he can prove himself worthy of the Heartstriker name. As the runt, Julius learned early to hide from his powerful siblings and their draconic power games. Now, however, he has no choice but to get involved or Bethesda has threatened to eat him. Julius accepts to perform a "simple" job for brother Ian -- he is to return a young runaway dragoness to the powerful Three Sisters dragon clan, the Heartstriker clan's bitter nemesis. He immediately gains the help of Marci, a mage just arrived at the DFZ from Vegas, and they are off on a dangerous adventure complicated by mobsters, monsters, and most of all by Julius’s own siblings.

I enjoyed the central characters -- Julius's inadequacies as a dragon and his side kick, the tougher and more worldly Marci. They make a great team. Marci has troubles of her own which Aaron ties to Julius's attempts to redeem himself, blending both threads into one action-filled plot. Note: Marci would make a better dragon than Julius -- she is ruthless, ambitious, and cunning. Love her.

The secondary characters are my favorites and their contribution to the fun and dire situations in this book made for a well-rounded urban fantasy read. Bethesda "the Broodmare" is ruthless, but then so are her children: Chelsea the Enforcer, Ian the Spoiled, Cocky, Clueless Justin, and of course my favorite, Bob (Brohomir) the Crazy Seer. They all contribute to this installment's success with a combination of manipulative ambition and a humorous hidden case of sibling care and rivalry. In other words, they are crazy beautiful.

There are familiar elements to the basis for Aaron’s urban fantasy world-building -- ancient magic returning to the world, etc. However, this is a really fun read and I believe it is a solid introduction to what promises to be an enjoyable series. Additionally, I love Detroit as the setting, as well as the dragons as central characters – contemporary, technically savvy dragons who also hold on to ancient lore and traditions. Romance? There is a hint of romance with a promise of more to come. Nice Dragons Finish Last does not come close to urban fantasy perfection, but you know what? I had lots of fun reading it and I am hooked! Grade B

Thursday, August 21, 2014

TBR Review: Broken by Megan Hart

I'm late posting my review for this month's TBR Challenge. I read the book early this month, but worked extremely late last night and did not have a chance to finish my rough draft of the review until this morning. Regardless, I decided to post the review because I simply loved the book I chose to read. The theme for August is "Luscious Love Scenes." I chose to read Broken by Megan Hart for two reasons: the book has been in my TBR for a long time and I loved Dirty.

Broken is a sort of erotic women's fiction with conflicted characters and a thought provoking plot dealing with issues such as loss of self and emotional cheating. That's a simplistic way of summarizing this gripping, deeply emotional book.
This month my name is Mary. My name is different every month—Brandy, Honey, Amy…sometimes Joe doesn't even bother to ask—but he never fails to arouse me with his body, his mouth, his touch, no matter what I'm called or where he picks me up. The sex is always amazing, always leaves me itching for more in those long weeks until I see him again.
Joe -- A man looking for intimate connection and personal recognition in all the wrong places and with all the wrong people. Once per month Joe and Sadie meet for lunch and Joe plays Scheherazade, regaling Sadie with details of his erotic x-rated one-night stands. For most of the book, the "luscious sex scenes" come from Joe's narrative, as interpreted by Sadie. Initially, through Sadie's perspective the reader perceives Joe as a sexualized character, a manwhore who picks up women for sex on a regular basis. But ever so slowly small details about Joe are revealed through his erotic tales and conversations with Sadie. Eventually, Joe emerges as a man riddled with guilt and hungry for the intimacy that comes through a real connection with another.

Adam -- A man who has allowed tragedy to make him too proud to give and too resentful to enjoy life. Sadie's husband Adam was a brilliant poet with a powerful personality and love of adrenaline that swallowed everyone around him. They met at college and married after Sadie finished her doctorate in psychology. One year later, Adam became a quadriplegic after a tragic ski accident that changed their lives. Years later, he refuses to leave the house or to have physical contact or allow real intimacy with his wife even though it is possible. His love for Sadie is tinged with a large dose of resentment.
My real name is Sadie, and once a month over lunch Joe tells me about his latest conquest. But what Joe doesn't know is that, in my mind, I'm the star of every X-rated one-night stand he has revealed to me, or that I'm practically obsessed with our imaginary sex life. I know it's wrong. I know my husband wouldn't understand. But I can't stop. Not yet.
Sadie -- A giving woman sucked dry to the bone by loving, giving and not receiving, loses herself in the process. Sadie loves her husband Adam. She is a psychologist with a thriving practice, but when she comes home taking care of Adam is her priority. She has no social life and no one to give her emotional support except for paid assistants at home. Once a month, she does what she needs to do to stay sane. She meets Joe for lunch and listens as he regales her with his sexual adventures. Sadie becomes obsessed and in her fantasies, she becomes a place holder for all the women in Joe's x-rated one-night stands. To alleviate the loneliness and increasing sense of isolation, Sadie memorizes details of those stories for later and guiltily uses them as a substitute for pleasure when she is alone.

Physical and intimate emotional connection to another and individuality. Most humans crave that physical and intimate connection with another, but once that connection is broken, the individual is often left floundering. That is what happens to Sadie. The title Broken applies to all three characters, as well as to relationships.

Adam is broken physically and emotionally after his accident. Sadie is broken after she stops being an extension of the brilliant man Adam used to be, and their connection as husband and wife is severed when he stops giving and becomes resentful of her love and care. After Sadie loses that connection with Adam, she also loses herself. Joe is a broken man due to guilt, family disappointment, and lack of intimacy, yet he seeks women who only appreciate him on the surface for his beauty, sexual prowess, or financial security. Should Joe and Sadie's meetings be considered emotional cheating or mutual therapy sessions? Initially, I believe that is exactly what they were because both Sadie and Joe took the missing pieces of their lives from each other.

I loved Dirty, but Broken just goes beyond that for me. Broken is erotic women's fiction at its best because although the sensuality is on the high scale, and sex plays a central role in this evolving drama, the main focus of the story goes much deeper than that. This story ties three people with complex issues, but Broken is all about Sadie's journey -- how due to tragic circumstances, she loses herself through the years eventually finding a way to survive, discovering value in herself as a person and a woman who can finally look in the mirror and recognize her true self again.

"There you are Peter!"-- Hook


Sunday, August 17, 2014

Review: Magic Breaks (Kate Daniels #7) by Ilona Andrews

My Summary: While Curran is away on pack business Kate attends the monthly Conclave meeting with the People. All hell breaks loose when Hugh D'Ambray shows up accusing a shifter of assassinating a key member of the People and declares war on the Pack. A frantic race to discover who committed the murder and to stop the war ensues with pack members suffering terrible wounds, and ends with Kate getting caught and imprisoned by Hugh after the traitor among the pack finally comes to light. Curran comes to the rescue, however, Kate is left with no choice but to finally meet Roland face to face. Is she strong enough to defeat him? If not, what can she do in order to survive and save her friends and loved ones?

Magic Breaks takes this series in a whole new direction. This is a solid transition with a some growing pains. This installment is almost a two-part story with some abrupt transitions along the way -- the biggest one coming out of nowhere at the end. The first part is filled with the unrelenting, fast-paced action we have come to expect from the Kate Daniels series as Kate and her crew battle strange creatures, old frenemies and enemies in order to discover the identity of the assassin. The shifters in their supporting roles are, as always, a fantastic foil for Kate, both as friends and foes. The competitive relationship between Derek and Arcanio as well as the power play taking place between the wolf pack alpha Jennifer and Dessandra are notable. However, also notable in this section is how early in the story the Andrews team begin to tie up old established threads.

In what I think of as the second section, Kate and Ghastek are imprisoned in a grisly tower and Curran's character comes into play. The love between Curran and Kate continues to be beautiful and I believe it doesn't take anything away from either character, on the contrary it makes them both stronger. The action is not as relentless in this section, it is sporadic with moments left for recovery and planning, but of course there are long gruesome battles as well as confrontations with Hugh and Roland.

Hugh's character as one of the villains of this piece is memorable for embodying a few of those gray areas required of villains so they do not become over the top caricatures. He is a compelling character, although not in a sexy way -- at least not to me. Those same gray areas also apply to Roland. Roland, however, is a whole different ball of wax because although we know about his questionable intentions, he is still the big powerful mystery.

What I love most about this urban fantasy series is that Kate's character growth continues, that is most evident in her final acceptance of her true role and self. What I missed most in this installment was the fantastic mythology mystery solving that we usually get with each book. There are bits and pieces intertwined along the way, but those elements are a bit of a rehash this time around. And from the characters, I missed Aunt Bea and especially Kate and Andrea together during the action scenes.

My biggest disappointment has to be Kate's confrontation with Roland in Atlanta, particularly after all the build-up during this series. The resolution to this confrontation is foreshadowed early during the story. And while other installments are memorable for tough, action-packed, grand scale culminations, Magic Breaks ends with an over the top whimper. These observations, however, don't mean that I didn't enjoy this book, I believe Magic Breaks is a solid installment by an Andrews team that has set the bar rather high. Take into consideration that the end with Curran and Kate, yes and Julie too, is abrupt but truly intriguing. I like what it may mean for the future and can't wait to see how it plays out for the characters. Going by past history, it should be spectacular!

Category: Urban Fantasy
Series: Kate Daniels #7
Publisher/Release Date: Penguin Ace/July 29, 2014
Grade: B

Visit Ilona Andrews here.

Series:
Magic Bites, Book 1
Magic Burns, Book 2
Magic Strikes, Book 3
Magic Mourns, Novella (Must Love Hellhounds Anthology)
Magic Bleeds, Book 4
Magic Dreams, Novella (Hexed Anthology)
Magic Slays, Book 5
Magic Rises, Book 6

Related Novels:
Gunmetal Magic (Kate Daniels World #1) 

Sunday, August 10, 2014

Mr. Right Goes Wrong by Pamela Morsi

Pamela Morsi is a favorite writer whose Americana historical romances I dearly love. In Mr. Right Goes Wrong, Morsi's latest contemporary romance, she takes two people whose lives are made up of mistakes and bad choices and gives them the chance to prove to themselves and each other that change is possible.

Mazy Gulliver has been a doormat and a slave to love her entire adult life. She has chosen one wrong man after another with disastrous results. Mazy returns home with teenage son Tru to stay with her mother, determined to begin again and do right by herself and her son. Mazy's first move is to secure a job at the local bank as a loan collector working for Tad, Tru's biological father. She then visits her best friend Eli who is looking mighty fine these days. Sexual chemistry is still there between them, but Mazy is not sure Eli is for her until later when she slowly begins to believe that Eli may be her Mr. Right.

Eli Latham is the guy next door. He is sweet, nice and dependable and not Mazy's type, except when it comes to sex. Mazy is back in town and Eli's heart can't help but hope, but she is working with Tad the Cad -- does Mazy plan to get back with Tad? Eli still loves Mazy and comes to the conclusion that if she is looking for a new jerk in her life then he, Eli, is going to be her Mr. Wrong.

Morsi's Mr. Right Goes Wrong is both a romance and a personal road to wellness that encompasses both main characters, with Mazy the type of female protagonist that many readers may not like right off the bat. She has gone from one relationship to another, dragging her son Tru along the way. For a large portion of the novel as Mazy attempts to make sense of her life, she slowly turns a corner in her job but is still the clueless doormat I mention above in her newly minted relationship with Eli. She is downright pathetic at times and I admit to gnashing my teeth throughout many scenes. In Morsi's hands, however, there are reasons behind Mazy's actions as well as character growth and a good payoff at the end.

Of the two, Eli may be the most "sympathetic," at least initially. He's a fine, responsible man who loves Mazy unconditionally. Eli is also one of the most beta male characters I've encountered in a while -- caring, giving, and seriously laid back. But in his quest to win Mazy, Eli becomes as judgmental as the rest of those people he hated for hurting Mazy and goes too far. As he goes down the "beta to hard ass" road, Morsi brings Eli's character full circle and he makes a few personal discoveries of his own, not all them comfortable or pleasant.

Morsi excels at incorporating secondary characters from a small town and making their roles count. So we have tertiary characters that make an impact, as well as secondary characters such as Tru, -- a great character by the way and the love of Mazy's life -- Tad the Cad, Mazy's mother, and Eli's family. As a secondary storyline, Morsi successfully adds depth to this story by focusing on Tru's budding relationship with his biological father as well as on the relationship he develops with Eli.

In Mr. Right Goes Wrong, I find that the characters' journeys to personal wellness and happiness are interesting but equally frustrating. Morsi, however, has a talent for creating down to earth characters with depth and infusing subtle humor in her stories even when the issues they confront are complex. I recommend this romance to readers who appreciate Morsi’s writing style and enjoy a well earned happy ever after.

Category: Contemporary Romance
Series: None
Publisher/Release Date: Harlequin MIRA/August 1, 2014
Source: eARC Harlequin MIRA via NetGalley
Grade: B-

Visit Pamela Morsi here.

Wednesday, August 6, 2014

July's Minis: Molly O'Keefe, Ericka O'Rourke, Marie Force, Garrett Leigh

As promised, I'm continuing my summer reading updates today by featuring four books I read during the month of July. As you will see below the categories are different and so are my reactions to each one.

I have read quite a few westerns this year within all different categories, and chose to read Seduced by Molly O'Keefe after Wendy brought it to my attention by posting a review at her site (see a link to her review, as well as to Dear Author's at the bottom of my mini). Dissonance by Ericka O'Rourke (new-to-me author) is one of the books I had on my summer wish list,  and both I Want to Hold Your Hand by Marie Force and Only Love by Garrett Leigh (new-to-me author) are books that I chose to read because the book summaries caught my eye.
----------
Seduced (Into the Wild #1) by Molly O'Keefe: B+

I've read Molly O'Keefe's contemporary romances but that did not prepare me for her post-civil war historical western romance Seduced. It is not at all what I expected, it is much better. Our main characters are Southern Belle Melody Hurst and ex-soldier turned bounty hunter Cole Baywood. Melody's husband Jimmy, sister Annie, and Cole's brother Steven serve as the secondary characters in a self-contained, closed setting that keeps the high tension-fueled atmosphere going even after violence erupts and dissipates.

Melody has been to hell and back and after Jimmy is gone, she has nothing left to give of herself. Melody was a manipulative southern beauty before the war and will do whatever is necessary to secure a future for herself and her sister Annie to keep them safe. Seducing Cole is her answer. Cole can't see beyond the horror of war and everything he lost -- his family and innocence, his true self. All he sees is blood in his hands. Melanie's beauty and company remind him of who he used to be, but Cole will not settle with a woman who can't give him everything.

Gritty, that's the word that comes to mind when I think of Seduced. Melody may have been a Southern Belle in her past, but she's no wilting flower and Cole is passionate and tender but tough and not easily manipulated. The violent scenes at the beginning of this romance are not gratuitous and instead serve to anchor this romance to the historical time. The secondary characters are also explored and contribute much to the story adding to the central conflict of civil war torn lives and the developing relationship between Melody and Cole. This is a gritty, redemptive historical romance with depth of character and feeling, a big scoop of hope, and the beginning of love for our romantic couple at the end. I can't wait to read the second book in this series. (Historical Romance/Western, 2014)

Other reviews for Seduced:
The Misadventures of Super Librarian by Wendy: B+
Dear Author by Jane: B-

Dissonance (Dissonance #1) by Erica O'Rourke: C+

This YA science fiction/fantasy novel is set in a great multiverse world where music and musical notes are incorporated as a basis for travel between parallel universes. The first book of Ericka O'Rourke's Dissonance series is also heavy on the romance. Expect a few sections with info dump here and there and predictable characterization such as the rebellious, reckless teenager with major authority issues, the love triangle, and the absent, unlikable parents. The characters, with few exceptions, are not immediately likable.

As with other YA romances I have read in the past, I wondered when and why the love happens. There is a disconnect between the sudden crush that turns into a sort of immediate obsession coming from the sixteen-year-old female protagonist, the young male protagonist's lack of awareness of her, and the relationship that develops whereby she is willing to sacrifice it all -- including family, friendships, and world -- for him, while he is willing to sacrifice all for his mother. It comes off desperate and off-balanced to say the least. I don't know how young adults will feel about the romance aspect of this book, but that's how it struck me personally.

Regardless, the premise for the world-building and the overall mystery are both very good, and for those reasons Dissonance was worth a read for me. The story ends satisfactorily, if with a bit of a cliffhanger, ready for book two of the series. (YA/Fantasy, 2014)

I Want to Hold Your Hand by Marie Force: Grade C-

Great premise, but an oddly executed romance where the female protagonist's dead husband gets almost more page time than the hero of the piece. Whatever it is that Hannah feels for Nolan -- lust, attraction, admiration -- her life, her thoughts, even her new relationship, revolve around her "husband" Caleb. And she and everyone else, including Nolan, think of Hannah as "Caleb's wife." She cares more about what her dead husband's family think about her new relationship than her feelings for Nolan or Nolan's feelings for her -- a man who loves her deeply and passionately and waited for her for five years. This is a frustrating read where even at the end I was not convinced that after 7 years of grieving Hannah was ready for a new man in her life.

I believe that Marie Force wrote a good book about the process that widows of soldiers go through when they lose a beloved husband. I also believe that if the timeline for Hannah's and Nolan's romance had been longer, if they had gone through what they experience in this novel and came together later when Hannah was really ready, this romance would have worked beautifully. But as it is, I did not buy it. Nolan, as the new man in Hannah's life has to be more than a saint to accept the fact that he will always be second best -- and that's the way this strikes me. He will always be second best.

Force does a great job with the sexual tension and build-up to intimacy between Nolan and Hannah and I enjoyed that aspect of the story for the most part, until the couple makes it to the bedroom which was a big disappointment. A great addition, the Abbott family and townspeople helped me get through this odd romance. (Contemporary Romance, 2014) 

Recommended book with similar storyline that really works: Joe's Wife by Cheryl St. John

Only Love by Garrett Leigh: Grade B

This is a double hurt/comfort book with tons of angst. A war veteran suffering from an incurable decease and PTSD comes home and moves in with his sister-in-law's brother, a man who suffers from severe epilepsy and is monitored by his trained dog. The two men find solace in each other, with the dog becoming a bonus both to the relationship and the story. This is a well written, multiple tissue read with some surprisingly deep issues and a slew of emotionally draining moments. Only Love is my first book by Garrett Leigh, but it won't be my last. (LGBT/MM Romance, 2014) 

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I will return with more updates. Yes, I read more! My summer reading is going well so far and I haven't even picked up my August 'must reads' yet. :)

Later!

-

Thursday, July 31, 2014

Review: The Filly by Mark R. Probst

Mark R. Probst's The Filly is an LGBT young adult historical western romance. Probst captures the textured atmosphere and characterization found in traditional vintage westerns by focusing on a naive young man as he first experiences the beauty and dangers of the West. These firsthand experiences are later complicated by his growing attraction for a close buddy and existing prejudices and laws of the times.

The novel is divided into three sections beginning with The Cowboy which features seventeen-year-old Ethan Keller's life in a small Texas town. Ethan has two passions: books and horses. The books he borrows from the town’s teacher and resident spinster Ms. Peet with whom he shares a passion for literature. The horses he visits on his way home from his job as a clerk at the general store, but his dream is to own a beautiful horse one day. Life changes for Ethan after he meets Travis Cain, an itinerant young cowboy looking to work in the area. Travis befriends Ethan by allowing him to ride his gorgeous mare and eventually talks Ethan into signing up and going along with him on a 900-mile cattle drive.

In the second section, The Drive, Probst's novel really shines with detailed beauty and western atmosphere as young Ethan and Travis travel through plains, rivers, mountains and desert, encounter dangers and even death on the way to their final destination. During this time, Ethan discovers he feels more than friendship for Travis who obviously returns his feelings. Also notable in this section is Probst's execution of the tender, warm and loving romantic scenes, as well as the budding relationship between Travis and Ethan. Conversations during intimate interactions help Ethan understand his feelings, but also serve as cautionary foreshadowing of what is to come.

As the drive ends, Ethan and Travis make plans for a future together, but first they make their way home to prepare for a new journey. And so the third section, San Antone, begins. Travis and Ethan are met by heavy complications and events take a grim turn as they unfold. This section contrasts heavily with both The Cowboy and The Drive where the expectation and actualization of adventure and love drive the story. Probst introduces new characters with a few from the previous two sections returning to round up his cast of key secondary characters. Of those, Ms. Peet and Ethan's brother Willie are particularly notable to end. As things turn out, anachronistic thinking drives events to a certain conclusion. However, those events contribute to the happy ending expected of a romance. It is not a forced happiness, instead it is one that makes sense and works well within the context of this historical western.

I love my westerns and The Filly by Mark R. Probst fits perfectly in that category. It offers the small western town atmosphere and grandeur of the old American West, small town conflicts and the spirit of great adventure, but at its core this story is about truth, honor, prejudice, loyalty, friendship, and love. The Filly is a grand adventure and a solid contribution, perfect for LGBT young adults.

Category: LGBT/YA Historical Western Fiction
Series: None
Publisher/Release: Lethe Press/July 1, 2014 - Kindle Ed.*
Grade: B


*Note: The Filly was first released in 2007 by Cheyenne Publishing. It was rereleased in print by Lethe Press on July 1, 2014. It is also available in both audio and in ebook formats.

Sunday, July 27, 2014

Summer Reading: Land of Love and Drowning by Tiphanie Yanique

I think of Land of Love and Drowning as Tiphanie Yanique's magical-realism version of the U.S. Virgin Islands' history as told through the tangled lives of three generations of one family beginning with the trade between the Danish and Americans on March 31, 1917 and ending approximately in 1970.

Land of Love and Drowning may be read from two perspectives: as a multi-generational novel with a deeply disturbing subject matter at its core and magical elements taken from cultural folklore, or as a magical realism piece in the style of Gabriel Garcia Marquez's One Hundred Years of Solitude where characters and generations symbolize the historical and cultural struggles of a continent, or as is the case in Land of Love and Drowning, the annexed U.S. Virgin Islands.
"The people who had come together to make Captain Owen Arthur Bradshaw could be traced back to West Africans forced to the islands as slaves and West Africans who came over free to offer their services as goldsmiths. Back to European men who were kicked out of Europe as criminals and to European women of aristocratic blood who sailed to the islands for adventure. Back to Asians who came as servants and planned to return to their Indies, and to Asians who only wanted to see if there was indeed a western side of the Indies. And to Caribs who sat quietly making baskets in the countryside, plotting ways to kill all the rest and take back the land their God had granted them for a millennium."
Eeona Bradshaw, the eldest daughter of Captain Owen Arthur and Antoinette Bradshaw, is part of a pre-trade generation that comes to symbolize the old class-conscious, pre-American Virgin Islands. Ambitious but with a lack of vision, Eeona seeks freedom by clinging to an old way of life that erodes beauty and magic through resentment, hatred, and contempt of anything that reflects change. Still beautiful, but diminished and always arrogant, she idolizes a flawed past and attempts to preserve it by keeping its secrets and hiding the truth to disastrous effects. In the story, Eeona’s father Captain Owen Arthur with whom she becomes obsessed, and her mother Antoinette from whom she inherits her blind ambition represent the past.

Owen Arthur's bastard son Jacob exposes prejudices and racism, laying open America's true views and feelings toward the islanders during the American South's Jim Crow era. But Jacob, limited by fear and cowardice loses both love and magic by surrendering his true identity and becoming what he detests in exchange for success and acceptance. Jacob grows up as a McKenzie, a wealthy and well-known island family. Although he knows the truth about his identity, Jacob refuses to acknowledge it until it is too late.

Owen Arthur's youngest daughter Anette belongs to the post-trade generation. Proud of her Virgin Island roots, her narrative is entirely in the "Caribbean language tourist guidebooks will call Creole." Anette symbolizes the true spirit of the islands -- vibrant, open, loving, big hearted, magical, ambivalent, proud and ruthless. She is blinded by love and blindsided and deceived by family secrets, just as holding an incomplete view of its rich and flawed history blindsided and deceived a whole generation of islanders to the reality of their American status after the trade. She becomes the mother of future revolutionaries, islanders returning to their cultural roots, as well as to those who leave the shores and their hearts behind.

At the back of the book Yanique explains that some of the island's history used to create this novel was gathered from her grandmother, she also used her family's background to create some of the characters, and while some events are true to history the rest falls under fiction. The folklore or "magical stories" such as the Duenes are fiction and magic, while the "obeah" tradition comes from West African religions and can be found throughout the Caribbean, albeit under different names.

Yanique's female characters are well defined and central both to the story and as symbols in the magical realism aspect of this tale with male characters taking a backseat or weaker roles, but serving as a strong influence throughout both. Throughout the novel, the author uses heavy foreshadowing at the beginning of chapters or sections (sometimes throughout the narrative) and then develops the story until it comes to the expected conclusion. I found this technique intriguing but not always effective. The writing and descriptions of St. Thomas and Anegada are lovely, but what I enjoyed the most is how well characterization is tied to the historical fiction and magical realism aspects of the story. I found Yanique's characters to be as vibrant and complex as the mixture of cultures and antecedents that make up the U.S. Virgin Islands' population and as beautiful and magical as its nature and folklore.

This is a strong debut novel and one I recommend to readers who enjoy this style of magical story telling, however also take into consideration that disturbing subject matter/taboo relationships are central to the overall story. Grade B

Friday, July 18, 2014

Now and Yesterday by Stephen Greco

I love books that explore generational differences through intimate relationships and the effects those differences may or may not have on the individuals. Stephen Greco's Now and Yesterday in-depth exploration of aging and the evolution of relationships through queer history from the 70's gay revolution to current times, partly met my personal expectations of this of novel.

Through Peter's character, Greco focuses the romance aspect of his novel on struggles faced by survivors of an aging boomer generation of gay men who lost its vast majority to the AIDS epidemic, limiting choices to those looking for a meaningful relationship to a much-reduced group of contemporaries or men from a much younger generation. Additionally, because Peter's portrayal is largely anchored to the past, it affords Greco the opportunity to incorporate 70's post Stonewall queer liberation details and its resulting history through the same character.

Peter, a man of a "certain age," considers himself forward-thinking with a focus on the now and outlook toward the future. He uses that outlook and innate insight to maintain a successful career as an advertising executive. But musings about aging and the past are triggered by loneliness after he befriends Will, a young bartender for whom he develops a strong attraction that turns to love. It takes Peter a long time to get unstuck while he processes the past to make a grab for the future.

An AIDS survivor and widower, Greco's Peter is aging well and financially successful. In reality, Peter became a victim of grief after the loss of his partner Harold in 1989, and a man who gave up his dreams and settled -- first for a career in advertising and later into a ten year relationship with the wrong man. He struggles with these issues throughout the novel, both the settling and abandonment of dreams, which Greco uses to incorporate (the loss and restoration) of guidance as a theme. A theme explored simultaneously through Peter's past and Will's uncertainty about his future.

Greco portrays the 28 year old Will as a young, beautiful, rudderless man whose search for a future becomes a riddle he can't seem to solve, but who harbors a desire for a "true connection" that keeps bringing him back to Peter.
"So what's the big play now that you're an honest man, Will? A career, a relationship? A family?"
"I don't know, I don't know! I never had to know these things. I don't know how to know them."
In Greco's novel, Will represents a generalized view of a younger generation of gay men who seem lost and looking for success in a New York City where what you do = who you are. This view is clearly stated in a conversation between Peter's friend Jonathan and Will:
"Forgive me for saying so, but your generation is fucked," he said. "And I don't mean in a good way."
"I know," said Will.
"Completely overprotected and underchallenged."
"I know."
"And you've amused yourselves to death. No wonder all of you sit around watching vampire and zombie stories."
Will is not portrayed as a man without a thought otherwise Peter would not be attracted to him. He is interested in a stable relationship and queer history (although sometimes I thought that was his only attraction to Peter), and he succeeds in making a living as a magazine journalist, but he is ambivalent about everything. What makes him an "interesting" man? Why does he seem to have the upper hand in the relationship? The fact that he is young and beautiful? Is he really emotionally invested? Greco's characterization of Will eluded me and unfortunately I never saw him as more than a beautiful, if lucky, young man. Peter's insecurities about the age difference are understandable, yet he has so much more to offer including emotional involvement, leaving questions as to an emotional imbalance in this romantic relationship.

Tightly intertwined with these threads, Greco includes the story of Peter's friend and contemporary Jonathan, another widower and AIDS survivor sadly diagnosed with prostate cancer. Jonathan's vibrant personality, views of life, and witty dialogue, are uplifting and add life to this story. The intimate friendship and love between Jonathan and Peter provide the much needed connection with the reader that is missing from Peter's relationship with Will. I love Greco's characterization of Jonathan, a filmmaker who regardless of mourning his man to the end, unlike Peter, grabbed life by the balls and didn't let go until it was all done. I was particularly riveted by sections featuring Jonathan's film interview with a closeted poet who decides to come out in his 80's.

Greco's novel touched a few unexpected chords. I love the frankness and truth that comes across through his character's musings on aging, as well as how tightly he weaves in the impact, cost and effect of recent queer history. On the other hand, I found the proffered views about the younger generation of gay men to be somewhat bogged down by retro thinking and a tendency toward generalization in their portrayals. Regardless, Now and Yesterday is unquestionably a beautiful piece of writing infused with nostalgia and multiple layers that deserve a reader's time to properly dissect and process.

Category: LGBT/Contemporary Fiction/Romance
Publisher/Release Date: Kensington Publishers/May 27, 2014
Grade: B


Wednesday, July 16, 2014

TBR Review: The Iron King (Iron Fey #1) by Julie Kagawa

July's theme for Wendy's TBR Challenge is Lovely Rita -- Past RITA Winners or Nominees.

Young Adult romance is not my usual cup of tea. So why did I choose this book when I have many others to choose from in my stack of books? I was surprised to see it on the list of RITA winners under Young Adult "Romance," and the fantasy aspects of the book appealed to me. Besides, The Iron King was a gift from Nath during her 2011 RWA visit to NYC and it has been lingering in my TBR pile too long.

Meghan Chase has a secret destiny—one she could never have imagined…

Something has always felt slightly off in Meghan's life, ever since her father disappeared before her eyes when she was six. She has never quite fit in at school…or at home.

When a dark stranger begins watching her from afar, and her prankster best friend becomes strangely protective of her, Meghan senses that everything she's known is about to change.

But she could never have guessed the truth—that she is the daughter of a mythical faery king and is a pawn in a deadly war. Now Meghan will learn just how far she'll go to save someone she cares about, to stop a mysterious evil no faery creature dare face…and to find love with a young prince who might rather see her dead than let her touch his icy heart.

2011 RITA Winner for Young Adult Romance
The Iron King is a young adult fantasy with romance elements. The characters are based on Shakespeare's play A Midsummer Night's Dream, and the setting is the Nevernever or Faeryland. Meghan Chase's whole life changes on her sixteenth birthday when her brother Ethan is kidnapped and a changeling takes his place. Her life-long friend Robbie (or Robin Goodfellow/Puck) gives her a potion to help her see through glamour and escorts her to the Nevernever to search for Ethan where the real adventure begins.

There, Meghan discovers that she is King Oberon's half-breed daughter and that as his only child she can easily become a pawn in an ongoing war between her father's Summer Court and Queen Mab's Winter Court. But Meghan doesn't care and will do anything to take her brother home. When she discovers Ethan has been taken by an unknown evil in Faeryland, Meghan strikes dangerous bargains with anyone willing to help, including self-serving Grimalkin, a Cait Sith (or fey cat), a haggish Oracle, and Queen Mab's youngest son, the gorgeous but icy Winter Prince, Ash.

The Iron King has the ingredients to make a young adult fantasy a success: adventurous young characters with a rebellious streak, a beautiful magical setting filled with danger, tough challenges to overcome, friendships, loyalty, angst, and love. But besides all that, what really makes this fantasy stand out is Kagawa's successful incorporation of contemporary technology to the plot as part of the magical elements.

This is a young adult book, so if you look at the romance from a young adult's perspective, I'm sure that Meghan's crush on the beautiful, dark haired Winter Prince and his admiration for her also makes this aspect of the book a success. There is a beautiful scene at a ball where they dance and a mutual attraction is evident. Later, throughout their dangerous journey the attraction grows and Meghan and Ash forge a forbidden bond. However, there is no happy ever after in The Iron King (this is a series), and that being the case, I have to question whether this particular book qualifies as a romance.

Favorite Character: Grimalkin
This self-serving cat has enough personality to make up for Ash's constant gloom and grumpiness, Puck's overprotective streak, and Meghan's rashness. The cat's characterization is memorable and reminds me of those old fairy tale creatures that take unaware heroes through the wrong path just to teach them a lesson or two.

I enjoyed The Iron King. It's a light fantasy, solid and appropriate for young adults with the beginning of what promises to be an adorable young adult romance. I am saving the book for my nieces and will probably purchase the whole series for them. I know they will love it!

Category: Young Adult Fantasy/Romance
Series: Iron Fey
Publisher/Release Date: Harlequin Teen/February 1, 2010
Grade: B

Visit Julie Kagawa here.

Sunday, July 13, 2014

The Last Policeman Trilogy: World of Trouble by Ben H. Winters


World of Trouble is the conclusion, and the most personal and passionate installment, of Ben H. Winters' pre-apocalyptic mystery trilogy The Last Policeman.

"And I won't let go and I can't let go
I won't let go and I can't let go
I won't let go and I can't let go no more"
---Bob Dylan, "Solid Rock"

There are fourteen days left before Maia, the asteroid known as 2011GV₁, collides with Earth on October 3rd. Chaos and fear reign as some people panic, losing control, while others brace for the worst and hope for the best. Some are barricaded in basements or holes in the ground, last minute suicides abound, and yet others kill and hoard goods in order to survive whatever may come. Money is worthless, but water, food, gasoline, and guns, are priceless.

Detective Hank Palace gave up the relative safety of Police House in Massachusetts to search for his sister Nico. Hank last saw her in July after she saved his life. He can't forgive himself for letting her go with a dangerously radical group and not keeping his promise to keep her safe. Hank's search takes him on a road trip to a deserted police station in Ohio where he finds evidence of a brutal crime and Nico's presence. As the countdown to October 3rd begins, it leaves him little time and desperate to solve one last, very personal, case.

The focus and attention to detail makes World of Trouble an outstanding mystery read. I don't want to spoil the mystery by summarizing the entire story, but I will give you this much, World of Trouble is not a stand alone and it is imperative that Countdown City be read beforehand as details from that novel become key to Hank's search for Nico and to solving a final case filled with twists and unexpected turns. However, as in the first two books of this trilogy, Hank Palace's character is the real draw.

With the imminent destruction of the world at their doorstep, to most friends and the people Hank encounters throughout his investigation, he appears as nothing more than a quixotic character wasting his time. But we all know that Hank cares deeply, and that gathering information, getting the answers, and solving the mystery, also allow him to process fear, grief, loses, brief periods of joy and an acceptance that serves as a respite from the chaos surrounding him.

Winters achieves this marvelous characterization by personalizing Hank's cases throughout the trilogy and tightly weaving them with his well established pre-apocalyptic world building. In a World of Trouble, Winters combines the tight timeline with Hank's strict methodology and his emotional investment in the case to build and maintain a thrum of tension felt throughout the whole installment.

How far would you go to protect a loved one? And how would you choose to spend your last days on Earth? The answers to those questions represent the final central theme for World of Trouble through Hank's search for his sister, and as the end approaches, through his experiences with other characters, and to the fantastic end of this trilogy.

The Last Policeman trilogy is an excellent fusion of science fiction and mystery. Its effectiveness is derived from Ben H. Winters' creation of a pseudo contemporary setting that gives the overall story arc plausibility, and a central character that comes to symbolize human civilization by asking the tough questions even at the end of times. Highly recommended.

Category: Science Fiction/Mystery
Series: The Last Policeman
Publisher/Release Date: Quirk Books/July 15, 2014
Source: ARC Quirk Books
Grade: A-

Trilogy:
The Last Policeman, #1
Countdown City, #2
World of Trouble, #3

Thursday, July 10, 2014

Review: Butcher's Road by Lee Thomas

Butcher's Road is an atmospheric mystery thriller with supernatural elements, set in the violent 1932 gangster-ruled streets of Chicago and the spiritual world of a rainy New Orleans.

The story revolves around Butch Cardinal whose lifetime decisions led him from success on the wrestling mats to working as enforcer and errand boy for a Chicago Irish mobster. Unfortunately for Butch, he is sent to pick up a package from an Impellitari henchman and ends up smack in the middle of a hit. Butch escapes with the package and is framed for the murder, becoming a haunted man and the target of Italian Chicago mob-boss Marco Impellitari, dirty Chicago cops, a psychopath hit man, and the Alchemi, a secret organization of powerful magicians who collect, utilize, and protect arcane artifacts composed of "thinking" steel. With help from friend and ex-coach Rory Sullivan, Butch flees to New Orleans where he discovers that the ugly necklace in the package is an old mythical relic, and unexpectedly finds refuge in the arms of ex-wrestler and club owner Hollis Rossington.

Butcher's Road has been described as a "blend of gangster noir and supernatural horror." I agree. The story is dark. Lee Thomas incorporates the deep sense of hopelessness permeating the 1930's into plot, characterization, and atmosphere. His Chicago gangsters are unsophisticated, non-charismatic and resort to bloody violence without a second thought, and neither gangsters nor cops are glamorized in this novel. This is best exemplified by Thomas's characterization of Detective Curt Conrad whose portrayal as a physically and personally repulsive self-serving man without an iota of scruples symbolizes the police department's corruption in all its glory. Contrasting heavily is Thomas’s subtle characterization of Detective Lennon as an ambivalent man whose bouts of conscience make him a no-less self-serving or corrupt cop.

The supernatural aspects of the story are well established. Serving as an introduction to this theme, Thomas utilizes Butch's search for the truth surrounding the object he unwittingly possesses, leading to the discovery of magical objects and personal mystical powers, while further expanding on this theme with more explicit, if somewhat obscure, revelations through the Alchemi's hot pursuit and eventual contact with Butch.

While the occult plays a key, central role throughout and to end of this thriller, for me, it is Thomas' masterful portrayal of the incremental escalation and eventual loss of control of psychopathic killer Paul Rabin that provides the real horror. Rabin's role begins with a whisper in what seems like an innocuous scene, slowly progressing with coldly executed blood-letting, and escalating until all that is left are the amped-up internal screams of an out-of-control killer and the horror-filled vicious scenes he leaves behind.

Thomas portrays Butch as an honest man who never learns to play the "game" and whose harsh life lessons, beginning with an abusive father and ending with a fixed match that led to his present situation, taught him not to expect a fair fight. The odds are against Butch's survival and he becomes resigned to losing, but what I love most about him is his refusal to go down without a fight. His relationship with Hollis is unexpected, specifically because Butch is initially shocked by proof of Hollis's sexuality and tells him so with frankness. However while hiding at Hollis's home, Butch remembers past experiences that trigger a growing sexual attraction for Hollis, a giving man he already likes and respects. Eventually Butch makes the first move, beginning what becomes a peaceful, joyful period for both men.

Butcher's Road by Lee Thomas has a relentless quick-pace with the few moments of allowed reprieve filled with relevant information used to drive the story forward. It is an exciting thriller -- darkly violent and bloody -- that offers highly effective contrasts between warm and horrifyingly chilling moments and a surprising twist at the end. Highly recommended.

Category: LGBT - Spec Fic/Mystery Thriller
Series: None
Publisher/Release Date: Lethe Press/May 1, 2014 - Kindle Ed.
Grade: A-

Other recommended reads by Lee Thomas:
The German
Torn

Monday, July 7, 2014

Review: No Sunshine When She's Gone (Barefoot Williams #3) by Kate Angell

The Barefoot Williams contemporary romance series by Kate Angell is made up of summer goodness -- romance, sunshine on the beach, and life on a boardwalk that feels like an eternal fair. These books, without failure, whisk me away to a better place.

Jillian and her childhood friend Carrie work for the Richmond Rogues baseball organization. They came to Barefoot Williams for a year to work with the construction company building a new spring training facility and to prepare the public relations groundwork. The construction company owned by Aidan Cates and successfully managed with the aid of friend and construction supervisor Mike Burke. Jillian moves into Shaye's docked boathouse for the duration of her stay at Barefoot Williams and Aidan provides Carrie with the penthouse at a luxury apartment complex.

Jillian and Aidan first meet on the boardwalk when she is mistaken for a fortuneteller, leading to a cute pursuit by Aidan, flirtatious meetings and fun misunderstandings, and a quick attraction between the two. Aidan is confident, down-to-earth, warm and known to family and friends for his kindness. Jillian has some of the same qualities, plus she is tough and extremely protective of family and friends. She is also accustomed to telling white lies and reticent when it comes to commitment. They become friends and lovers with Aidan falling deeply in love while childhood baggage presents a conflict for Jillian.

In the meantime, Carrie and Mike also become embroiled with each other. Their relationship begins on a hostile note when Mike crosses the line by making personal sarcastic remarks to Carrie. Carrie is a sweet giving person and sees something in the abrasive man, choosing to ignore her friend Jillie's warnings to stay away from him. Both Mike and Carrie have gone through life-changing situations, but whereas Carrie made the best of it, Mike became an angry, bitter man. The last thing Mike expects when he pushes his way into Carrie's life is to find a passionate woman capable of healing his wounded soul.

I enjoyed the central romance. Jillian has issues to work out, but she is a delightful woman whose romance with the hunky Aidan is fun and emotionally satisfying because he falls for her completely. And who can resist that? Not Jillian. And, I love the secondary romance between Carrie and Mike. It has depth of character, intimacy, and passion, and a great couple that deserves a happy ending. Ms. Angell weaves both romances tightly which made both romances stand out. For example: the Carrie/Mike relationship and their individual histories are revealed through their personal points of view as well as through Aidan and Jillie as their close friends.

I previously enjoyed Ms. Angell's Barefoot Williams series because of the fantastic summer atmosphere. However when it comes to the romance, I often complained about the lack of focus on the central couples because of Angell's tendency to include multiple secondary romances. In No Sunshine When She's Gone, her style finally worked for me. This is a recommended as a fun summer/beach read.

Category: Contemporary Romance
Series: Barefoot Williams
Publisher/Release Date: Kensington Books/April 29, 2014
Grade: B

Series:
No Tan Lines #1
No Strings Attached #2
No Shirt, No Shoes, No Service (Novella in He's the One Anthology)
No Sunshine When She's Gone #3

Thursday, July 3, 2014

The Girl With All The Gifts by M.R. Carey

"Melanie was new herself, once, but that's hard to remember because it was a long time ago. It was before there were any words; there were just things without names, and things without names don't stay in your mind. They fall out, and then they're gone.

Now she's ten years old, and she has skin like a princess in a fairy tale; skin as white as snow. So she knows that when she grows up she'll be beautiful, with princes falling over themselves to climb her tower and rescue her."
I first read the extended free version sample(10 chapters) of The Girl With All The Gifts by M.R. Carey in May and was absolutely taken in by the author's fresh approach to what are basically the makings of an old horror tale. I had such a positive response to the short version that I actually became anxious to read the entire novel. The novel lived up to my expectations. There are different reasons behind that:

1) The relationship between the two main characters.
The growing attachment between ten-year-old Melanie and her teacher Ms. Justineau is central to the story. Although Melanie is confused as to whom or what she is, her IQ is also off the charts, and she is strong-willed and tenaciously protective of Ms. Justineau, just as Ms. Justineau is protective of Melanie. Yet, I believe that what makes this very tense, fast-paced action, horror thriller a particularly effective read is the heavy contrast between the unexpected poignancy that stems from Melanie's unconditional love for her teacher, and the dangerous situations and dark revelations unfolding around her.

In the beginning, Melanie thinks she's a normal little girl. She lives in a cell, just like the other children, and is only allowed out when Sergeant and his men strap her on a wheelchair and take her to eat or to classes for the day. Her best days are Ms. Justineau days! Until one chaotic day everything changes, and every day is a Ms. Justineau day. Helen Justineau knows what Melanie is and why she's in that cell, and although she's part of a team and understands the dangers that go with her position, she disregards warnings and dangers and comes to see Melanie as 'just a child.’ Protecting Melanie, helping her navigate dangers inside and outside the compound where they both live, becomes her mission.

2) World-building:
The Girl With All the Gifts is a post apocalyptic piece set in the UK, however, it is clear that years earlier the Breakdown was a global event that devastated civilization when the majority humans were infected by the “hungry” pathogen. There are pockets of isolated humans restricted to living in small towns and a few cities such as Beacon, and “Junkers,” gangs of humans who go about freely throughout the countryside and cities looting for hardware and goods in order to survive. But communication is down to the old basics and no one really knows who or what is left out there.

The basis for the world-building may sound familiar, however, Carey’s book strikes me as distinctive in that he doesn’t take unnecessary shortcuts. Carey uses science by incorporating biological details that explain how the hungry pathogen derived from Cordyceps works and evolves, adding scientific methodology used to study mutations, as the logical steps to arrive at the beginning point of the story, and later to its logical conclusion. He does so without sacrificing high level tension by weaving those excellent details with the fast-paced action and horror aspects found in the novel.

3) Secondary Characters:
Speaking of horror, I was more horrified by a human character's actions than the natural reaction of the infected "hungries." The ‘human monster’ is a familiar character whose motivations are usually portrayed as black and white because, no matter the consequences, they are always able to rationalize their actions. Although the ‘moral’ question is sometimes introduced, as was the case here, for the ‘human monster’ the conclusion is almost always the same: the end justifies the means. However, there's also a redemptive quality to another central secondary character that turned out to be an unexpected bonus.

Melanie is a child and as such she dreams of princes rescuing her from her tower. Her little life turns out to be much different from how she imagined it would be once she gets out of her cell and discovers the reality of her world. But like Pandora's box when it is opened, once brilliant, courageous Melanie emerges, good or bad, the world will never be same.

“Growing up and growing old. Playing. Exploring. Like Pooh and Piglet. And then like the Famous Five. And then like Heidi and Anne of Green Gables. And then like Pandora, opening the great big box of the world and not being afraid, not even caring whether what’s inside is good or bad. Because it’s both. Everything is always both.

But you have to open it to find that out.”

Monday, June 30, 2014

Review: Wingmen by Ensan Case

I began reading Wingmen by Ensan Case on a Saturday afternoon and couldn't put it down until I finished it late the following day. It's that good!

The love story between Lt. Commander Jack Hardigan, USN and Ensign Frederick "Trusty" Trusteau begins in 1943 toward the end of the Pacific conflict during World War II, after Pearl Harbor and the Battle of Midway. The Navy is in the midst of reorganizing the fleet and reconfiguring their strategy against the Japanese. Experienced naval combat aviators are scarce with a majority falling under the young and untried-in-battle classification.

When Trusteau transfers to the VF-20, the fighting squadron of Air Group Twenty, aboard the fictitious aircraft carrier Constitution, he is an inexperienced aviator and his new skipper Jack Hardigan, a hotshot veteran of Midway with quite a few kills under his belt. Trusteau's admiration for Hardigan is immediate and on a grand scale. As events unfold and Fred becomes Jack's wingman, for Jack, the trust that develops between them in the skies translates to everyday admiration of a young man whose flying skills highlight personal qualities, such as loyalty, efficiency and an ability to think on his toes, while on the ground.

Fred is clueless about his sexuality, but knows he’s indifferent to women and doesn’t ‘fit in’ with the other men in his squadron. To fit, Fred follows their lead and has sex with prostitutes, including when he transfers to the VF-20 squadron where he gains the nickname "Trusty" after lasting 17 minutes and gaining a stud’s reputation. But Fred doesn't understand why the other men make such a big deal about women. Yet, Fred does everything in his power to get close to Jack, and although it takes him a while to figure it out, it quickly becomes clear that Fred’s crush on his skipper is enormous. Jack, on the other hand, is dating a wealthy war widow, and for him it's all about company while on leave. There's more of a friendship than a sexual vibe between them, and Jack prefers to spend time with his men than with her. Unlike Fred, Jack fits in with the men and it isn't until much later that he begins to equate his desire for Fred's company and fear of losing him in combat with a more personal attachment.

These are the 1940's, so the feelings that grow between Jack and Fred are kept closely guarded even from each other. There are two intimate scenes between Jack and Fred that take place away from the ship but, like in the old movies, everything fades to black when they hit the sheets. But feelings and emotions go deep for both of them, and before and after their intimate moments even when the two men are alone on the ship, conversations and physical contact are maintained on the buddy level. There's no outward acknowledgment of feelings, particularly under the circumstances since they were at war.

And it’s war! Ensan Case's Wingmen is a plot and character driven novel. His research of what transpired in the Pacific during World War II is fantastic and his take of life in an aircraft carrier is riveting. There is a particular vibrant atmosphere to his portrayal of the life men lead at close quarters on the ship, as well as when they are on leave -- the hard drinking and incessant smoking, the jocular ribbing and womanizing, as well as the desire to distinguish themselves during battle – that allows the reader to know these men. Additionally, Case gives them distinct personalities, making the reader care whether they live or die.

Case also hits the right note when focusing on the politics of command and strategies used by the Americans to hit the Pacific islands -- beginning with Marcus and moving on to Wake, Tarawa, Kwajalein, and Truk -- by incorporating details without, for one moment, slowing the pace or the excitement of the novel. Those details make this novel what it is, as he also incorporates what is critical to the men: the maneuverability of Hellcats, Corsairs and Avengers, dangers of landing on the aircraft carriers, the terrible accidents, lack of supplies. All of those details lead to the strategic air battles in the skies, as well as the one-on-one situations which become some of the most tension-filled and exhilarating moments of the story.

Case ends the book with a postwar section mostly written in letter format that gives the reader a broad idea of what happens to the main characters after the war and an epilogue that ends in 1969. I would have preferred if Fred and Jack’s story had ended a bit earlier, but frankly that did not influence my love of this book one way or another. Wingmen by Ensan Case is a fabulous fusion of historical fiction and romance that I recommend to everyone, but particularly to those who love exciting, well-researched tales set in the Pacific during World War II, as well as to readers who love a war time, tension-filled romance. It is already in my list of 2014 favorites!

Category: Historical Fiction/Gay Romance
Series: None
Publisher/Release Date: Lethe Press/July 2014
Source: ARC Lethe Press
Grade: A


Saturday, June 28, 2014

Review: A Shiny Tin Star by Jon Wilson

Back in April, I read A Shiny Tin Star by Jon Wilson in one sitting. It made the top of my list as a favorite book of the month, and I've already re-read it once since then. A Shiny Tin Star was originally published by Cheyenne Publishing in 2012 and was well received with excellent reviews all around. I can definitely understand the reason behind those reviews. Lethe Press is re-releasing a few select books in July of 2014, this is one of them. Personally, I'm glad that Gene and Forest's romance won't be lost to future readers.

This historical western romance is set in Creek County, Colorado at the turn of the century in 1903, so it's a different sort of western. Townspeople are settled, the law is enforced, and there's not much of the "wild" left in the West. Sheriff Eugene Grey, a local, has matters under control and lives a relatively peaceful life until the young, arrogant Federal Marshal Forest O'Rourke shows up with an ancient wanted poster looking to arrest a local resident.
"I considered punching Forest O'Rourke in the face, the first time, about two minutes after making his acquaintance."
The narrative in this novel is strictly from Gene's first point of view perspective. It is quick witted, engaging, and absorbing throughout the novel, so of course I immediately fell in love with Gene Grey's voice and character. Not so much with young, arrogant Federal Marshal Forest O'Rourke or his brand new shiny tin star. That changes as the story unfolds and Gene exposes Forest's truths and vulnerabilities.
"Still, I gave him the benefit of the doubt that day for a couple of reasons, though mostly I claim I was bedazzled by the sunlight sparkling off his shiny, new badge."
Gene and Forest's story is divided into three parts. It begins with "The Law & Rawley Scoggins" and includes that first meeting, Forest's stubborn determination to arrest the old-timer, the disturbing end to those events for Forest and old Scoggins, and a few days of intimate acquaintance for Gene and Forest. Conversations lead to unexpected private revelations from both sides, particularly from Gene who finds himself attracted to young Forest and takes a leap by answering with the truth when asked why he is not married: "Because I like men, not women." 

What follows is a beautiful seductive scene where Forest takes the lead. This is a favorite scene where a tentative physical move with an almost tender quality builds into full-blown lusty passion between the two men. I found the depiction of this scene to be excellent, specifically in how well Wilson conveys sexual tension, lust, passion, and the emotions involved, without going into unnecessary minute graphic or explicit details.

In the second part of the book, "Diotima's Child," Forest returns to Creek County under false pretenses and moves in with Gene as his lover, eventually becoming Gene's temporary deputy. This section details a joyful period for Gene and Forest filled with passion and love. Their relief at having found each other, however, makes them a careless pair, so it's no surprise when all ends badly and the lovers end up making their way to Atlanta and Philadelphia in the final and, to my way of thinking, strongest section of the book "Lonesome Trail," where loneliness and terrible despair awaits them. And where Gene risks breaking the law, prison, and death for love.

Wilson's characters are a study in contrasts with Gene a confident, educated, working man from the West and Forest a hot-headed, almost illiterate (not-so-bright) well-to-do gentleman from the South. Needless to say, characterization is fine tuned as well, particularly Gene. Through Gene's narrative the reader experiences the full scope of the novel, as well as the inner workings of a self-assured man plagued by loneliness whose passionate love leads to such raging turmoil and despair that he will do anything for a smidgen of hope. To a lesser degree Forest's character, the man who inspires such passionate love, is also well rendered as he evolves throughout the novel. Wilson humanizes the characters by portraying their strengths and vulnerabilities during different sections of the novel, making them fit with each other, as well as with time, place, and setting.

A Shiny Tin Star is a romance with a happy ending. This historical western is memorable for its characters, its witty, engaging, straight-forward narrative style, and a sweet, passionate romance with conflicts that fit the historical period. It ends with one of the best memorable, quotable, last lines I've read in a long time. I would quote it for you, but don't want to spoil it. Read the book and find out!

Category: LGBT/Historical Romance/Western
Series: None
Publisher/Release Date: Lethe Press/ July 1, 2014
Source: eARC Lethe Press
Grade: B+