Poetry: Weaving the Boundary by Karenne Wood

Weaving the Boundary by Karenne Wood is, without a doubt, one of my favorite books of the year.

The very thorough summary for this poetry volume states that the collection "explores personal and collective memories and contemporary American Indian realities through lenses of human loss, desire, violence, and love." Yes it does, and, the success of that exploration originates with how Wood expresses those realities through poetry, and weaves history with contemporary issues. Her prose is gentle, lyrical or vigorous one moment, and deeply intimate the next. And haunting, always haunting! This powerful poetry collection shines with truth. Highly recommended.

All four parts of Weaving the Boundary: Keep Faith, Heights, Past Silence, and The Naming are meaningful and intense. Tough as it was to choose, I decided to highlight an excerpt from The Naming.

The Naming (excerpt)

******
Names have determined the world.
To use them, call language out whole,
immersing yourself in its sounds.
We are made from words, stories,
infinite chances through which
we imagine ourselves. Estranging
ourselves from the sensual world
in which language was born, we will die.

What if, as through history, a language
dies out, if its names cannot be uttered
or if they exist mapped
as place markers no one interprets:
Passapatanzy, Chattanooga, Saratoga?
They are part of the ground,
a language of vanishing symbols.

******

Is this what we are now?
fragmented,
a language of shattered dispersal?

Grief keeps watch
across a field darker than water.
We live in a wounded space,
voiceless cries breaking with all
utterance, even the idea of utterance.

Without a vocabulary, how
does the story continue? in words
that have murdered the people
before us, their voices airborne
like corn pollen, out into the desert?

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About the Author: Karenne Wood holds an MFA in poetry from George Mason University and a PhD in linguistic anthropology from the University of Virginia. She is an enrolled member of the Monacan Indian Nation and has served on the Monacan Tribal Council for many years. She directs the Virginia Indian Programs at the Virginia Foundation for Humanities.

Poetry: Angel Park by Roberto F. Santiago

Angel Park, the debut poetry collection by Roberto F. Santiago, explores the intersections of identity (familial, gender, sexual, racial, ethnic, spiritual, class, and linguistic) vis-à-vis the vehicles of travel, or motion from the familiar to the new, the loss of innocence that occurs within the process of maturation.

Let's get this out of the way first. I love this powerful poetry collection, Roberto F. Santiago's strong voice, and recommend Angel Park to anyone who will listen.

Now, let's get down to the book. Those few lines above are an excellent summation of what I found in Angel Park. The collection flows smoothly as it progresses throughout its three sections: Home, Away, and Far Away. That exploration of identity mentioned in the summary -- familial, gender, sexual, ethnic, spiritual, class, and linguistic -- grows stronger with each poem, in each section, and it is fabulously integrated throughout the whole collection.

Although Home holds strong ethnic and familial poems -- "Café con Abuela," "¡Canta Conquí Canta!, "A Blessing," -- they are not exclusive to this section.  Home is where it all begins, however, with family and early personal experiences as the core. The section ends on a powerful note with a few poems such as "Some Birds are Exotic", "Self-portrait of a Boy Kicked Out of His House" and "The Lexington Avenue Line: III. Castle Hill Ave." "There is a boy with teardrops for eyelashes[…]" The end to Home, organically leads to Away.

In Away, the shortest section of the collection, Santiago's poems move away from early youth, gaining strength and momentum. There is a shift which, although personal in nature, sets out to discuss the very nature of racial, class and gender issues, as well as sexual identity. This momentum continues, leading to the last section, Far Away, where Santiago ends the collection by exploring queer life through bold, vibrant poems such as: "The Day He Became Queen," and "The Ways of Men."

Angel Park has been in my possession for a long time; since last year. I have read it many times since then and keep it at my bedside. I could not review it at the time. There is a good reason for that. A poem. The last poem. Was it written for me?

For Those Left Behind

When loss is all you have
left let me remind you
at cinnamon dusk
the dead can dance.

They percuss          the thrash of hearts
                            against their chests
                            with dribble bounce
                            and ball of foot

They timpani          pulse & rattle bone of ankle to knee
                             shimmy-crescendo their hips & neck

They raise              hands like flags
                            waive them like freedoms.

In the realm of the spirit
there is life, and then there is
consciousness. A stillness
of breath condensed

on top of another
like fermented prayer
I can hold in my hands
as the snow crashes down

take comfort in knowing
endings are never
as final as they sound.
This, too, shall pass.

--------------------------
ABOUT THE AUTHOR: Roberto F. Santiago has an MFA in Creative Writing from Rutgers University and is a Coordinator of Post-Secondary Education in San Francisco. He is a Lambda Literary Scholar and past recipient of the Alfred C. Carey Prize for Poetry. He lives in Oakland.

Poetry of Resistance: Voices for Social Justice ed. Francisco X. Alarcón, Odilia Galván Rodríguez

On April 20, 2010, nine Latino students chained themselves to the main doors of the Arizona State Capitol in an act of civil disobedience to protest Arizona’s SB 1070. Moved by the students’ actions, that same day Francisco X. Alarcón responded by writing a poem in Spanish and English titled “Para Los Nueve del Capitolio/ For the Capitol Nine,” which he dedicated to the students. The students replied to the poem with a collective online message. To share with the world what was taking place, Alarcón then created a Facebook page called “Poets Responding to SB 1070” and posted the poem, launching a powerful and dynamic forum for social justice.

Since then, more than three thousand original contributions by poets and artists from around the globe have been posted to the page. Poetry of Resistance offers a selection of these works, addressing a wide variety of themes, including racial profiling, xenophobia, cultural misunderstanding, violence against refugees, shared identity, and much more. Bringing together more than eighty writers, the anthology powerfully articulates the need for change and the primacy of basic human rights. Each poem shows the heartfelt dedication these writers and artists have to justice in a world that has become larger than borders.

Poetry of Resistance is a poetic call for tolerance, reflection, reconciliation, and healing.

The events that occurred in Arizona in 2010, and Arizona's SB 1070, were the subject of extensive discussions and debates at my home and among friends and family. As immigrants, none of us took these events lightly, particularly since at the time it seemed to be setting a dangerous precedent that would affect the civil rights of a large percentage of the population. As a result, I found myself identifying with many of the poems included in Poetry of Resistance.

In today's toxic and divisive political atmosphere, this powerful poetry volume is both relevant and sorely needed. Perhaps more so than ever.

As an example, I've chosen to highlight one of my many favorite poems.

OLMECAN EYES

Lorna Dee Cervantes

Olmecan eyes gaze into the future,
a path of light piercing the forest,
heavy lidded with the past, ancient
sorrows carved into stone. With rain,
the present leaks into now, into the DNA
of fallen stars, the mystery of oceans
the settled silt of settling into culture

Olmecan eyes reborn. The infant
stone unfurling in our navels.
Another civilization reconquers
the wilderness of today. Sun devouring
Earth, we are shadows of the way
we were, beneath the shifting planets,
the comets, the desolate inconsolable moon.

Into the history of obsidian blades,
a human heart beats on the plate,
the slate of our division thinning
into someone's blood. The blood of
The People surging still beneath
the pursed lips, the pierced tongue,
the sudden pulse. We are The People

still. Our constitution stolen
from us in the fear. We rise, not
vengeful, but full of the peace
of knowing, our present tense.

------------

Juan Felipe Herrera, U.S. Poet Laureate: "Borders can be overcome with the revolutionary tenderness of poems. This anthology is an incredible assemblage of voices and letters that proves that collective poetry is the answer to the violence-filled policies that increasingly face us in these times."

Review ⎪Glitterwolf: A Letter to My 16 Year Old Self ed. Matt Cresswell

"Dear Me,
It is not easy to write this review. It took me longer than expected. The letters I read in this collection were deeply moving, and as consequence left me thinking too much about a 16 year old dreamer and the lifetimes lived since. Could I ever be brave enough to share myself, my truths, as intimately and bravely as these writers? I don't believe so. But they did. And, now, I can't stop thinking about their honesty, struggles, happiness, and sorrows." Hilcia

Glitterwolf: A Letter To My 16 Year Old Self edited by Matt Cresswell is a collection featuring 33 LGBT authors sending a letter to their sixteen year old selves. The core theme is Identity. The identity theme is strongly carried throughout the collection by contributing authors identifying as gay, bisexual, lesbian, transgender, genderqueer, and one from a married gay man who remains in the closet to this day. The letters’ contents are as diverse as the writers’ identities and experiences.

"I know you're not like the other girls in your class, you never have been, you never will be. That's okay though, it really is, you can live in that in-between world quite happily where you're female but you're not a girl. Not girlie. You don't need to be.

It doesn't matter. None of it. None of the little boxes you're so desperately trying to fit yourself into matter. Not now, not later." Rhian Williams

The collection is 78 pages and the majority of the letters are one to two pages long. Length, however, does not preclude this collection from making a high impact on the reader. All the letters are personal and deeply moving.

"Days that feel dark, days that seem neverendingly hopeless, do end. The sun does rise, whether or not you want it to (and there are days you want both). Accept joy. Accept love. Accept the messiness of existing. Embrace it all. You will never have the chance to do so again once it's gone. Breathe." Victoria Villasenor

The letters range from the optimistic and brilliantly defiant to sad and downright dark in content. There is no getting away from a shared sense of loneliness, isolation, subtle anger, and caring tenderness. There is also hope, whether the focus of that hope is centered on finding love or a successful career shifts with each individual.

I also found it fascinating that there is a secondary, underlying generational theme to this collection since the contributors' ages range from the early 20's to the 60's. The letters are written from the present to the writers’ past selves, and so age, hindsight, and experience must be taken into consideration. Unfortunately, place and society's fluctuating viewpoints are also a factor.

"It is so easy to be queer, where and when you are, or is it me? I don't even remember realizing I was different to my friends or deciding to keep it a secret. It was no problem." Nick Campbell

Campbell's experience seems to be in the minority. The majority of the letters show inner and outer struggles. Older generations and those growing up in small towns seem to have had a tougher time as teenagers struggling with identity issues. Gay poet C.S. Crown's letter is representative of his generation's experiences, however, it stands out for different reasons. Crown is 65 years old, married, and in the closet. This fascinating letter clearly, and without hesitation, outlines a lifetime of decisions.

"[…] the shadows from your closet will call out to you over and over again, and you will dream of the man-you-might-have-been. Look carefully at the shadows; I am one of them. Will you recognize me?" C. S. Crown

Ultimately, the strength of this excellent collection lies in the intimacy with which the contributing writers, as individuals, share pivotal moments while in their journey to embracing identity -- going from the uncertain questioning of the 16 year old, to the knowing, accepting, “Me.” Highly recommended.

"When you are my age, even earlier, you'll find that your name would stand for something that you no longer identify with, your identity as a boy. You are probably saying right now "What are you talking about?" Hello, I was you. I know about how much you felt since you were 5 that you should've been born a girl." Paulina Angel

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Glitterwolf: A Letter to My 16 Year Old Self edited by Matt Cresswell is out now available via all Amazon marketplaces. It has been released on its own, or can also be purchased as part of Issue Eight of Glitterwolf. The Attic Press Website: www. glitterwolf.com

The Last Policeman Trilogy: World of Trouble by Ben H. Winters

World of Trouble is the conclusion, and the most personal and passionate installment, of Ben H. Winters' pre-apocalyptic mystery trilogy The Last Policeman.

"And I won't let go and I can't let go
I won't let go and I can't let go
I won't let go and I can't let go no more"
---Bob Dylan, "Solid Rock"

There are fourteen days left before Maia, the asteroid known as 2011GV₁, collides with Earth on October 3rd. Chaos and fear reign as some people panic, losing control, while others brace for the worst and hope for the best. Some are barricaded in basements or holes in the ground, last minute suicides abound, and yet others kill and hoard goods in order to survive whatever may come. Money is worthless, but water, food, gasoline, and guns, are priceless.

Detective Hank Palace gave up the relative safety of Police House in Massachusetts to search for his sister Nico. Hank last saw her in July after she saved his life. He can't forgive himself for letting her go with a dangerously radical group and not keeping his promise to keep her safe. Hank's search takes him on a road trip to a deserted police station in Ohio where he finds evidence of a brutal crime and Nico's presence. As the countdown to October 3rd begins, it leaves him little time and desperate to solve one last, very personal, case.

The focus and attention to detail makes World of Trouble an outstanding mystery read. I don't want to spoil the mystery by summarizing the entire story, but I will give you this much, World of Trouble is not a stand alone and it is imperative that Countdown City be read beforehand as details from that novel become key to Hank's search for Nico and to solving a final case filled with twists and unexpected turns. However, as in the first two books of this trilogy, Hank Palace's character is the real draw.

With the imminent destruction of the world at their doorstep, to most friends and the people Hank encounters throughout his investigation, he appears as nothing more than a quixotic character wasting his time. But we all know that Hank cares deeply, and that gathering information, getting the answers, and solving the mystery, also allow him to process fear, grief, loses, brief periods of joy and an acceptance that serves as a respite from the chaos surrounding him.

Winters achieves this marvelous characterization by personalizing Hank's cases throughout the trilogy and tightly weaving them with his well established pre-apocalyptic world building. In a World of Trouble, Winters combines the tight timeline with Hank's strict methodology and his emotional investment in the case to build and maintain a thrum of tension felt throughout the whole installment.

How far would you go to protect a loved one? And how would you choose to spend your last days on Earth? The answers to those questions represent the final central theme for World of Trouble through Hank's search for his sister, and as the end approaches, through his experiences with other characters, and to the fantastic end of this trilogy.

The Last Policeman trilogy is an excellent fusion of science fiction and mystery. Its effectiveness is derived from Ben H. Winters' creation of a pseudo contemporary setting that gives the overall story arc plausibility, and a central character that comes to symbolize human civilization by asking the tough questions even at the end of times. Highly recommended.

Category: Science Fiction/Mystery
Series: The Last Policeman
Publisher/Release Date: Quirk Books/July 15, 2014
Source: ARC Quirk Books
Grade: A-

Trilogy:
The Last Policeman, #1
Countdown City, #2
World of Trouble, #3

Review: Wingmen by Ensan Case

I began reading Wingmen by Ensan Case on a Saturday afternoon and couldn't put it down until I finished it late the following day. It's that good!

The love story between Lt. Commander Jack Hardigan, USN and Ensign Frederick "Trusty" Trusteau begins in 1943 toward the end of the Pacific conflict during World War II, after Pearl Harbor and the Battle of Midway. The Navy is in the midst of reorganizing the fleet and reconfiguring their strategy against the Japanese. Experienced naval combat aviators are scarce with a majority falling under the young and untried-in-battle classification.

When Trusteau transfers to the VF-20, the fighting squadron of Air Group Twenty, aboard the fictitious aircraft carrier Constitution, he is an inexperienced aviator and his new skipper Jack Hardigan, a hotshot veteran of Midway with quite a few kills under his belt. Trusteau's admiration for Hardigan is immediate and on a grand scale. As events unfold and Fred becomes Jack's wingman, for Jack, the trust that develops between them in the skies translates to everyday admiration of a young man whose flying skills highlight personal qualities, such as loyalty, efficiency and an ability to think on his toes, while on the ground.

Fred is clueless about his sexuality, but knows he’s indifferent to women and doesn’t ‘fit in’ with the other men in his squadron. To fit, Fred follows their lead and has sex with prostitutes, including when he transfers to the VF-20 squadron where he gains the nickname "Trusty" after lasting 17 minutes and gaining a stud’s reputation. But Fred doesn't understand why the other men make such a big deal about women. Yet, Fred does everything in his power to get close to Jack, and although it takes him a while to figure it out, it quickly becomes clear that Fred’s crush on his skipper is enormous. Jack, on the other hand, is dating a wealthy war widow, and for him it's all about company while on leave. There's more of a friendship than a sexual vibe between them, and Jack prefers to spend time with his men than with her. Unlike Fred, Jack fits in with the men and it isn't until much later that he begins to equate his desire for Fred's company and fear of losing him in combat with a more personal attachment.

These are the 1940's, so the feelings that grow between Jack and Fred are kept closely guarded even from each other. There are two intimate scenes between Jack and Fred that take place away from the ship but, like in the old movies, everything fades to black when they hit the sheets. But feelings and emotions go deep for both of them, and before and after their intimate moments even when the two men are alone on the ship, conversations and physical contact are maintained on the buddy level. There's no outward acknowledgment of feelings, particularly under the circumstances since they were at war.

And it’s war! Ensan Case's Wingmen is a plot and character driven novel. His research of what transpired in the Pacific during World War II is fantastic and his take of life in an aircraft carrier is riveting. There is a particular vibrant atmosphere to his portrayal of the life men lead at close quarters on the ship, as well as when they are on leave -- the hard drinking and incessant smoking, the jocular ribbing and womanizing, as well as the desire to distinguish themselves during battle – that allows the reader to know these men. Additionally, Case gives them distinct personalities, making the reader care whether they live or die.

Case also hits the right note when focusing on the politics of command and strategies used by the Americans to hit the Pacific islands -- beginning with Marcus and moving on to Wake, Tarawa, Kwajalein, and Truk -- by incorporating details without, for one moment, slowing the pace or the excitement of the novel. Those details make this novel what it is, as he also incorporates what is critical to the men: the maneuverability of Hellcats, Corsairs and Avengers, dangers of landing on the aircraft carriers, the terrible accidents, lack of supplies. All of those details lead to the strategic air battles in the skies, as well as the one-on-one situations which become some of the most tension-filled and exhilarating moments of the story.

Case ends the book with a postwar section mostly written in letter format that gives the reader a broad idea of what happens to the main characters after the war and an epilogue that ends in 1969. I would have preferred if Fred and Jack’s story had ended a bit earlier, but frankly that did not influence my love of this book one way or another. Wingmen by Ensan Case is a fabulous fusion of historical fiction and romance that I recommend to everyone, but particularly to those who love exciting, well-researched tales set in the Pacific during World War II, as well as to readers who love a war time, tension-filled romance. It is already in my list of 2014 favorites!

Category: Historical Fiction/Gay Romance
Series: None
Publisher/Release Date: Lethe Press/July 2014
Source: ARC Lethe Press
Grade: A

Review: A Shiny Tin Star by Jon Wilson

Back in April, I read A Shiny Tin Star by Jon Wilson in one sitting. It made the top of my list as a favorite book of the month, and I've already re-read it once since then. A Shiny Tin Star was originally published by Cheyenne Publishing in 2012 and was well received with excellent reviews all around. I can definitely understand the reason behind those reviews. Lethe Press is re-releasing a few select books in July of 2014, this is one of them. Personally, I'm glad that Gene and Forest's romance won't be lost to future readers.

This historical western romance is set in Creek County, Colorado at the turn of the century in 1903, so it's a different sort of western. Townspeople are settled, the law is enforced, and there's not much of the "wild" left in the West. Sheriff Eugene Grey, a local, has matters under control and lives a relatively peaceful life until the young, arrogant Federal Marshal Forest O'Rourke shows up with an ancient wanted poster looking to arrest a local resident.

"I considered punching Forest O'Rourke in the face, the first time, about two minutes after making his acquaintance."

The narrative in this novel is strictly from Gene's first point of view perspective. It is quick witted, engaging, and absorbing throughout the novel, so of course I immediately fell in love with Gene Grey's voice and character. Not so much with young, arrogant Federal Marshal Forest O'Rourke or his brand new shiny tin star. That changes as the story unfolds and Gene exposes Forest's truths and vulnerabilities.

"Still, I gave him the benefit of the doubt that day for a couple of reasons, though mostly I claim I was bedazzled by the sunlight sparkling off his shiny, new badge."

Gene and Forest's story is divided into three parts. It begins with "The Law & Rawley Scoggins" and includes that first meeting, Forest's stubborn determination to arrest the old-timer, the disturbing end to those events for Forest and old Scoggins, and a few days of intimate acquaintance for Gene and Forest. Conversations lead to unexpected private revelations from both sides, particularly from Gene who finds himself attracted to young Forest and takes a leap by answering with the truth when asked why he is not married: "Because I like men, not women." 

What follows is a beautiful seductive scene where Forest takes the lead. This is a favorite scene where a tentative physical move with an almost tender quality builds into full-blown lusty passion between the two men. I found the depiction of this scene to be excellent, specifically in how well Wilson conveys sexual tension, lust, passion, and the emotions involved, without going into unnecessary minute graphic or explicit details.

In the second part of the book, "Diotima's Child," Forest returns to Creek County under false pretenses and moves in with Gene as his lover, eventually becoming Gene's temporary deputy. This section details a joyful period for Gene and Forest filled with passion and love. Their relief at having found each other, however, makes them a careless pair, so it's no surprise when all ends badly and the lovers end up making their way to Atlanta and Philadelphia in the final and, to my way of thinking, strongest section of the book "Lonesome Trail," where loneliness and terrible despair awaits them. And where Gene risks breaking the law, prison, and death for love.

Wilson's characters are a study in contrasts with Gene a confident, educated, working man from the West and Forest a hot-headed, almost illiterate (not-so-bright) well-to-do gentleman from the South. Needless to say, characterization is fine tuned as well, particularly Gene. Through Gene's narrative the reader experiences the full scope of the novel, as well as the inner workings of a self-assured man plagued by loneliness whose passionate love leads to such raging turmoil and despair that he will do anything for a smidgen of hope. To a lesser degree Forest's character, the man who inspires such passionate love, is also well rendered as he evolves throughout the novel. Wilson humanizes the characters by portraying their strengths and vulnerabilities during different sections of the novel, making them fit with each other, as well as with time, place, and setting.

A Shiny Tin Star is a romance with a happy ending. This historical western is memorable for its characters, its witty, engaging, straight-forward narrative style, and a sweet, passionate romance with conflicts that fit the historical period. It ends with one of the best memorable, quotable, last lines I've read in a long time. I would quote it for you, but don't want to spoil it. Read the book and find out!

Category: LGBT/Historical Romance/Western
Series: None
Publisher/Release Date: Lethe Press/ July 1, 2014
Source: eARC Lethe Press
Grade: B+

Review: Scruffians! by Hal Duncan

---I was born under a bad signpost, says Foxtrot Wainscot Hottentot III.
---I was stolen from bypasses, says Puckerscruff of the urchins.
---I was raised by werewolves, says Flashjack of the hellions.
---I ran away from the circus, says Joey Picaroni.
---I bought me soul from the Devil, says Nuffinmuch O'Anyfink, king of the tinkers.
---I was a teenage virgin mum, says Bananastasia Roamin-hopper, rightful Princess of Russia (allegedly).
---I took the King's shilling and died in all his wars, says Ratatat Dan. But not for the likes of you.
---You see, says Gob, a Scruffian's story needs a hook.

I fell in love with Hal Duncan's collection, Scruffians! as soon as I read the first story. How can that be? Well, as Gob would say, that one story is the hook. It got me to read the whole book in one sitting.

Hal Duncan's work can be dense, non-linear, and highly imaginative along with extraordinary writing skills that always impress. With the addition of his homoerotic fantasy-based Scruffian stories, mythology-based fairies and pirates, and other fun adventures found in this short story speculative fiction collection, readers get a well-defined sense of what makes Duncan such a fine story teller and weaver of dreams.

The Scruffian pieces are connected primarily through world-building and recurring characters. In "How a Scruffian Starts Their Story," "How a Scruffian Gets Their Name," "Scruffian's Stamp," "An Amfabetcha of Scruffian's Names," and "Jack Scalliwag," Duncan weaves fantasy stories of lost boys and girls, some very young and others older, that after having been used or abused through the ages, gained semi-immortality and banded together in order to survive. Duncan's Scruffians are outsiders, rough and tough fighters and survivors who stand up for one another, and others, when nobody else will. In "Behold of the Eye," a recurring character, this time appearing as a fairy, inhabits the eye of a boy and experiences from the inside the changes, anguish, and terrors that take place as the boy grows into a teenager and realizes he is gay. This is a coming of age fairy tale like you've never read before.

Orphans, foundlings, latchkey kids.
Urchins, changelings, live-by-wits.
Rascals, scallywags, ruffians, scamps.
Scoundrels, hellions, Scruffians STAMP!

The characters alone make these stories stand out, but what really captures the attention is how Duncan mixes fantasy with raw reality and urban contemporary language. It is a rough reality that he depicts in the guise of fantasy. However, Duncan's boys, sodomites or not, are sexy, sly, and playful, and his stories are also filled with a high dose of fun, as well as homoeroticism, adventure, quests, and strong underlying emotions.

The collection slowly shifts to other speculative fiction pieces such as "The Disappearance of James H---," a twist on Peter Pan and Captain Hook, "The Island of the Pirate Gods," a fun, mythology-based piece with two pirates and Oberon's fairies that is filled with adventure and a fantastic narrative, and "The Shoulder of Pelops," another twist, based on the Tantalus and Pelops myth. There are also three unique pieces, the art-focused "The Bizarre Cubiques," the western-style "Sons of the Law," and my favorites in this group "The Angel of Gamblers," a story that I loved for its excellent pacing and suspenseful narrative about a gambler who sells his soul to an angel and then attempts to gain it back.

I previously read three stories included in this collection, all chosen as favorites in years past. "Sic Him, Hellhound! Kill! Kill!" I absolutely loved for its unique, fun, first person narrative from the hellhound's perspective, but for me, "Oneirica" and "The Nature of the Fiend" stand out for the distinct ways in which Duncan takes characters and readers from one plane to another. In "Oneirica," Duncan lulls the reader by using smooth dreamlike sequences that begin when a man looks into a grain of sand and travels through the ages experiencing the evolution of man and civilizations, while in "The Nature of the Fiend," the changes are surprising, abrupt, and a shock to the reader, as time evolves and a boy's recurring losses and cumulative grief bring out the darkness in him. This is a simplistic way of summarizing these stories because with their complexity and beauty they both garner strong reactions from the reader and are worth a reread or two.

To date, Scruffians! is one of my favorite single-author collections of the year -- I've already read it twice. It is the first compilation of Hal Duncan's short works and includes 15 previously published speculative fiction pieces. They are all of the upmost quality, bearing the distinct Duncan signature: a mixture of mythology and urban contemporary, fantasy and raw reality, as well as beautiful, often complex and thought-provoking plotting and characters. I find that Duncan's short works leave me gasping with excitement or reaching for better understanding, and always wanting more. Highly recommended.

Category: LGBT/Speculative Fiction
Series: None - Single Author Collection
Publisher/Release Date: Lethe Press/April 19, 2014
Grade: A

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ADDITIONAL INFO: Lethe Press is offering a Deluxe edition of Duncan's first short story collection. Hardcover, with dust jacket, full color art and text on heavy stock paper. Scandalous cover, too. This edition has an original story not to be found in the regular edition as well as over 40 photographs that complement the homoerotic tales. Click here for more details.

Review: Cub by Jeff Mann

Not every gay teen yearns for fashion and popular culture. Some boys are pure country folk and like the feel of flannel and the smell of the farm. And they're neither lithe nor muscle-bound but stocky boys, the ones who develop hairy chests, arms, and faces years earlier than their peers. One such seventeen-year-old is Travis Ferrell, shy among most of the other kids at school, but proud of his West Virginia roots. He has not yet admitted his passion for handsome guys--and his idea of what handsome is and what handsome does is not much different from him. Soon he'll learn that he's not unique; gay culture has a name for young men like him. Cubs. Lambda Literary Award-winning author Jeff Mann has written a touching romance for the outsider in us all.

Cub is a special gift from Jeff Mann to all young cubs out there. It is written for young adults who feel like outsiders, including the gay mainstream community. My first thought when I began reading Cub was that Mann dug deep into his own history and experience to create this young adult romance, the central character Travis Ferrell, and Travis's journey of self-discovery.

Travis is a handsome young man from a small conservative town in West Virginia. A bright thinker and budding poet, at seventeen Travis enjoys the quiet life he leads with his grandmother at their farm. Graduation is coming up and that means leaving for University and while Travis looks forward to the freedom this will bring him, he also finds himself wrestling with some deeply confusing sexual fantasies, frustrating desires, and questions about his future.

Travis knows he's gay but he is not like Martin, the one kid who came out in school and was run out of town. Travis is shy, quiet, and self-contained, more so after his best friends graduated and left town. He often feels different, as well as confused and horrified about his sexual desires and recurring fantasies to both control and protect someone of his own, and doesn't understand the intensity of the darkly passionate and tender feelings that turn him on. He is attracted to boys like beautiful mechanic Mike Woodson -- tall, strong, hairy boys who resemble him and enjoy life (and food) the way he does.

Cub is a story of discoveries and firsts -- first love and sexual experiences. Travis and Mike discover that their sexual desires and fantasies are shared, that there are others who feel the same way, and that there is nothing wrong with those desires. Mann handles the boys' introduction to kink, leather, and the Bear community slowly and with an understanding, gentle hand. There are some wonderful scenes where he uses sexual play instead of graphic scenes to illustrate the boys' explorations and sense of wonder. However, it is through conversation that all is explained with a deft hand: their deepest fears, the need to control and protect, to trust and feel safe.

Mann places plenty of realistic obstacles in the boys' way -- hiding their love, fighting school bullies and adults whose conservative views may not allow them to live the life they want, together. For Mike, it is fighting poverty, an abusive father, and an uncertain future. The boys often philosophize about life, they question, look for answers, and come up with their own conclusions. Jeff Mann's young characters have a thirst for knowledge and strong beliefs.

Jeff Mann is so talented that he can write anything and do so successfully. But young adult, you ask? Yes, he can write that too. In this case he does so with the authority of someone who has experience on the subject.  Cub fills an empty space within LGBT young adult reading materials by thoroughly connecting with the outsider, identifying and soothing the fears and opening up a whole new world to young cubs.  Highly recommended.

Category: LGBT/Gay Young Adult Romance
Publisher/Released: February 14, 2014 by Bear Bones Books
Pages: 215
Grade: A-

Visit Jeff Mann here.

Review: The Unwanted by Jeffrey Ricker

I read The Unwanted by Jeffrey Ricker in two sittings, the pacing and adventure are that good! The story begins in a mythology-based contemporary setting that surprisingly ends in the mythological world with a bang and a surprise.

The three main characters in this book were introduced in the short story "The Trouble with Billy," which first appeared in the Speaking Out: LGBTQ Youth Stand Up anthology. There, we met short, skinny Jamie, the only out gay kid in his high school as he was relentlessly bullied by Billy and defended by best friend Sarah. The Unwanted begins with Billy punching sixteen year-old Jamie on the nose at school, Sarah coming to the rescue, and Jamie going home with a bleeding nose without first asking for permission from school authorities. Poor Jamie is in for a surprise because when he gets there his mother is waiting. The mother that was supposed to be dead.

Jamie's parents have a lot of explaining to do -- one of them is the winged horse hanging out in his backyard! Once everything is explained, Billy and a bleeding nose are the least of Jamie's worries. It turns out that his mother is one of the mythological Amazons. As we know from Greek mythology, Amazons do not keep their male children and Jamie's mother left him to be raised by his father. Now there is big trouble brewing and the Amazons may be wiped out by an angry god. However, they have one chance, the Oracle's prophesy clearly says that a male child will save them. Jamie's mother believes that he may be that boy, and hopes he will go back with her to save her sisters and her home.

This is an adventure full of risks and danger! There is a romance, but there are also fantastic friendships, great magical moments, and dangerous battles filled with deadly villains. I enjoyed all of it. Jamie's personal situation captures the reader, but the slow-building danger and revelations really keep the reader going. I was surprised at how well the pacing works in this novel. It doesn't lag even when there's a lull in the action because there is that expectancy that something is about to happen.

As narrator, Jamie's voice is fantastic. Ricker hits the right young adult tone, so that Jamie comes off angsty, sarcastic, and humorous at the most unexpected of moments even as he deals with very serious situations. He's not a know-at-all or the big muscular hero who can do it all. As a matter of fact, he's small for his age, can't really fight, and doubts his abilities all the time. Young adults can relate to him as a character, including when it comes to his handling of family and friends.

Family issues are definitely on the forefront for Jamie: his father's and his own confused feelings for an absentee mother. Additionally, Billy the bully also becomes a key character in this young adult fantasy/adventure. The development of Billy's character, the issue of trust and the growing relationship with Jamie carries to the end of the story.

I loved The Unwanted. I found it to be both fun and highly relevant with central and secondary characters that young adults can relate to, and will enjoy seeing on the page. Additionally, Ricker takes some overwhelming risks with characters and story at the end that I believe give this read a unique touch. Highly recommended!

Category: LGBT/Gay Young Adult Fantasy
Publisher/Release Date: Bold Strokes Books/March 18, 2014
Source: eARC for review
Grade: A-

Red Caps: New Fairy Tales for Out of the Ordinary Readers by Steve Berman

Do you know what I love about Steve Berman's young adult stories? His characters always come across as young adults, neither too young nor too old. And, whether his short stories are strictly contemporary, speculative fiction or fairy tales, the core of the queer themes have weight and meaning, and there's always a sense of fun to be found in them -- creepy, adventurous, romantic, weird, fun. Their endings vary from the happy to the memorable, to the twisty weird, but as a whole they usually have a positive message.

That's what you will find in Red Caps: New Fairy Tales for Out of the Ordinary Readers. Thirteen stories where today's queer youth face contemporary issues, except that in most of them there's a sprinkle of magic, a dose of the unexplained, encounters with ghosts and/or mythological beings, loads of imagination, a bit of horror here and there, and plenty of atmosphere to reel the reader in. Add fifty original illustrations contributed by thirteen different artists and you have a stand out collection that any young adult (or lover of LGBT YA literature) would be proud to own.

All of Berman's stories have something to offer. For example, "The Harvestbuck" has an ambiguous ending, yet it is one of the most atmospheric, hair-raising yarns in this collection. "Three on a Match," on the other hand becomes riveting due to the plot's evolution and ending. "Worse than Alligators" is a horror piece that begins with a fun, relaxed atmosphere that evolves into a nightmare. And "Gomorrahs of the Deep, a Musical Coming Someday to Off-Broadway" is Berman's musical! Yes, he wrote a musical about Melville and Moby Dick that is both creative and amusing.

"Texting in Bed" from Cruel Movember
Illustration by Plunderpuss*

There are also two fantasy fairy tales, for girls, "Thimbleriggery and Fledlings" the wizard's daughter finds freedom through self-confidence and is infused with magic. And in "Steeped in Debt to the Chimney-pots," a quasi-Victorian piece, an ex-chimney boy steals from the fairy folk and falls for one of them. I was swept away into the world of this fairy tale, and loved the illustrations that fit this piece to perfection.

With one exception, all the stories in this collection have been previously published in anthologies and/or magazines. The only original piece, "A Calenture of the Jungle" begins with two young Jewish girls, one with too much imagination and the other with none, falling into a sort of frantic attraction fueled by role play, and evolves into an adventure with a twisty role-reversal, ending in a feverish dream-like madness where the narrator's imagination overtakes reality.

I do have particular favorites, one of them is "Cruel Movember," the only strictly contemporary young adult piece included. In this great piece boyfriends Beau and Easton learn the importance of communication in a relationship and how to lend support and understanding during rough times when during the month of November, Easton participates in the Movember mustache-wearing charity, causing havoc in school and embarrassing Beau.

From Bittersweet
Illustration by Kimball Davis**

In "Persimmon, Teeth and Boys," another favorite, Cecil, a nerdy black high school kid who has dealt with labels throughout high school, seeks help from a twisted tooth sprite and gains clarity about those labels and awareness about the attraction he feels for bright, brave, out and proud Bergen. "Bittersweet," another contemporary young adult piece with just a hint of magic, highlights relationships and confidence-building through two boys dealing with health problems as one goes into surgery and both suffer from fear and doubts.

I previously read and loved the following three stories and that still holds. I still believe "All Smiles" is a fantastic young adult speculative fiction piece with a hint of horror, great action and a wonderful ending. "Most Likely," a contemporary romance-based story with a speculative fiction flavor is memorable for the great sibling relationship and sweet ending.

And, the collection ends with the magnificently spun "Only Lost Boys are Found." Beautifully illustrated by Brian Britigan, this is a rescue adventure that takes the reader through a winding world of closets, where kids may hide or find a door to freedom while encountering pirates, ninjas, remorseful siblings, friends or boyfriends, and where reality and fantasy are seamlessly woven into my very favorite short story by Steve Berman. Recommended.

Category: LGBT Young Adult Speculative Fiction
Series: None
Publisher/Release Date: Lethe Press/February 14, 2014
Source: eARC from Publisher/Purchased print book
Grade: B+

Visit Lethe Press here.

Illustrations posted with permission from the publisher. © 2014 Lethe Press, Plunderpuss*  © 2014 Lethe Press, Kimball Davis**

Review: Mañana Means Heaven by Tim Z. Hernandez

Tim Z. Hernandez bases his novel Mañana Means Heaven on the story of Bea Franco, the young Chicana woman Jack Karouac meets while on his way to Los Angeles from San Francisco, during his travels across the United States, and who later appears in his famed novel On the Road as Terry, or "the Mexican girl."

"Mañana," she said. "Everything'll be all right tomorrow, don't you think, Sal-honey, man?"

"Sure, baby, mañana." It was always mañana. For the next week, that was all I heard --- mañana, a lovely word and one that probably means heaven. -- On the Road by Jack Kerouac

The title of the novel is taken directly from one of the passages of Karouac's novel, but this is Bea's story, not Jack's. That is made perfectly clear from the beginning. Hernandez takes Karouac's short chapter, and following the same timeline, cleverly weaves in Bea's background and breaths life into the woman by exposing the extreme emotional and familial circumstances that pushed her into opening up to a man like Jack, a gavacho "college boy," during that particular time in her life. A time that lasted but a blink in time, but one that changed both of their lives irrevocably.

Meeting Jack gives Bea hope while she is trapped in what seems like a hopeless and desperate situation that Hernandez utilizes to build tension throughout his novel. Franco's short time with Jack changes her. It gives her the determination and resiliency that may have been there all along, but that she learns to use to become a woman who expects better for and from herself. For Jack, much later that moment in time becomes the stepping stone that helps to propel his career as a writer when the Paris Review publishes his short story "Terry, the Mexican Girl," and well, the rest is history.

If Franco and her family are well researched by Hernandez, then so are the historical details. Hernandez takes the reader to a post WWII Los Angeles that comes alive with all of its paranoia and multicultural prejudices. But nothing comes alive more than the San Joaquin Valley and the plight of the pickers -- the smell and paranoia in the tent camps, the fear of immigration raids, the hatred for the implacable owners and the need for work, the child workers, the stultifying poverty, and through Bea, the desperation.

Hernandez utilizes mañana, tomorrow, as the main theme of his novel. The word mañana represents many different things to the different people who inhabit the novel. To Bea and her brother Alex it represents the possibility of a future and the realization of a dream. To the pickers in Selma it represents the basics, work, food, a warm place to stay. If not today, tomorrow things will work out. To Jack it is always a way to gain time, to learn more, to see more. To little Albert, it comes to represent lack of money, a lack of hope. However, Hernandez also uses partings, abandonment, leaving and returning as a secondary and more subtle theme throughout the novel.

As an award winning poet and writer familiar with Franco's cultural background, Hernandez was already well equipped to write a story about Karouac's muse. However, Hernandez's research into her life and his insights into the person Franco was, into the woman she became, takes her story beyond that of a myth. Highly recommended.

_____________________

Memorable Quote from Tim Z. Hernandez's Guest Post: "I Remain As Ever, Bea"

I spoke briefly about what Bea had taught me, and about what we might all learn from her story. That each of us, regardless of how seemingly insignificant or boring or obscure our lives may be, are made up of valuable epic stories that deserve their day in the light.

Related Posts:
Guest Author Tim Z. Hernandez: "I Remain As Ever, Bea"
RIP Bea Franco, Kerouac's "Terry, The Mexican Girl"
Highlighting: Manana Means Heaven by Tim Z. Hernandez

Review: He's The One with Linda Lael Miller, Jill Shalvis, Lucy Monroe, Kate Angell, Cat Johnson

He's The One is a contemporary romance anthology with short, sweet, sexy stories about finding him, the one. This book is perfect for the beach or a vacation because you can read one short story, put the book down, go have a good time, and get back to another story later on. Not all the stories and authors worked for me personally, but there's something here for everyone.

I have two personal favorites beginning with No Shirt, No Shoes, No Service by Kate Angell. Angell scores high with me by focusing her sexy romance on one couple from her already established Barefoot Williams world. I found this short story to be truly romantic, high on the sensuality scale, with a wonderful happy ending and an absolutely gorgeous summer atmosphere that really fits this anthology.

My other favorite is Fish Out of Water by Cat Johnson. Cat Johnson's contribution won me at "hello," or as soon as the handsome but rather nerdy and brilliant English professor was introduced. I love how passions run deep and wild once he meets his "cowgirl." She sees more under his pink polo shirt and lack of fishing/camping experience, and he sees more than the "cowgirl" trappings as they take each other for the ride of their lives. This is a sexy summer read that kept me engaged from beginning to end.

Less enthralling, yet still good enough for me, is Jill Shalvis' Captivated. In this novella, the married protagonists meet at their vacation cottage under highly unusual circumstances just after she serves him with divorce papers. This is a "hot, hot" signature Shalvis piece with chemistry between the couple, great atmosphere and a beautiful summer setting. On the minus side, there is a forced quality to the set up or unusual set of circumstances and the ending is a bit "over-the-top."

Seducing Tabby by Lucy Monroe comes in on the average side with a story about a gorgeous Englishman who sets his rather possessive sights on a curvaceous beauty who believes men only approach her to gather information about her classically gorgeous sister. This story begins with a great premise, but it doesn't quite deliver. It has a nice, slow, non-sexual seduction that I enjoyed, with sexual tension used to build up the relationship. However, for some reason, his quick claims of "love" feel more calculated than passionate, and the end is rushed and rather predictable.

The one short story that didn't really work for me is Batteries Not Required by Linda Lael Miller. In this romance a woman returns to a town where she lived years ago for a very short period of time and as soon as her feet hit the ground she meets the old boyfriend she ran away from. Things get moving and shaking between the two in the blink of an eye despite the rather superficial misunderstanding that kept them apart for years. Years when they "thought about each other" every so often. This romance and its quick, improbable happy ending felt wrong from the beginning and fell flat for me in the end.

As you can see, I liked some novellas more than others in the He's The One anthology, but the one winning factor they all have in common is the summer theme. I like that the settings for the romances are different, yet they all fit the theme perfectly. Our couples find love in a diner on a boardwalk, while on a fishing trip to a lake, stranded on a beautiful Mexican beach, discovering each other in a small coastal town, and meeting again in the beautiful west. All of these places help give this anthology that wonderful feel of sunshine, warm summer breezes and well... summer love.

Category: Contemporary Romance/Anthology
Series: None
Publisher: Kensington Books
Source: Kensington
Grade: B-

Review: Dust Devil on a Quiet Street by Richard Bowes

I was introduced to Richard Bowes's writing by way of a short story. Later I read and really enjoyed his adult fairy tale book The Queen, The Cambion, and Seven Others. His short story "Grierson at the Pain Clinic" in the Wilde Stories 2013 anthology was so unique and creative that I went hunting for his Lambda Literary Award-winning novel Minions of the Moon. So what is it that about Richard Bowes' works that grabbed me? I love the realism he utilizes to set up his fantasy. His latest fantasy novel Dust Devil on a Quiet Street has that quality in spades.

As a child I went to bed worried that the me who fell asleep would disappear in the dark and not be remembered by the me who woke up. I've never wholly lost that. It's one reason I write these stories.

Bowes's tale of dust devils, local ghosts and small gods begins in Greenwich Village on the evening of 9/11 right after the Towers fell. Richard's friend and old lover Megs insists that as a result of the tragedy, a rift opened and ghosts from past and present disasters are coming through and flooding the City. She can see them, and decides to search for the ghost of Richard and Megs' old lover Geoff. As this tale of ghosts, friendships, and lovers lost progresses, the reality of what happened on that beautiful, tragic September morning slowly creeps in as Bowes imbues the atmosphere and his characters with a sense of dislocation and disorientation so spot on that ghosts, dust devils and witch girls seamlessly become part of that reality.

As the story of Richard, Megs and Geoff continues, Bowes plays with time by relating events taking place in the present and connecting them to the past, taking the reader for a fantastic ride through a Village's past history full of the real and the supernatural. In the second chapter we learn what drives our main character and narrator, Richard. Supernatural events surrounding Richard's encounter with the eerie Witch Girls are weaved in with his college years, new friendships, sexual escapades, and a significant early childhood trauma that leads to a long battle with self-destructive behavior and drug addiction.

When I opened my eyes they were gone. I understood that what I'd done and what had been done to me were the misfortunes that come to a Witch Boy trying in all the wrong ways to be human.

The supernatural encounters continue as the reader is introduced to lovers, friends, writers, sexual escapades, and in the process is whisked back in time to a City that lived a long time ago. That is most evident in the Ray Light and Judy Finch incident where the narrator's strong presence is felt on the periphery while Bowes transports the reader to the 1960's in a mesmerizing story of young runaways, hippy life, hustlers, drugs, sex, psychic powers, and murder. Bowes brilliantly weaves the Ray Light incident throughout the whole book so that it blends in with the "memoir" style of this novel. But as I said before, he also plays with time, so that this and other events that begin long ago are effectively connected to events, or small moments, taking place in the present. It all works out quite well.

I particularly love how Bowes incorporates events that begin with the present as the setting but flow in and out of the past. In relating the death of New York City, Bowes turns to Richard's present and the ghost of a past lover Hal Dizeg, dubbed the Downtown Ganymede, who was legendary in the Village for his brilliant beauty and wealthy sugar daddies. Later they were involved as lovers in a relationship fueled by drugs that ended with Hal telling Richard: "I don't think you're really here, and you don't think I'm really human." But this chapter is about Richard's present and his nostalgia for the past. He is singularly harsh on a modern Manhattan full of yuppified New Yorkers, yet, not unexpectedly, Richard is always toughest on himself. The proof is in the pudding when returning as a ghost Hal leaves our aging narrator with these words: "It wasn't a soul you lacked, it was courage and timing, darling. You didn't know when it was your moment to die."

Dust Devil on a Quiet Street was more of an experience than I expected. It is a fantasy book full of those fantastic supernatural events some of us love, and yet, it is also much more. Bowes inserts himself as the central character, establishing a thorough connection with the reader while relating the highs and lows of life, such as they are or were, so that this book is an intricate, masterful blend of fantasy and life-long experiences gained during a lifetime of living in a New York City he knows and loves. Bowes is so good at using this device that there are times when the reader must wonder where reality ends and fiction begins. Highly recommended.

Category: LGBT/Fantasy
Series: None
Publisher/Release Date: Lethe Press/June 21, 2013
Grade: A-

Visit Richard Bowes here.
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Favorite quote: (Chapter 11, Page 158)

"Writing is the place where I can be as bold and compassionate and wise as I choose." 

Review: Best Gay Stories 2013 ed. by Steve Berman

Best Gay Stories 2013 edited by Steve Berman is Lethe Press's yearly collection of twenty of last year's best gay stories. This year's edition is focused on different and highly relevant gay themes.

Berman chose a wide variety of stories written by well-known authors as well as new talent. The authors' writing styles are as diverse as their approach to the stories, and by the time I finished reading this collection it became obvious to me why each story and writer was chosen. The themes vary from young to adult love, and from fear of aging to committed partnership and cheating issues, but there is much more.

There is Irrespective of the Storm by Mark Ameen, a fantastic story about 1980's gay lifestyle and hookups. Farewell to Wise's by William Sterling Walker explores complacency and the need to move on, and Steve Berman's "Bottom of the Menu" manages the question of aging with great wit and eroticism. Also included, there are two must read favorites, Next Year at Sonny's by Eddy Sarfaty, an excellent essay exploring family, friends and modern gay lifestyle, and an essay I've dubbed "body beautiful" by Peter Knegt, "How I Learned to Stop Worrying and Have Sex in Gay Art Porn."

As in all collections of this size, there are pieces that stand out and there is always the question of preference, however, I firmly believe that within the twenty stories included in Best Gay Stories 2013 there are plenty of meaningful, excellent pieces to satisfy the most discerning reader. This is certainly a winning collection of gay themed stories for me.

Category: LGBT/ Gay Fiction
Series: Best Gay Stories
Publisher/Release Date: Lethe Press/June 1, 2013
Grade: B+

※※※※※※※※

This collection has 20 stories and B+ is a high grade, indeed, for such a large collection. As always when grading a collection, I take into consideration writing, content, and the editor's contribution. As an added bonus and because these stories deserve to be highlighted, below I'm including my brief impressions of the whole collection:

"Wheat, Barley, Lettuce, Fennel, Salt for Sorrow, Blood for Joy" by Alex Jeffers
Young Adult. This excellent and well-written mythology-based romance between two young men transports the reader to another time and place where youthful lusty thoughts and yearning abound.

"Two Variations on the Theme of Envy" by Matthew R. Loney
Looks don't make the man. "Dancing, I saw a man nearby whose face my gut said ugly to instinctively. [...] Thinking back, I may have even said unlovable." Two highly relevant shorts: one focuses on those often wrong superficial judgments based on outward appearance, and the other on the sad consequences that come from attempting to find and maintain modern man's idea of perfect beauty.

"What Comes Around" by Jameson Currier
That birthday. "Forty is looming. You are approaching a time zone of trauma." Excellent short  rationalizing the pros, cons, and insecurities that come along with aging while alone.

"I Will Forget the Sound of His Voice" by Thomas Kearnes
Drugs & Sex. "Tweak makes you ambitious." "Curtis will likely shift, like a pianist from key to key, over to a new man. There will be no anger, no tears. I've survived the party scene over seven years. A simple rule: nothing lasts[...]" Excellent and pertinent short highlighting the party scene, drugs, sex and passing relationships.

"East Tenth Street, 1999" by Nicholas Boggs
Independence. A rather truncated short focused on a young man whose sole goal is to gain independence from his family when he finally gets that coveted apartment inherited from his uncle in the City. Excellent writing style, but it left me wanting more.

"Don't Tell Me" by Chip Livingston
The Breakup. A good but very short story about the heartbreak that comes as the result of a breakup, as seen from the perspective of the one left behind.

"Body and Mind" by Eric Sasson
Commitment & Cheating. "Why did affection have to be the death knell of lust? What is it about hugging Hunter that makes Andy's dick limp? Or rather, not limp, but awake for the briefest spell, like a bear that peeks out of his cave only to decide his winter isn't over." Does affection kill a relationship? A very good piece that effectively explores the subject of cheating when sex life turns stale between committed partners.

"Boy, A History" by Saeed Jones
Sexual Discovery & Identity from African American perspective. A complete short with an excellent rhythmic writing style where the author depicts violence and abuse as his character goes through the process of sexual discovery and a search for identity.

"Irrespective of the Storm" by Mark Ameen
1980's Gay Lifestyle & AIDS. "Irrespective of the storm, the soul struck by lightning time and again, throughout the abominable Eighties there they were: compact, beautiful men spreading the cheeks of their asses on beds of gently rushing water." An excellent retrospective highlighting the gay lifestyle in New York City during the 1980's. The author focuses on lifestyle, places, relationships, and hookups, ending with the AIDS epidemic. I loved this one.

"This is Love" by Stephen Graham Jones
Gay Bashing. The speculative fiction version of gay bashing, this story is haunting and ohhh so sad!

"Villainelle" by Chaz Brenchley
Home. "Home. For some people, it's where they end up, where they settle. For some of us, it's where you start. Where you run away from. Where you leave. For some of us, coming back would never be a choice. Only ever a thing we did because we had to." I like Chaz Brenchley's style and really enjoyed his fantasy take on this theme.

"The Origin of a Fiend" by Hal Duncan
Killing the Secret. "You'll never forgive the fact that the world's first homo superhero is no sooner out than he's suffering and dying. You'll never forgive, never forget, never. . . " A rather complex comic book-based story with much to offer. This is the brilliant Hal Duncan we're talking about so I may have to read this story again. Enough said.

"The Bloated Woman" by Jonathan Harper
Dangerous Liaisons. A young man goes to a coast town to take care of an old professor and hooks up with an older, local man. I have read Harper's story twice now and it left me wanting to read it again. It is certainly memorable!

"Cinema Love" by Aaron Chan
Looking for common ground. I have one word for this romantic love story: sweet!

"Ghost Water" by Casey Hannan
The Closet. I absolutely love the atmosphere and setting, and the excellent way in which the author gets to the point of his story with few words.

"The Theater of the Floating World" by Simon Jacobs
Obsession. "I wasn't much better off. I was here to pay for sex. I was as desperate as anyone else." I loved the setting and found the Asian focus quite interesting. There is an air of desperation and obsession that makes this a disturbing, memorable read.

"Farewell to Wise's" by William Sterling Walker
Moving On. "There's nothing for you in this city anymore. No opportunity. No more turkey, girlfriend. The buffet is closed. You need to move on to something else. Save yourself. Get out while you can. You've been too complacent. You need to see the world. You've been on the party jag too long." Lord, did I love Farewell to Wise's! I love the atmosphere. The relationship between the characters is so marvelous that they came alive for me, and the way the author makes his point is excellent. What more can I say?

"Bottom of the Menu" by Steve Berman
The unexpected and always welcomed "meal." "Hustlers must go to school for etiquette now. I shall have to revise my view of the twenty-first century.""Fresh pound cake w/confiture de lait. My mouth has grown dry as my mother's pound cake. And how much the faygele am I to be thinking about my mother while on my knees before a crotch?" Berman's contribution is sexy, erotic, and funny. So enjoyable. I kept getting a visual while reading this story, which says a lot about the writing. A favorite among Berman's shorts.

"Next Year at Sonny's" by Eddy Sarfaty
Family, Friends, Lifestyle. "You're a good kid." "I'm forty-six." "You'll always be a kid to me," she says as she pats my cheek." Sarfaty writes a funny, heartwarming, and thought provoking essay using what has become a traditional Passover with "the boys" at Eddy's mother's home in Long Island as a setting. A must read.

"How I Learned to Stop Worrying and Have Sex in Gay Art Porn" by Peter Knegt
Body Beautiful. "I spent a lot of my adult life so far feeling threatened by my own body and by my own sexuality," I said. "But I think I've come pretty far in that regard." "[...] I thought about how life had brought me from being a gay little boy in a small town dancing to "Under The Sea" in his living room to a gay little man rapidly drinking pints of beer in a gross San Francisco gay bar awaiting his debut as a pornographic actor. I felt oddly proud of this progression." I was touched by the intimacy of thought and truthfulness in Mr. Knegt's essay. I love both the progression and the end of this essay!

Review: The Favor by Megan Hart

Janelle Decker has happy childhood memories of her grandma's house, and even lived there through high school. Now she's back with her twelve-year-old son to look after her ailing Nan, and hardly anything seems to have changed, not even the Tierney boys next door. Gabriel Tierney, local bad-boy. The twins, Michael and Andrew.

After everything that happened between the four of them, Janelle is shocked that Gabe still lives in St. Mary's. And he isn't trying very hard to convince Janelle he's changed from the moody teenage boy she once knew. If anything, he seems bent on making sure she has no intentions of rekindling their past.

To this day, though there might've been a lot of speculation about her relationship with Gabe, nobody else knows she was there in the woods that day...the day a devastating accident tore the Tierney brothers apart and drove Janelle away. But there are things that even Janelle doesn't know, and as she and Gabe revisit their interrupted romance, she begins to uncover the truth denied to her when she ran away all those years ago.

Megan Hart is well known for her excellent writing and successful combination of edgy erotic romances and contemporary fiction. Hart’s excellent writing style is definitely present in this novel, however, do not expect to find an erotic romance or romance as the main focus. In The Favor, this multi talented writer dives straight into adult contemporary fiction and adds a touch of an unconventional romantic relationship.

Two wild teenagers with secrets that would shape the rest of their lives, secretly reach for each other as a saving grace until one betrays the other's trust by asking a favor that ends up hurting everyone involved. Twenty years later, long after a tragedy visited the Tierney boys, Janelle returns to St. Mary's to care for her dying Nan and finds that Gabe still lives next door, now acting as a sort of care taker to his sick father and brother Andy. Moody Gabe. Unreachable Gabe. A sexy Gabe who does not want to give Janelle the time of day or even a chance to talk about the present, never mind act on the mutual attraction that still exists between them or discuss their shared, troubled past.

Hart utilizes the narrators, Janelle and Gabe, to deeply explore their characters by exposing personal flaws, intimate vulnerabilities, and raw pain. Through them, the reader also learns what drives key secondary characters. Chapters shift between the present and past, the present narrated by Janelle and the past by Gabe, as Hart keeps the reader intrigued by strongly weaving past and present events until all is revealed.

As in most good literary fiction, however, motivations behind actions by certain characters remain obscure, and it is left up to the reader to dig and/or interpret what lies behind those actions. For example, Gabe's brother Andy is key to the unfolding story, as is Andy's twin brother Michael. Yet, the real motive behind Michael's reactions is not revealed in detail to the reader, particularly when compared to Andy. Motives behind the relationship that took place between Gabe's parents are also implied but not specified.

Overall, the characterization is excellent. Janelle, Gabe, Andy and Nan all possess strength of character, which contrast sharply with flaws, fears, weaknesses and the dreadful situations they encounter. That contrast imbues these characters with a human touch that emotionally connects them with the reader. They lingered with me; Gabe and Janelle, Andy and Janelle's son Bennett, Nan . . . and yes, Mr. Tierney.

There are very few slow moments to be found, they are in a few sections where Janelle cares for Nan, otherwise the story flows at a steady pace. Plot-wise, I love how Hart conveys the dreadful situation taking place in Gabe's home by setting up a tense atmosphere through Gabe's present tense, first point of view narrative. There are dark spaces, moments, and although the darkest of the dark are not graphically described, they are there, strongly implied. This method of imparting information is so effective that I reread some sections to make sure that imagined details were not there! She uses this same method when Gabe narrates his secret, emotionally and sexually charged, encounters with Janelle.

In this novel, Hart explores selfishness and selflessness, parental abuse and neglect, guilt, regret, and love. Her characters survive dysfunctional familial relationships, wrestle with duty vs. love, and trauma vs. survival. In the end, is forgiveness always necessary or possible? When is it necessary? When is it possible?

When I search for contemporary fiction, I hunt for, and hope to find, novels like The Favor. Stories that keep me intrigued with substance, and emotionally invested in the characters. I read, have read, quite a few contemporary fiction books lately, and it is not easy to find the ones that deliver on the premise or do not overreach. With The Favor, Hart strikes that fine balance by delivering on the initial premise with both substance and fine writing, and not overreaching by maintaining a tight focus. Highly recommended.

Category: Literary/Contemporary Fiction
Series: None
Publisher/Release Date: MIRA/June 25, 2013
Source: eARC via Netgalley
Grade: A-

Review: Wilde Stories 2013: The Year's Best Gay Speculative Fiction edited by Steve Berman

Every year editor Steve Berman publishes one special collection after gathering the best of previously published gay speculative fiction stories written by a wide variety of authors. I've loved Berman's collections in past years and Wilde Stories 2013 is no exception. This year's volume, however, is memorable for the different and interesting young adult speculative fiction short stories included. They provide this volume with adventure, a touch of whimsy, and yes, an edge that I really enjoyed.

Breakwater in the Summer Park by L Lark is a light and fun summer camp story with a mysterious monster in the lake whose presence inadvertently helps two boys whose lives are full of insecurities and personal fears about the future. I enjoyed this story in the Boys of Summer* anthology and although it is one of the lightest stories in this collection, it definitely belongs. The Keets Variation by K.M. Ferebee on the other hand has young adults as main characters, yet the dense narrative and heavy subject matter give this story edge and weight. Tatooed Love Boys by Alex Jeffers is queer fantasy at its best. With a plot that shifts and curves, this story takes the characters and the reader on a wonderful ride.

I initially read Wave Boys by Vincent Kovar in The Touch of the Sea* anthology and loved it so much that it made my 2012 short story "best of" list. This dystopian young adult story is memorable for its fantastic world-building, great adventure, and characters that I feel should be further explored -- it was a pleasure re-reading it again! Another young adult story with excellent world-building is Next Door by Rahul Kanakia. This is an action and anxiety driven futuristic science fiction short set in a society where technology trumps humanity.

Then there's the fantastic and unforgettable story about a boy and his wolf, Sic Him, Hellhound! Kill! Kill! by Hal Duncan. I've never read anything like it. There are some rather ironic references to those dreaded sparkly vampires and the girls who admire them, but what can I say? This story cracked me up, particularly since it is narrated from the dog/wolf's point of view!

---Hello hello hello hello! I love you!
---Yes, I know, I love you too.
---But I really love you! I missed you so much!
---And I missed you too. Yes. I did! Oh yes I did! Now, down you go.
---But I missed you!

From the adult speculative fiction short stories, Wetside Story by Steve Vernon is memorable and the most irreverent in this collection. This fun, creative piece has some crass humor that won't quit. I appreciated it from beginning to end. Imagine a sexy gay squid in love with another squid who has a radioactive smile. Yeah...

Bucky grinned me back a picket fence full of pleasure. The toxic waste that riddled his cavities gave them a wonderfully fluorescent neon gleam. His scales glittered as prettily as those of the dead mackerel had.

My heart went thump. 

Changing gears, in Laird Barron's A Strange Form of Life his talents are displayed in all their glory and can be fully appreciated as, in short order, he weaves a fantastic Lovecraftian horror piece. Grierson at the Pain Clinic by Richard Bowes is such a gripping and unique story, about a man and his rather disturbing Shadow, that I couldn't stop thinking about it. And the fantasy, myth-based, whaling adventure Keep the Aspidochelone Floating by Chaz Brechley is another  story from The Touch of the Sea anthology that made my 2012 "best of" list. Re-reading this well-written, detailed piece full of action, pirates, and a love story between a mariner and his boy was a pleasure.

I had a tough time choosing favorites in this volume of the Wilde Stories series. Steve Berman included a wide range of stories and gay themes, as well as an excellent mixture of writing styles in Wilde Stories 2013. Combining young adult and adult speculative fiction not only added a creative edge but a unique touch to this collection.

Category: LGBT/ Gay Speculative Fiction
Series: Wilde Stories: The Year's Best Speculative Fiction Anthologies
Publisher/Release Date: Lethe Press/June 15, 2013
Source: eARC from publisher
Grade: B+

*See my reviews of:
The Touch of the Sea ed. by Steve Berman
Boys of Summer ed. by Steve Berman

Find this and all speculative fiction titles mentioned above here.

Highlighting: The Resurrectionist: The Lost Work of Doctor Spencer Black by E.B. Hudspeth

Philadelphia. The late 1870s. A city of cobblestone sidewalks and horse-drawn carriages. Home to the famous anatomist and surgeon Dr. Spencer Black. The son of a “resurrectionist” (aka grave robber), Dr. Black studied at Philadelphia’s esteemed Academy of Medicine, where he develops an unconventional hypothesis: What if the world’s most celebrated mythological beasts—mermaids, minotaurs, and satyrs— were in fact the evolutionary ancestors of humankind?

The Resurrectionist offers two extraordinary books in one. The first is a fictional biography of Dr. Spencer Black, from his humble beginnings to the mysterious disappearance at the end of his life. The second book is Black’s magnum opus: The Codex Extinct Animalia, a Gray’s Anatomy for mythological beasts—dragons, centaurs, Pegasus, Cerberus—all rendered in meticulously detailed black-and-white anatomical illustrations. You need only look at these images to realize they are the work of a madman. The Resurrectionist tells his story.

E. B. HUDSPETH is an artist and author living in New Jersey. This is his first book.

resurrectionist n (14c) 1. an exhumer and stealer of corpses; a resurrection man 2. one who revives or brings to light again [f. RESURRECTION sb. + -IST. Hence F. resurrectionniste.]

The Resurrectionist is such a gorgeous book! When I first received the print copy all I wanted to do was pet it. It is the size of a coffee table book, and an excellent conversation piece as I quickly found out. The fantastic illustrations rendered by the author E.B. Hudspeth, The Codex Extinct Animalia, that make up the second section of this book steal the show. Of course, there is a story to go along with all those gorgeous illustrations and the aesthetically pleasing package.

Set primarily in Philadelphia in the late 1800's, the first section of the story is the fictional biography of Dr. Spencer Black. Although it is written in a biographical style narrative with journal entries by Dr. Spencer Black and occasional entries by his brother Bernard, the story soon takes a twist into dark fantasy as Spencer comes to believe that mythological creatures are the true ancestors of humans. At age twenty-one, Black is known around the world as a medical prodigy, but as his research grows into an obsession that takes him away from his brilliant works as a surgeon working with operable birth defects and into an entirely different direction, his credibility with the medical community is irrevocably damaged and his mental health rapidly deteriorates.

This section of the book is rather short, at times providing gruesome details of Black's experiments, while at others it leaves blank or unknown details up to the reader's imagination. Black's experiments and descent into obsessive darkness fascinated me to no end and left me disturbed. That is until I looked at those gorgeous illustrations again.

The Codex Extinct Animalia, or second section of the book, is dedicated to those fantastic illustrations I mention above. I wish I could show you instead of telling you about it. There is a page describing each mythological creature, another page with Dr. Black's notes about the creature, and a page dedicated to different illustration plates enumerating bones, muscles, internal organs, and the final sample of said creature. My favorites are the amazing illustrations of the Harpy Erinyes. But as beautiful as the illustrations are, they become deeply disturbing when placed in context with the story or Black's obsession. It is through these that the reader comes to realize the depth of the doctor's madness and realizes just how far he goes with his experimentation. A rather macabre thought...

Now, take the disturbing dark fantasy narrated in biographical style and put it together with illustrations that take the story up a notch into the macabre and you have a winning combination. For readers like me who love a taste of the unique and different, the aesthetically beautiful journey into the dark mind of a madman in The Resurrectionist will most certainly do.

Book Dimensions: 7½ x 10½
Also available as an ebook
Publisher: Quirk Books
Release Date: May 21, 2013

Visit the author's website or for more information go here.