Showing posts with label Jan Steckel. Show all posts
Showing posts with label Jan Steckel. Show all posts

Friday, June 8, 2012

Author Spotlight: Lee Thomas, Jan Steckel, Eduardo C. Corral

On June 4th, the 24th Annual Lambda Literary Award winners were announced. Congratulations to all the winners! I was particularly happy to see winners from LGBT dedicated small print presses like Lethe Press, Bold Strokes Books and MLR Press.

Today, however, I'm highlighting two winners whose works I read and highly recommended because they were both such excellent reads: Lee Thomas whose book The German was on my 2011 top ten favorite books list, and Jan Steckel whose poetry book The Horizontal Poet I particularly enjoyed reading earlier this year.

Lee Thomas - The German (Lethe Press, 2011)
A finalist for the 2011 Bram Stoker Award for Best Novel and the Lambda Literary Award for Best LGBT Science-fiction/Fantasy/Horror title.

Set during the height of World War II, The German examines the effect a series of ritualistic murders has on a small, Texas community. A killer preys on the young men of Barnard, Texas, leaving cryptic notes written in German. As the panic builds all eyes turn toward a quiet man with secrets of his own, who is trying to escape a violent past.

Ernst Lang fled Germany in 1934. Once a brute, a soldier, a leader of the Nazi party, he has renounced aggression and embraces a peaceful obscurity. But Lang is haunted by an impossible past. He remembers his own execution and the extremes of sex and violence that led to it. He remembers the men he led into battle, the men he seduced, and the men who betrayed him. But are these the memories of a man given a second life, or the delusions of a lunatic?
Lee Thomas is the Bram Stoker Award and the Lambda Literary Award-winning author of Stained, Parish Damned, Damage, The Dust of Wonderland, and In The Closet, Under The Bed. His latest novel The German was released to critical acclaim in March, 2011.

Lee currently lives in Austin, TX, where he's working on a number of projects.

✥✥✥✥

Jan Steckel - The Horizontal Poet (Zeitgeist Press, 2011)
Winner of the Lambda Literary Award for Bisexual Nonfiction title.


Jan Steckel is an Oakland, California writer, a Harvard- and Yale-trained former pediatrician (now retired due to an acquired physical disability), and an activist for bisexual and disability rights. Her first poetry chapbook, The Underwater Hospital (Zeitgeist Press, 2006), garnered critical acclaim and won the Rainbow Award for lesbian and bisexual poetry. She won the 2008 Gertrude Press Fiction Chapbook Award, and Gertrude published her fiction chapbook Mixing Tracks.

Her fiction, poetry and nonfiction have appeared in Yale Medicine, Scholastic Magazine, Bellevue Literary Review, Harrington Lesbian Literary Quarterly, Red Rock Review and elsewhere. She has won numerous awards, and her work has been nominated twice for a Pushcart Prize. She lives in Oakland, California with her husband, Hew Wolff.

The Horizontal Poet is her first full-length poetry book. (Zeitgeist Press, 2011).

Congrats to both!

✥✥✥✥

And since I'm highlighting winners, LGBTQ authors, and it seems as if poetry is in the air, here is a bit of information about a poetry book I read this past week by Eduardo C. Corral, Slow Lightning. (actually my husband and I read this book together and to each other) Although I'm highlighting a tiny excerpt from his amazing poem "Self-Portrait with Tumbling and Lasso," I'll quickly say that "Variation On A Theme by José Montoya" is by far my (and my husband's) favorite section of the book. Carl Phillips words from the Foreword describe Corral's style quite eloquently. This is an "A grade/5 star" read for me -- one I'll be enjoying for a while -- and a book that I highly recommend.

Slow Lightning by Eduardo C. Corral (Yale University Press, 2012)
Yale Series of Younger Poets Volume 106
The Yale Younger Poets Prize

"We can make of what would blind us a conduit for changed vision, suggest Corral. In these poems, a cage implies all the rest that lies outside it; any frame frames a window through which to see other possibilities unfolding. . . . Like Robert Hayden, Corral resists reductivism. Gay, Chicano, 'Illegal-American,' that's all just language, and part of Corral's point is that language, like sex, is fluid and dangerous and thrilling, now a cage, now a window out. In Corral's refusal to think in reductive terms lies his great authority. His refusal to entirely trust authority wins my trust as a reader." Carl Phillips, from the Foreword 
Self-Portrait with Tumbling and Lasso
My soul is whirling
above my head like a lasso.
My right hand
a pistol. My left
automatic. I'm knocking

on every door.
I'm coming on strong,
like a missionary.
I'm kicking back
my legs, like a mule. I'm kicking up
my legs, like
a showgirl.
         [excerpt - Page 21]
Eduardo C. Corral's poems have appeared in New England Review, Ploughshares, and Poetry, as well as other journals and anthologies. He received a Discovery/The Nation award and was selected for residencies at the MacDowell Colony and Yaddo. He is a recipient of a 2011 Whiting Writers' Award.

The Yale Younger Poets Prize is the oldest annual literary award in the United States. The competition is open to any American under forty years of age who has not previously published a volume of poetry.


Saturday, February 4, 2012

Review: The Horizontal Poet by Jan Steckel


Nominated for a Lambda Literary Award, The Horizontal Poet (Zeitgeist Press, 2011) is Jan Steckel's first full-length poetry collection. I found Steckel's poetry to be personal and quite intimate, and the collection as a whole ambitious in its undertaking.

While reading The Horizontal Poet I found that Jan Steckel is passionate about her poetry, but through her poetry it's obvious that there is more. Steckel is a retired doctor suffering from a disability, an activist for bisexual and disability rights, and a writer. Steckel's personal experiences and interests are reflected in her poetry, and she weaves in medicine, social issues and concerns, as well as personal and relationship experiences, all in a rich, sensual, down to earth style.

I loved that this collection is not divided into sections and that her poems are interwoven. Both the intimacy of Steckel's poetry and the format serve to make that all-important connection between the reader and poet. It's almost as if the reader were looking through a window into the poet's life and thoughts as events take place, life evolves, and her memories come to life. For example, you will find a love poem "The History of Our Love" next to one filled with her social concerns, "The Wind and the Boy," or another where she bears her soul about losing a patient, "Swallowing Flies," alongside a poem where she indulges her love of hanging out in strip joints, "The Naked and the Dread."
The California Founding Fathers, in their wisdom,
reckoned a red-blooded working man
could control himself under the influence
of hooch and boobies, or coffee and coochie,
but not hooch and coochie both.
   "The Naked and the Dread"(Excerpt - Page 7)
Steckel's prose throughout this 57 poetry collection is both lyrical and direct as she uses a mixture of both the narrative form of verse and rich poetic metaphors. While you will find that in some of her poems Steckel uses medical terminology in a rather unique way, it is her compassionate and haunting poems depicting experiences during her medical career -- "Swallowing Flies,""Charity and the Hurricane," and "The Underwater Hospital,"
Too much water on the inside,
nothing but water on the outside,
and not even a Diet Coke to drink.
I'm just going to sit down here.
I'm just going to put my head in my hands.
I'm just going to let my shoulders shake.
I'm not crying.
I'm too dry.
  "Charity and the Hurricane"(Excerpt - Page 14)
and others depicting her own personal, physical pain --""Halloween Wedding,""Nightkeeper"-- that impacted me the most.
No St. George of the scalpel's
been favored by God to hack it out.
No poppies can put it to sleep for long.
No song of self-care, no meditative mantra,
no hypnotic chant or New Age cant
can touch the invisible beast hunkered
over its leg of woman, chewing,
chewing.
   "Nightkeeper" (Excerpt - Page 46)
There are whole poems in this collection that left an impression, and then there are others where only certain lines stayed with me. I read and re-read this book a few times before reviewing it. The bottom line is that Steckel's poetry is distinctive in that it can be read from her perspective as the bisexual poet, the disabled poet, the medical poet, or for its social content. In The Horizontal Poet you get it all, and in the end I found that reading Jan Steckel's poetry from the woman's perspective as a whole, this collection makes an even stronger statement.

I will leave you with excerpts from two of my favorite poems.
❀❀❀❀❀❀

Haditha

Who will tell
what sank into the sand here?
We have become
liberators of souls from bodies.
We will be welcomed
to the land of the dead
with garlands of fingers and toes.

In the land between two rivers
where lists were first written,
who will list the names of the dead?
Who can explain the reasons we came?

Who will sing sorrow? Sing sorrow.
The flood has passed over us
and our mouths are stopped
with sand.

❀❀❀

Tiresias

So light her touch
so soft her tongue
blue-veined ankles
vellum skin
cover her mouth with yours
pin her to the sheets
unleash in her the riot in you
make her feel what you feel
make her twist under your hand
till she bursts like a muscat
with a sweeter taste than summer

On the day I step from the balcony,
on the day I yield to the sea,
I will remember (beast that I am)
I was more of a man than he.

❀❀❀❀❀❀
About the Author: Jan Steckel is a retired Harvard- and Yale-trained pediatrician, an activist for disability and bisexual rights, a poet, and a writer. Her poetry, fiction and creative nonfiction have appeared widely. Her Mixing Tracks (Gertrude Press, 2009) won the Gertrude Fiction Chapbook Award. The Underwater Hospital (Zeitgest Press, 2006) won a Rainbow Award for lesbian and bisexual poetry. She lives in Oakland, California with her husband, Hew Wolff.
------------
Category: LGBT Poetry
Series: None
Publisher/Release Date: Zeitgeist Press, December 2011
Source: Received from author for review
Grade: B+

Visit Jan Steckel here