Showing posts with label 2013. Show all posts
Showing posts with label 2013. Show all posts

Tuesday, October 8, 2013

The Wicked Deeds of Daniel Mackenzie (Highland Pleasures #6) by Jennifer Ashley


Daniel Mackenzie. Slow goodness. What a sexy, sweet, man our Daniel turned out to be! Ashley outdid herself with this Mackenzie character. Of course, Daniel has the advantage of having been developed and loved, as a character throughout the whole series. More than just sexy, Daniel is a sensualist who enjoys life to its fullest.

With the romance between Daniel and his Violet, Ashley moves this series to that exciting period in time when motorcars, balloons, and mechanical inventions were just beginning to make an impact and spiritualists were all the rage in many of the best salons in Europe. Both Daniel and Violet are an integral part of both worlds. Daniel with his keen, obsessive mind is an inventor, and Violet is part of a spiritualist team along with her mother, but she also has a knack for understanding and creating her own mechanical inventions. Daniel is attracted to Violet physically, but her mind is what really hooks him.

Daniel and Violet fall for each other pretty early in their journey to happiness. The main conflicts arise from terrible past experiences that Violet survived only by running away. but has not been able to overcome. She remains a partially broken woman who needs healing. And that is where Daniel comes in, not to save the day (although he tries) but to show Violet that she has the strength to deal with the past and to move on with her life. They are a wonderful pair, Daniel with his easy, charming ways and wonderful laugh, and Violet with her deep need to understand what honesty means, what it is to feel safe, to be truly cared for, loved, and understood.

The plot follows an interesting path, taking the reader from London to Marseille, back to England, going on to a climactic scene in Paris, and a final epilogue in Scotland. The Mackenzie family as a whole is intricately involved in Daniel's life and in his romantic adventure. I love how he deals with his whole family as they interfere with his life. He listens and is loving in his dealings with all of them, and then. . . takes off and does his own thing. Daniel has their number. He knows Ian won't sell him out to the rest of the family... so he's the best confidant. So yes, Ian, more so than his father Cameron, plays a role in helping Daniel find happiness.

Was there anything that did not entirely work for me? Well, there were two moments too many of near-death and survival that didn't quite work for me. Daniel's role as an avenger toward the end just... troubled me, and the appearance of Fellows came out of nowhere! I was. . . surprised by his participation in this storyline. Really, I was! However, the rest of the book was delightful, with excellent inner and outer conflicts that are satisfactorily resolved and, more than just sexual, some wonderful sensual scenes between Daniel and Violet. So, yes, The Wicked Deeds of Daniel Mackenzie is one of my favorite books of the series.

Category: Historical Romance
Series: Highland Pleasures
Publisher/Release Date: Berkley Sensation/October 1, 2013
Grade: B+

Series:
The Madness of Lord Ian Mackenzie, # 1
Lady Isabella's Scandalous Marriage, #2
The Many Sins of Lord Cameron, # 3
The Duke's Perfect Wife, #4
A Mackenzie Family Christmas: The Perfect Gift, #4.5
The Seduction of Elliot McBride, #5
The Untamed Mackenzie (Highland Pleasures #5.5)
The Wicked Deeds of Daniel Mackenzie, #6

Sunday, October 6, 2013

Halloween Reads: Creepy, Disturbing UF/Fantasy/LGBT/Spec Fic & Horror!

It's October. Time for reading the spooky and disturbing. I have a stack of books that I have been reading or checking out -- not a Stephen King book in sight either... but we all already know he's the King! My list is a combination of books that have an edge of the dark stuff, and others that are made of darkness. You may or may not have heard of them, but what they all have in common is that they are all great reads!


URBAN FANTASY AND FANTASY with an edge and a dash of the dark stuff. If you don't like too much of the creepy stuff that comes with horror but enjoy a bit of edge, urban fantasy, and fantasy can provide that. The following is a list of books I highly enjoyed, beginning with a few I read recently:
The Ocean at the End of the Lane by Neil Gaiman (Novel 2013, Fantasy) - An adult fairy tale with the Gaiman magic and a darker, more adult plot at its core. There are some pretty disturbing scenes in this fairy tale, and not all of them come from the magic-side of things.
Written in Red by Anne Bishop (Novel, 2013 - Fantasy) - This fantasy piece has some fantastically gruesome shifters! I mean these are not cookie cutter vampires or shifters. The story has darkness and edge with a dash of warmth and humor providing balance. A great beginning to a new fantasy series by Ms. Bishop.
Omens (Cainsville #1) by Kelley Armstrong (Novel, 2013 - Urban Fantasy) - Omens is the beginning of a new urban fantasy series by Armstrong. However, the fantasy aspects of the story are a bit blunted in the first book, but overall the story is definitely unsettling -- more of a suspense read with light paranormal elements and an edgy flavor.
Bone and Jewel Creatures by Elizabeth Bear (Novella, 2010 - Fantasy) This novella with necromancy as a central theme is gorgeously dark. It also serves as a sort of prequel to Elizabeth Bear's Eternal Sky fantasy series.


SPECULATIVE FICTION ANYONE? 
In Search Of and Others by Will Ludwigsen (Collection 2013, Speculative Fiction) is one of the best collections of speculative fiction short stories I read this past year. It has those disturbing, unsettling pieces, and the ones that just make you think and wonder.
The Resurrectionist: The Lost Work of Doctor Spencer Black by E.B. Hudspeth (Illustrated Book, 2013 - Speculative Fiction/Horror) is one of the most creative pieces I read this year. This book has some magnificent illustrations and a very short story about Doctor Spencer Black, separate they are a curiosity, together they become a uniquely gruesome experience.
Fungi edited by Orrin Grey and Silvia Moreno-Garcia (Anthology, 2012 - Speculative Fiction/Horror) I began reading Fungi last year, finished it in 2013, and never reviewed it. It's a shame because this is such a great collection. I have favorite pieces that are stuck in my mind as if I read them yesterday, either because they're disturbing or downright unique. Two quick examples: "Last Bloom on the Sage by Andrew Penn Romine" is a memorable short with fantastic characters, world building, action and a plot that combines western steampunk with mushroom weirdness. And, in "Midnight Mushrumps by W. H. Pugmire" the beginning reads like a dream that quickly gains the atmosphere of a dark fairy tale and veers off into a dank, fungi infested, horror-filled nightmare.


READING: Moving on to a list of books I'm reading at the moment, you will find everything from the mild to pure unadulterated horror!
Still Life with Murder (Gilded Age Mystery #1) by P. B. Ryan (2003 Historical Mystery/Suspense) I saw a recommendation for this book at Li's site Me and My Books and decided to check it out. I'm already 25% through the book. It is set in the midst of aristocratic Boston during the Civil War and the main character is an Irish immigrant. It has an upstairs/downstairs sort of flavor with scenes that range from posh settings to the Bostonian Irish ghettos. I'm really liking it. Not a horror or speculative fiction read, but definitely a good mystery so far.
The Dust of Wonderland by Lee Thomas (2013, Novel Rerelease - LGBT Speculative Fiction/Horror) This story, set in New Orleans, is all about atmosphere and suspense. Lee Thomas always keeps me at the edge of my seat, and that's exactly what happened as soon as I began reading the prologue. I'm about 25% through the book and will let you know how it turns out. Mr. Thomas is an author whose works I absolutely, positively recommend if you want to read excellent spec-fic/suspense/horror that has a deeper, more meaningful subplot at its core. He does not disappoint.
Zombies: Shambling through the Ages ed. by Steve Berman (2013, Anthology - Horror) I am reading this collection at the moment. I am enjoying the creative way zombies are portrayed by the different authors, some of them are quite unusual. The book is divided in such a way that it more or less gives a history of the zombie, so the stories follow a fascinating progression. I was really hooked by the first short story "Blood Marker by Victoria Janssen," which almost serves as a sort of introduction to the Before Lazarus section and sets up a precedent for the uniqueness that follows.
I have more! My list was rather long this year, but I paired it down to ten which was not easy. I also have a "want to read" list and TBR pile that is a mile long. Do you read spooky stories, mysteries or crime suspense during October? What books do you recommend?

2012 Halloween Recs
2012 Xtra Scary Recs
2011 Halloween Reads

Friday, October 4, 2013

September 2013 Recap: Books Read + Minis

I am in the middle of what I am calling an "Indescribably Severe Period of Blogger's Fatigue." I'm half-way through my fifth year of blogging, and it has been seven years (or is it eight) since I've been hanging around the blogosphere. Perhaps it's the seven year itch and I just need a little pick-me up. Someone prepare a strong and refreshing mint julep for me, please!

Anyway, here are my reads for September 2013:

Total Books Read: 18
Contemporary: 1 (YA Fiction)
Historical: 1 (Romance)
Urban Fantasy: 10
Fantasy: 4 (Historical Fantasy Fiction: 2)
LGBT: 2 (Gay Fiction: 1, M/M Romance: 1)

Top 3 Reads of the month:



Desire: Tales of New Orleans by William Sterling Walker: A
I loved this book so much that I read it twice. You can read my review, but let me tell you... I had to retrain myself! This book is so gorgeous, I had enough notes and quotes to write a saga instead of a review. I can't believe I missed this collection in 2012.
The Ocean at the End of the Lane by Neil Gaiman: A-
This is a fantastic adult fairy tale. I can't recommend it enough to lovers of fantasy as a "must read."
Ashes of Honor (October Daye #6) by Seanan McGuire: A-
After reading the whole October Daye series by Seanan McGuire, this book was definitely my favorite. It is the one book of the series where everything came together and worked for me: Toby, the plot, the relationships, and the world-building.
One Salt Sea (October Daye #5) by Seanan McGuire: B+
I love the additional world-building in One Salt Sea. McGuire's inclusion of the Undersea Faerie Folk was fantastic. The revelations about the Luidaeg's history was a definite plus. And, this book has one of the funniest scenes as well as some of the saddest of the whole series. I was kind of relieved that some characters were finally disposed of and that decisions that needed to be made were faced by Toby.
The House of Impossible Loves by Cristina Lopez Barrio: B
This Latin American style magical realism yarn has teeth and challenges comfort zones with a few taboo subjects, love, angst, some truly hateful characters, and a gorgeous historical setting. Not for everyone.
Cry Wolf (Alpha & Omega #1) by Patricia Briggs: B
I thoroughly enjoyed this tale of werewolves and witches. Briggs's world-building is quite attractive and I liked the characters much more in this book than in the introductory novella, On the Prowl. However, I feel that without reading that novella, this book would be incomplete as it really explains Anna's psychological state of mind and how Charles came into her life. A solid read!
The Untamed Mackenzie by Jennifer Ashley: B
The lovely romance between detective Chief Inspector Lloyd Fellows and Lady Louisa Scranton is a novella. It contains passion and a wonderful crime mystery. I enjoyed getting to know Fellows while he yearned for his Louisa, and wished that there had been more page time when it ended.
The Fault in Our Stars by John Green: B
This was our Internet Book Club choice for the month of September. The Fault in Our Stars is not a book I intended to read, but it was recommended by Mariana's young daughter and of course I had to give it a go. If this book were a movie, it would fall under the "tear jerker" category. I found it to be relentlessly sad with three dimensional characters that pulled me in and under until the end. So yes, this is a great read, but I could not help but be relieved when it finally ended. Augustus and Hazel Grace are memorable characters I won't soon forget. A really great book for young adults.
Late Eclipses (October Daye #4) by Seanan McGuire: B
Late Eclipses is the book that was needed to give this series a boost, in my humble opinion. It's filled with great revelations about Toby, her magic, and her mother Amandine that help make sense of what happened in the previous three books. Finally! A solid, solid installment.
Rosemary & Rue (October Daye #1) by Seanan McGuire: B-
Rosemary and Rue begins with a bang, fizzles out, and then picks up with the kind of great world-building that I love and kept me reading this series.
Chimes at Midnight (October Daye #7) by Seanan McGuire: B-
The latest release in the Toby Daye series was a mixed bag for me. The plot felt disjointed and not quite up to snuff, particularly after reading Ashes of Honor #6 -- a much tighter installment. In the end, I found the central theme of the book, pureblood superiority/inferiority with its power or lack of it, disturbing.
Carniepunk Anthology: B-
A dark urban fantasy anthology that is packed with stories that are part of ongoing series, although a few are free standing. I enjoyed enough of them to recommend this as a good October, Halloween read.
An Artificial Night (October Daye #3) by Seanan McGuire: C+
Another book I'm not crazy about, but I liked better than book #2 because characters such as Raj, Tybalt's nephew, are introduced, Quentin's relationship with Toby is further developed as is her relationship with the Luidaeg, plus the excellent fantasy world-building continues.
My Cowboy Heart by Z. A. Maxfield: C+
This was a good M/M Western Romance by ZAM but nothing really unique. This story about a foreman in his 30's who becomes aware that he is gay when a new out and proud gay ranch hand is hired, has been done before. It's not a gay for you story. Anyway, ZAM writes a good contemporary western yarn, better than some others I've read with this same plot device. I'm actually interested in reading the follow-up story about two older ranch hands, one of them an alcoholic.
On the Prowl (Alpha & Omega 0.5) by Patricia Briggs: C
A short novella with great central characters, but one that felt incomplete. It has that insta-mine paranormal device that feels a bit tired and an overly abusive storyline toward the female protagonist that nearly turned me off from continuing to the first book of the series. The world-building seemed interesting and I wanted to give Briggs a shot, so I continued on to Cry Wolf.
La Rosa de Fuego (The Rose of Fire: The Cemetery of Forgotten Books, #0.5) by Carlos Ruiz Zafon: C
I read the Spanish version of this fantasy-based prequel to Zafon's Cemetery series and enjoyed his prose and writing style. Set in 15th Century Barcelona during the time of the inquisition, Zafon incorporates religion, ignorance, and the prejudicial mores of the times, along with a rather heavy handed dose of fantasy. This prequel is a bit too short and lacks depth.
A Local Habitation (October Daye #2) by Seanan McGuire: C-
Unfortunately this book drove me insane! Why? The setting for the plot in this book is limited for the most part to one very uninviting, cold place, the characters introduced are not compelling or interesting, and Toby is not well prepared to investigate the crimes occurring in this place. Yet, the relationship and world-building continued and that kept me reading.

Rereads:
The Graveyard Book by Neil Gaiman: A
This is ghoulish children's fairy tale, that is true, but at its core it is a family-oriented fairy tale that deals beautifully and warmly with the subject of adoption. This was a reread for me, and yes I fell in love with the characters and Gaiman's storytelling talent all over again.

I will remember September 2013 as the month I went nuts reading UF! I began a couple of books from other UF series, but in the end settled for McGuire and Briggs. Maybe by the end of the year I'll read a few more of those "first books in a series" that have been hanging out in my TBR for years.

How was your September? I fell in love with Desire: Tales of New Orleans by William Sterling Walker and The Ocean at the End of the Lane by Neil Gaiman. Did you fall in love with any books last month?

Tuesday, October 1, 2013

Desire: Tales of New Orleans by William Sterling Walker


There are places that exude an atmosphere of casual sensuality that can be felt, smelled, and tasted. The residents of such places absorb the atmosphere like sponges until they become part of the place and the place becomes part of them. The City of New Orleans is such a place. In his collection of loosely related short stories, Desire: Tales of New Orleans, William Sterling Walker captures the essence of this city until, with its strong presence and influence, New Orleans takes center stage and breaths life into each and every character. Walker's beautiful integration of music -- classical, jazz, 80's pop -- and art adds to the overall sense of time and place, capturing moments, depth of feeling, and often creating the illusion of a written snapshot suspended in time.

Walker's descriptions of New Orleans are also intrinsically connected to themes found in his collection, -- with "connection" the most prevalent theme throughout -- to the character's conflicts, and to their personal desires. The heat and oppressive humidity may be connected to voracious or subtle physical needs. The stagnation of a place where the past is present may be found in conflicts faced by quite a few of the men, and the gravitational pull that the city exerts on its denizens as if it were a living entity is mirrored in the friendships and relationships between the characters.

The word desire, as in the title of the book, usually brings to mind sexual want or hunger. Humans, however, desire much more from each other than the physical and Walker incorporates both in his stories. He breathes life into his stories through his characters, the friendships they share, their loves, losses, needs and desires. Moments, events, conversations, assignations, paralyzing fear, pain and regret, all become connected through friendships and hookups in a pre-Katrina gay community that learned early about tragic loss while experiencing the plague years.

I first read Walker's short story "Farewell to Wise's" in the Best Gay Stories 2013 anthology and what really struck me about it at the time, what made me love it, was the fact that the place and characters became real to me. I found that same quality in the rest of his stories. Walker develops intimate interactions and dialog between his characters, slowly revealing layers and, in the process, giving them a depth that becomes an essential part of his portrayals. This development leads readers to become fully invested in both the characters and the conflicts they face.

I know I will reread this book for a couple of reasons. Throughout the time it took me to read it, and after, I fell asleep in New Orleans thinking about the characters and woke up the next day in New Orleans still communing with them. But, most importantly, Desire: Tales of New Orleans is a book that strongly reminded me of the "why" behind my love for short stories. Highly recommended.

Category: LGBT/Gay Fiction
Series: None
Publisher/Release Date: Chelsea Station Editions/November 1, 2012
Grade: A

Visit William Sterling Walker here.

Monday, September 30, 2013

The Untamed Mackenzie (Highland Pleasures #5.5) by Jennifer Ashley

A Woman of Breeding Meets a Man of No Standing...

In The Untamed Mackenzie, Jennifer Ashley finally lets us in on the mystery that is Detective Inspector Lloyd Fellows, the Mackenzie bastard brother whose first introduction to readers in the guise of a quisi-villain. Happily, Lloyd is believably portrayed in this novella as a Mackenzie worthy of his name.

Ashley portrays Lloyd as a man on fire. A man in the throes of a passion that leads him to place in jeopardy everything he holds dear for Lady Louisa Scranton, the woman he has secretly loved from a distance without hope of a real future. The magnetic pull Louisa feels when she is anywhere near Lloyd is felt throughout, as Ashley uses more sexual tension and sensuality than graphic sexual scenes to build on the romance. The passion is reciprocated, but is the love? And even if it is, how can they have a future when she's a Lady and he's nothing but a well-respected policeman?

There is a crime, of course, with Louisa as the main suspect and Fellows as the investigator. Lloyd pulls all the stops to save his love with help from the Mackenzie clan and Scotland Yard detective Pierce. This side of the story was satisfying to me. I was somewhat disappointed, however, by the length of this piece.

It's interesting that I abhorred Lloyd Fellows in the first book of this series and at the time thought his was a superfluous character -- I remember just wanting to enjoy the romance between Ian and Beth. Yet, while reading this novella I found myself thinking that Ashley created Lloyd as such a conflicted character that a more in-depth exploration of those conflicts (both past and present) would have been welcomed. However, although I would have loved a longer book with more page time to also develop Louisa's side of the romance, as a novella filled with impulsive, passionate thoughts and actions, The Untamed Mackenzie worked for me. Grade: B

Wednesday, September 25, 2013

Overview: October (Toby) Daye Urban Fantasy Series by Seanan McGuire

I was in the mood for urban fantasy and just... pleasure reading. I decided to begin by hitting a few of the urban fantasy books sitting in my TBR and read a few, including the first two books from Patricia Briggs' Alpha & Omega series, but most notably, I inhaled the entire October (Toby) Daye urban fantasy series by Seanan McGuire. Yes, all seven books!

So what did I think of the series?

The first three books of the series, Rosemary and Rue #1 (B-), A Local Habitation #2 (C-), and An Artificial Night #3 (C+/B-) were not real winners for me. So you may wonder why I continued reading the series. Well, I fell in love with McGuire's world-building, particularly the fantasy side of things. Her Faerie world is fascinating with its changelings, multiple fae races, nobles and Courts, and of course the Court of Cats. I particularly like McGuire's take on how they all interrelate with each other, the history details, and all the political ins and outs that develop throughout the series.

I also fell in love with the detailed and clear magical elements in this series. McGuire's takes her time developing this aspect of her world. Magic works and is used differently depending on the fae's race, mixture of pureblood race, and for changelings -- the half-human, half-fae -- it all depends the fae parent's blood. Power and magic really comes down to blood. Humans don't necessarily play a big role in this series, however, the fae have no choice but to make use of their physical world and I like how magic is used in this symbiotic relationship. San Francisco is a fantastic setting. My fascination with the world-building kept me reading Rosemary and Rue and beyond because frankly, I was not necessarily taken with other aspects of this series until I reached the fourth book.

Initially, one of my problems was Toby, the narrator and main character, who is not impressive in the first book as the "hero." Toby is a changeling with little magical power of her own, but earned her place as knight errant to Sylvester Torquill, Duke of Shadowed Hills, making Toby special/unique among the changelings and purebloods. Her story begins when Toby is turned into a fish, a Koi to be exact, while in Sylvester's service. Toby spends fourteen years swimming in a pond until she breaks the spell and realizes that her whole life as she knew it is lost, including her human live-in boyfriend and daughter Gillian. This loss plunges Toby into a depressive spiral until a friend binds and compels Toby to find a murderer or die trying. Toby's life slowly gets back on track as she picks up the threads of her life as a P.I. and begins the process of bonding with people who eventually become her closest allies.

The highest praise I can give Toby's character is that although she is half-human, McGuire imbues her with a humanity and vulnerability that is sorely missing from many of the characters encountered in this series, including changelings. She has a big heart and because she is a "hero," bravery. However, Toby's bravery is often the foolish kind -- she is universally known for taking stupid, uncalled-for risks. There are other aspects of her personality that tend to annoy. For example, Toby tends to blame herself for events that are not her fault. She's a guilt-ridden hero. Me thinks she's a bit self-deluded in that respect, but then she has a huge hero-complex which makes her both self-sacrificing and self-centered in my opinion.

See, initially, Toby doesn't think much of herself and believes she's a waste of space. Later on confidence comes with power and gained affection, but too often she is willing to let herself go if necessary because there always seems to be a small part of her that feels she doesn't deserve to live -- that she is not good enough or doesn't deserve better. Talk about poor self-esteem! If you understand that about her, it goes a long way toward understanding Toby's choices -- including her choice in men. This drove me a bit insane during the first three books as did her lack of insight, follow through and investigative skills. Toby also tends to be oblivious to important comments or clues, and other times she chooses to be oblivious to the obvious. But okay... Toby was a fish for fourteen years, her emotional state was severely compromised for a while, and she has huge mommy issues (and I'm talking about Toby's mother here, not her daughter. That's another kettle of fish altogether).

In this respect, Toby is no different from other urban fantasy "heroines" who throw themselves in the fray over and over again and are willing to sacrifice themselves to save the world because they believe they are the only ones equipped to do so. Initially where she differs is in the fact that she has little power throws herself heart and soul into the battles anyway. Later on in the series she falls in line with other urban fantasy heroines. What doesn't change is the fact that Toby wants to be a 'hero' and believes her own press (she contradicts herself about this though), or the fact that she's not a great investigator, in fact most of the time she stumbles along until things fall into place, has problems following through and "listening to others." Toby's usually too busy looking for the next bit of trouble to really take the time to listen and analyze information. She doesn't pay attention. Thank goodness for her allies.

And that's the thing, the secondary characters in this series kick some serious ass! I'm not talking physically now... I mean whatever flaws I found when focusing on Toby were placed aside when McGuire began building those excellent relationships between her protagonist and the key secondary characters. It is a slow development, but every single one of these characters and relationships are worth the page time. What would Toby do without Quentin, Tybalt, or her fascinating frenemy the Luidaeg. There are so many more!

Toby? Toby grew on me. By the time I read Late Eclipses #4 (B) I was hooked and thrilled to finally see significant revelations about Toby come to light, and by One Salt Sea #5 (B+) I was laughing my ass off as Toby hopped on a mermaid's lap, riding a wheelchair down a San Francisco hill to save her life -- an absurd and memorable scene, and a very good read! And yes, Ashes of Honor #6 ( A-) was an absolute winner for me just as it was for many other readers. There is an obvious reason behind that, but also in this book Toby finally takes the time to look inwards, gains some insight into herself and admits some hard truths. Self-awareness never hurt anyone, and Toby needed a good dose of that! Chimes at Midnight,#7 (B-) wasn't a great read for me, but it made me think hard about this series. Am I still hooked? Hmm..., I will read the next book to see where McGuire takes it.

Additional Thoughts after reading Chimes at Midnight: McGuire's Toby is a changeling of mixed blood -- half-human, half-fae. In her world, changelings are forced to make the choice to become one or the other. Socially, they are also at the bottom of the ladder and are often disregarded by the upper classes -- the pureblood fae. The issue of blood, the mixtures of blood, and/or choosing who you are because of your blood becomes a central theme in McGuire's series. In many instances, choosing to be both means having little power. Choosing to change your blood to become a pureblood means more power and becoming human means next to none. In thinking about this central theme in a contemporary context (something I tend to do when I read fantasy and sci-fi), the whole idea became utterly disturbing.

Sunday, September 22, 2013

Review: Mañana Means Heaven by Tim Z. Hernandez


Tim Z. Hernandez bases his novel Mañana Means Heaven on the story of Bea Franco, the young Chicana woman Jack Karouac meets while on his way to Los Angeles from San Francisco, during his travels across the United States, and who later appears in his famed novel On the Road as Terry, or "the Mexican girl."
"Mañana," she said. "Everything'll be all right tomorrow, don't you think, Sal-honey, man?"

"Sure, baby, mañana." It was always mañana. For the next week, that was all I heard --- mañana, a lovely word and one that probably means heaven. -- On the Road by Jack Kerouac
The title of the novel is taken directly from one of the passages of Karouac's novel, but this is Bea's story, not Jack's. That is made perfectly clear from the beginning. Hernandez takes Karouac's short chapter, and following the same timeline, cleverly weaves in Bea's background and breaths life into the woman by exposing the extreme emotional and familial circumstances that pushed her into opening up to a man like Jack, a gavacho "college boy," during that particular time in her life. A time that lasted but a blink in time, but one that changed both of their lives irrevocably.

Meeting Jack gives Bea hope while she is trapped in what seems like a hopeless and desperate situation that Hernandez utilizes to build tension throughout his novel. Franco's short time with Jack changes her. It gives her the determination and resiliency that may have been there all along, but that she learns to use to become a woman who expects better for and from herself. For Jack, much later that moment in time becomes the stepping stone that helps to propel his career as a writer when the Paris Review publishes his short story "Terry, the Mexican Girl," and well, the rest is history.

If Franco and her family are well researched by Hernandez, then so are the historical details. Hernandez takes the reader to a post WWII Los Angeles that comes alive with all of its paranoia and multicultural prejudices. But nothing comes alive more than the San Joaquin Valley and the plight of the pickers -- the smell and paranoia in the tent camps, the fear of immigration raids, the hatred for the implacable owners and the need for work, the child workers, the stultifying poverty, and through Bea, the desperation.

Hernandez utilizes mañana, tomorrow, as the main theme of his novel. The word mañana represents many different things to the different people who inhabit the novel. To Bea and her brother Alex it represents the possibility of a future and the realization of a dream. To the pickers in Selma it represents the basics, work, food, a warm place to stay. If not today, tomorrow things will work out. To Jack it is always a way to gain time, to learn more, to see more. To little Albert, it comes to represent lack of money, a lack of hope. However, Hernandez also uses partings, abandonment, leaving and returning as a secondary and more subtle theme throughout the novel.

As an award winning poet and writer familiar with Franco's cultural background, Hernandez was already well equipped to write a story about Karouac's muse. However, Hernandez's research into her life and his insights into the person Franco was, into the woman she became, takes her story beyond that of a myth. Highly recommended.

_____________________

Memorable Quote from Tim Z. Hernandez's Guest Post: "I Remain As Ever, Bea"
I spoke briefly about what Bea had taught me, and about what we might all learn from her story. That each of us, regardless of how seemingly insignificant or boring or obscure our lives may be, are made up of valuable epic stories that deserve their day in the light.

Related Posts:
Guest Author Tim Z. Hernandez: "I Remain As Ever, Bea"
RIP Bea Franco, Kerouac's "Terry, The Mexican Girl"
Highlighting: Manana Means Heaven by Tim Z. Hernandez

Saturday, September 21, 2013

Guest Author Tim Z. Hernandez: "I Remain as Ever, Bea"

Today, I would like to extend a big welcome to Tim Z. Hernandez, author of Mañana Means Heaventhe story of Bea Franco who for years was only known as Terry, the "Mexican girl" from Jack Karouac's On the Road.
Mañana Means Heaven deftly combines fact and fiction to pull back the veil on one of literature’s most mysterious and evocative characters. Inspired by Franco’s love letters to Kerouac and Hernandez’s interviews with Franco, now in her nineties and living in relative obscurity, the novel brings this lost gem of a story out of the shadows and into the spotlight.

Franco was sought out by dozens of Kerouac and Beat scholars, but none could find her. According to one, “finding Bea Franco is like trying to find the ghost of a needle in haystack.”
Well, Tim Z. Hernandez found the "needle in the haystack" and wrote a book that has received high praise from The Associated Press, Booklist and others, and that I am sure will continue to do so.

On a personal note, when The University of Arizona Press contacted me about the upcoming release of Mañana Means Heaven I was immediately taken in by the synopsis. It just captures the imagination. Later, as I was in the middle of reading Bea Franco's journey through life, I was quite shocked and saddened to learn that she had passed away.

Today is the last day in a week-long blog tour. By following the tour, you will find real insight into Tim's research by listening to interviews, reading notes from his journal, excellent question and answer sessions, or if you prefer, there are also book excerpts available.

For his last stop today, however, Hernandez chose to write a very personal post about Bea.

Blog Tour:
Monday, September 16 | Stephanie Nikolopoulos blog 
Tuesday, September 17 | The Daily Beat 
Wednesday, September 18 | La Bloga 
Thursday, September 19 | The Big Idea 
Friday, September 20 | The Dan O’Brien Project 

Welcome Tim!
______________________




I Remain as Ever, Bea

On the morning of August 15, 2013 I received a text from Albert Franco, Bea's son, telling me in only a few abbreviated words that his mother had passed away. This news took the breath out of me. It was unexpected, to say the least. I had just recently spoken with Patricia, Bea's daughter, who Bea had been staying with in Long Beach. My family and I were making plans to see her while we were going to be in California. At the time, Patricia said something to the effect of, "My mother's been doing much better lately and I'm sure she'd like to see you." So my wife and I began planning. Just a few days earlier, on August 3, after receiving copies of my book in the mail from my publisher, I hurried to the post office and sent Bea a package, which included a signed copy of the book, her book, along with a bound photo album I had made her, compiled with all the photos and documents her family had loaned me during the writing of her book. Days later Patricia called to tell me the package had arrived and how excited they all were. I asked if she wouldn' t mind taking a few pictures of Bea holding her book, and she agreed. On August 7, I received several text messages from Patricia's daughter Dina, images of Bea smiling with her copy of Mañana Means Heaven in her hands. She had that same curious glint in her eye that I had come to know, as if to say, it's about time! Of course, in that moment we had no idea that these photographs would become the only evidence that Bea did in fact live to see her life story told in the pages of a book. No longer merely the fictional "Mexican girl" of Kerouac's imagination, or the quiet and unassuming campesina that appeared for all of two minutes in Walter Salles' movie, On the Road, but Beatrice Renteria Franco, now Bea Kozera, the real woman, the real deal.


On the very day Mañana Means Heaven was to land on the shelves of bookstores across the nation, Thursday August 29, a handful of friends and family gathered at the idyllic Belmont Memorial Park in Fresno, California to pay their last respects to this "petite woman with fire in her heart," as one of Bea's relatives remarked. For the better part of three years, it seemed every member of my family was also invested in Bea's story. (It was my mother who actually located her whereabouts back in 2010. After telling her I was about to give up my search for Bea and just get on with the book, she replied, "Give me your files and notes, I'll find her!" 24 hours later, she handed me two possible leads.) Even my cousin Art, when I went to visit him in the pen the first thing out of his mouth was, "Have you finished your book about the Mexican girl?" And of course, so many times my wife Dayanna had watched me return from my interviews with Bea beaming with excitement. Like this, my family, even our children, became familiar with Bea; through our visits with her, through the myriad photos which hung on the wall above my desk as I wrote the book, through the sound of Bea's own tender voice played back on my video camera, for three solid years we lived with her presence. Needless to say, at her services, we were all there together. I was asked by her son Albert to share a few words, and so I spoke briefly about what Bea had taught me, and about what we might all learn from her story. That each of us, regardless of how seemingly insignificant or boring or obscure our lives may be, are made up of valuable epic stories that deserve their day in the light. Standing at the podium, I concluded my thoughts by sharing one small but very cool detail about Bea. Over the years she had enjoyed writing letters and postcards to people, and she had a distinct way of signing off. I could clearly see that curious glint in her eye shine, each time she assured her reader, "I Remain as Ever, Bea."


Tim Z. Hernandez, copyright 2013
______________________


Mañana Means Heaven by Tim Z. Hernandez
Released: August 29, 2013
The University of Arizona Press
In this love story of impossible odds, award-winning writer Tim Z. Hernandez weaves a rich and visionary portrait of Bea Franco, the real woman behind famed American author Jack Kerouac’s “The Mexican Girl.” Set against an ominous backdrop of California in the 1940s, deep in the agricultural heartland of the Great Central Valley, Mañana Means Heaven reveals the desperate circumstances that lead a married woman to an illicit affair with an aspiring young writer traveling across the United States.

When they meet, Franco is a migrant farmworker with two children and a failing marriage, living with poverty, violence, and the looming threat of deportation, while the “college boy” yearns to one day make a name for himself in the writing world. The significance of their romance poses vastly different possibilities and consequences.

Mañana Means Heaven deftly combines fact and fiction to pull back the veil on one of literature’s most mysterious and evocative characters. Inspired by Franco’s love letters to Kerouac and Hernandez’s interviews with Franco, now in her nineties and living in relative obscurity, the novel brings this lost gem of a story out of the shadows and into the spotlight.
About the Author: Tim Z. Hernandez is a poet, novelist, and performance artist whose awards include the 2006 American Book Award, the 2010 Premio Aztlan Prize in Fiction, and the James Duval Phelan Award from the San Francisco Foundation. He is the author of two books of poetry, Natural Takeover of Small Things (2013) and Skin Tax, and the novels Mañana Means Heaven (2013) and Breathing in Dust. In 2011 the Poetry Society of America named him one of sixteen New American Poets. He holds a BA from Naropa University and an MFA from Bennington College.

Visit Tim Z. Hernandez here.
Buy the book here.

Thursday, September 19, 2013

The House of Impossible Loves by Cristina Lopez Barrio

The curse of the Laguna women is long and painful. It is filled with unrequited love, anguish, death, hate, abuse, revenge, ghostly hauntings, and powerful magic of the beautiful and dark sort. It is the sort of magic that touches everyone who comes in contact with the Lagunas -- men and women alike.

The House of Impossible Loves covers multiple generations of Laguna women who are cursed to have "tragic love affairs and to give birth to girls," who in turn follow the same pattern as their mothers. Along the way, Lopez Barrio creates memorable and compelling characters with gray areas  -- some are worthy of pity while others are worthy of compassion, yet there are reasons to dislike and even hate more than a few. In the Laguna women, Lopez Barrio creates a truly cursed family.

Clara Laguna falls in love with an Andalusian who loves her but afraid of the curse, won't marry her. He gives her the deed to what becomes Scarlet Manor, a place she turns into a brothel as part of her revenge against him. Clara gives birth to Manuela who is reared by Bernarda, a servant/cook who can barely speak, but whose only goal in life is to love Clara Laguna. Manuela's upbringing shapes her into a woman who seeks nothing less than perfect respectability. When through no fault of her own Manuela becomes a victim of the curse, she becomes a cruel and terrible master of vengeance. Her beautiful daughter Olvido becomes the frequent target of her rage and frustration.

Olvido's life story is the longest in this book and it is simply both beautiful and horrifying. Olvido's beauty garners Manuela's rage and hope that she will be the one who will attract a husband that will break the curse. But she falls victim to the curse with an all consuming passion when she and Esteban fall in love with each other. As predicted, it ends in tragedy, but does it really? Margarita is born and she in turn gives birth to the first Laguna boy, Santiago. Will he be the one to break the curse?

The story takes place in a small, remote Castilian village in Spain that comes alive with vivid and memorable secondary characters. The world seems to evolve around this place but in this place life, with all its cruelties, ignorance, and beauty, seems to stand still. There is magic that never ceases to exist, whether it is the ghosts of the dead that visit the town square in the morning in the guise of fog, or the winter blooming of daisies, honeysuckle, roses at Scarlet Manor, the peeling of bells, the trail of violets as kisses, or the smells and sensuality of Olvido's cooking, magic becomes part of daily life and natural events that occur in this Castilian village.

The magical realism in The House of Impossible Loves is comparable to the Latin American style that I prefer. It is not pretty, sweet, or nuanced. Instead it is the type of magical realism that is in your face, and often over-the-top, filled with passionate emotion that spills out and is expressed by depicting it strongly in all the colors of the rainbow: beauty, love, hatred, darkness, compassion, envy, revenge.  Recommended.

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Favorite Quote:
"Love sometimes goes astray when you love too much, but it's always love and it can get back on track again." Olvido

Tuesday, September 17, 2013

The Ocean at the End of the Lane by Neil Gaiman

Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.
A dark fairy tale for adults, The Ocean at the End of the Lane is a short piece by Neil Gaiman that nevertheless leaves the reader thinking hard about those childhood memories we all take for granted. Gaiman infuses this fairy tale with magic, realism, and enough terror to make an adult tremble, never mind a child.

The magical aspects of this fairy tale are gorgeous, absorbing and scary: there is an Oracle-like trio of women who live at the end of the lane from the boy's home, at a place called the Hempstock's farmhouse -- the crone, the mother, the maiden -- or Old Mrs. Hempstock, Ginnie Hempstock (Lettie's mother), and eleven year-old Lettie who becomes the boy's friend and protector. Oh, Lettie and the boy visit a magical and dangerous place with an orange sky and the farmhouse is warm and safe with a a magical pond, a beautiful kitten, delicious pies, cream and milk where he finds a deep, abiding friendship. But, don't be deceived because there are also terrifying monsters, danger, betrayal, loss, and the question of survival.

Gaiman's fairy tale is narrated by a seven year-old boy as events are remembered by the man he becomes. It's interesting because we all know how childhood memories can fade and events can become distorted with time and our narrator is middle aged -- divorced with grown children with established lives of their own. Magic, however, factors into the "distortion of memory" issue, which I believe is a creative approach by Gaiman.

Children often blame themselves for what happens around them, to them, to their parents, as a result of their actions, but most times through no fault of their own. They can also erase and/or rearrange memories, particularly bad ones, to fit their lives and make them more acceptable. In Gaiman's fairy tale, the unnamed protagonist placed those memories in a tight little box and closed the lid. The memories only came into play when he went through changes in his life, but were those memories accurate or was he still placing the blame where it did not belong? After the funeral when our story begins, are the memories closer to being accurate? This adult fairy tale is a magnificent way of telling a story that deals with the consequences of childhood trauma and factors in memory.

The summary of the book above is quite accurate in detail, but lacks spoilers. It is in fact the perfect summary for this short novel by Gaiman. However, it would help to clarify that forty years earlier means 1960, and that has to be kept in mind when reading the seven year-old boy's narrative, particularly his feelings about adults and his reactions to them.

Grown-ups and Monsters:
"Grownups and Monsters aren't scared of things. "

"Oh, monsters are scared," said Lettie. "That's why they're monsters. And as for grown-ups. . . "
As terrifyingly beautiful and creative as the fairy tale turns out to be, this story is about growing up. There is little subtlety in the way Gaiman portrays the death of innocence or the depth of terror or fear felt by the boy as he narrates his experiences. But there is no question that I wouldn't have missed walking in the boy's shoes or missing out in those experiences.

I think what I love about The Ocean at the End of the Lane is that it can be read and enjoyed in different ways, as a magical fairy tale or as more. Although it has children as protagonists at its core and family is part of the story, this is not a warm, children's fairy tale like The Graveyard Book. It has a much darker atmosphere, and deeper and much more complex plot that makes this an adult fairy tale. This is my interpretation of what I found at the core of the fairy tale. I'm sure we all have different thoughts about it... and of course, that is the beauty that comes from reading this piece by Gaiman.  Highly recommended.
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Favorite quote:
I liked myths. They weren't adult stories and they weren't children's stories. They were better than that. They just were.

Thursday, September 12, 2013

Review: Omens (Cainsville #1) by Kelley Armstrong

Omens is the first book in Kelley Armstrong's brand new, urban fantasy series, Cainsville. I am not familiar with Kelley Armstrong's works, so I have no base of comparison when it comes to her writing style or other series. In this case, I'm glad that I'm beginning with a clean slate and reviewing this book on its own merit instead of comparing it to Ms. Armstrong's previous successes. So lets get this out of the way right now, Ms. Armstrong writes in a clear, concise, crisp style that I absolutely loved. I'm so glad I finally decided to pick up one of her books.

Omens begins with a hook. The prologue is uncommon in that it is narrated from the point of view of a 2 1/2 year old little girl. It begins in such a way that the reader doesn't know whether she is in danger or not. Then the reader is pulled into a beautiful happy moment only to be yanked into a terrifying moment of loss and pain. That short beginning is a roller-coaster and a little taste of what is to come.

Moving forward, the story shifts to Olivia Taylor-Jones, a 30 year-old wealthy heiress whose life consists of volunteering at the family's sponsored charity, writing speeches for her politically ambitious fiancée James Morgan, and taking care of her self-centered widowed mother. Olivia's life is turned upside down when out of the blue she finds out that she is adopted and that her biological parents are the most notorious serial killers known in Chicago's recent history, Todd and Pamela Larsen, making her real name Eden Larsen. The story begins to take a dark turn when overwhelmed by the paparazzi, feeling emotionally and physically rejected by her loved ones, angry and reeling from the news, Olivia takes off on her own only to find herself unable to find a job or a place to stay. After doing a good deed, she finally finds affordable housing and a job at the diner in a weird little town called Cainsville.

The above is very important to the story, particularly the feelings of rejection from her adoptive mother and fiancée, because it sets up the reasons behind Olivia's reactions throughout the rest of this story and I'm sure for what is to come later on in the series. But frankly for me, the story really takes off once Olivia arrives in the weird little town of Cainsville, with its elderly population and hundreds of stone gargoyles seemingly guarding the place. This is where Olivia meets Gabriel Walsh, nephew to the local psychic and coincidentally the unscrupulous attorney who represented Pamela Larsen during her appeal. Olivia also meets the other peculiar residents of Cainsville. People who don't seem to be surprised or taken aback when Olivia sees omens and predicts possible events based on them.

I am quite impressed with Omens. In fact, I read it twice before writing this review because it left me with such an unsettled feeling and sense of foreboding that I had to get back to it to find out exactly what it was about it that generated that feeling. See, Omens reads like a mystery suspense with Olivia hiring Gabriel to help her investigate the events that lead to the gruesome murders supposedly committed by her parents. There are paranormal elements introduced in this first book, but it is a subtle introduction that is really well integrated with the mystery suspense plot. There is, however, a suppressed sense of foreboding throughout the whole story that makes for a heavy atmosphere. It a kind of... waiting. The stepping stones are there to build the fantasy side of this series as Armstrong combines the strong ties found to Fae Welsh mythology in Cainsville with science and a slight edge of horror and violence found in Chicago as the urban setting.

Olivia/Liv/Eden has a marvelous narrative voice that gets better as the story progresses -- particularly when she's engaged in dialog with Gabriel. There is a case of nurture vs. nature going on with her personality. There is character growth for Olivia within this story alone. I can only imagine how much more growing there will be for her in the future and cannot wait to see how far Armstrong takes this woman who is just discovering who she really is, and what she may be capable of doing. I'm particularly curious about her fledgling omen-interpreting powers and how far she can go with them. You'll have to read the book to find out how omens work and how Olivia is connected to them.

Most of the story is told from Olivia's point of view, but there are single, short chapters peppered throughout the book narrated from different characters' points of view, including Gabriel. I like that. In some instances these chapters give the reader insight into how Olivia is viewed by others, in others they give clues as to events that are going on, but also important is the fact that through them, the reader gains an insight into Gabriel's personality. He is a key character. Gabriel is a frustrating, acquisitive asshole protective of himself first and always, but he is also mysterious, fascinating, and a man worth knowing. He is not a seductive man though... in fact, he seems awkward when it comes to that. A bit of a contradiction all around, and one with good potential primarily because the man has vulnerabilities even if at this point they seem to be few. Olivia, thank goodness, has his number, knows just how to deal with the man, and called him on his bullshit too. I am pretty sure that is the one reason Gabriel and Olivia's relationship worked for me.

The plot in Omens gains momentum as it progresses. There are violent deaths, ominous moments that lead to that sense of foreboding I mentioned above, and a tad of horror borrowed here and there that give the plot an edgy feel, all balanced by the light humor provided by Olivia's excellent narrative voice. Armstrong begins the series with a subtle construction of her world, but weaves in so many complex threads in this first book that by the end there are questions upon questions that need answers. There is a satisfying conclusion to Omens, but there is so much more to come that it left me panting for more. More Olivia, more Gabriel, more Cainsville, more suspense.

Category: Urban Fantasy
Series: Cainsville #1
Publisher/Release Date: Dutton Adult/August 20, 2013
Grade: B+

Visit Kelley Armstrong here.

Monday, September 2, 2013

Review: Welcome Home, Captain Harding (Captain Harding #3) by Elliott Mackle


Joe is back! Welcome Home, Captain Harding! I was really worried about him at the end of Captain Harding and His Men when he was shipped off to Vietnam. I even thought that was going to be the setting for this third book. Instead it is now1970, "Hair" is playing on Broadway and the "Age of Aquarius" still has a grip on the country, particularly on the West Coast -- the perfect setting for Joe's misadventures.

After finishing an 18-month tour in Vietnam, Joe is assigned to the Castle Air Force Base, California, working with old friend and father figure Colonel Bruce "Ops" Opstein, commander for operations for the 39th Bomb Wing. Joe hasn't even shaken the jet lag, nightmares, or fear of crotch rot when Ops shows him a pictures of himself in Hawaii with both Cotton and his mother Ambassador Elizabeth Boardman. Joe is under surveillance. Joe's new assignment at Castle spying on arrogant, hot-dogging bomber pilots, and organizing an air show to counteract the whole anti-war movement does not come as sweet news either. Soon Ops and Joe realize the whole place is FUBAR -- fucked up before all recognition -- as pilots go around with sex, drugs, and rock-and-roll on their minds, and the higher ups turn out to be even worse than that! Joe's career comes under fire from all directions as the men or buddies he works with are more a detriment than a help, and covering his ass to stay in the military closet becomes almost impossible.

There I am, reading the beginning of the story and I'm already yelling at Joe for pulling dumb moves and following his dick instead of thinking things through before leaping into the fire. By now, we all know that's just Joe, but that didn't matter to me. Cotton is now a freshman at Berkeley and slowly getting pulled into the anti-war movement, but they are together and that's what becomes important to Joe. He is in love with the now nineteen-year old Cotton, so you can only imagine that these two are not necessarily thinking with their "little grey cells." No, not possible. Not even after Ops warns Joe that he has received more anonymous photographs. To further complicate matters, Sam shows up at Joe's place in Merced. Now a TWA pilot, he is a favorite buddy/hookup Joe met at the Wheelus AFB in Lybia. Cotton figures out the relationship angle and decides to get involved. Will there be room for one more in a committed relationship?

Let me begin by saying that I don't usually get so involved with characters that I actually worry for them, etc. I try to maintain a certain distance, even when connecting with characters, so that I can at least be somewhat objective about their actions. But, I can't seem to help myself with Joe Harding and I know that is one of the aspects of this series that makes me love it so much.

Elliott Mackle does it to me every time. I began reading Welcome Home, Captain Harding and didn't stop until that last page was turned. It was an emotional roller-coaster. I was yelling at Joe because he wasn't being careful enough, while simultaneously getting upset because he HAD to be careful in order to keep his military career going. But, coming back to reality and keeping in mind that this is historical fiction, Elliott Mackle again captures the times and situations beautifully.

The necessity to stay closeted vs. the need for love and intimacy is one that Mackle tackles in this book with even more vigor than he did in the past two installments. The frustration, the witch hunt, and how far everyone is willing to go to protect themselves are all well rendered by Mackle as he uses humor through misadventures, miscalculations, and manipulations to get his point across. The same happens with Mackle's deft handling of the issues that plagued the Air Force pilots at the base during that time, and with his portrayal of 1970 San Francisco by incorporating the two differing perspectives dealing with the key issue of that time period in history about the war in Vietnam, with the Peace Movement on one side and the military on the other as seen from Joe's point of view.

The military details that Mackle includes in this novel are again fantastic, although I did notice that they took less space than in the two previous installments. Similarly, those pesky military acronyms have lessened, or are now explained to the reader along the way. Mackle continues the tradition of combining Joe's often humorous misadventures with seriously tough issues such as domestic violence among the military, drug abuse, cover ups, and persecution of gay servicemen in the military. The usually tight dialog is not as consistently tight as it is in other installments, but it is still great, providing that quick pacing that makes these books such excellent reads.

Welcome Home, Captain Harding is the third and last book of Elliott Mackle's Captain Harding trilogy. As such, it ends Joe's adventures and misadventures with a bang. I didn't, however, expect anything less from Mr. Mackle whose works I've come to highly enjoy along the way. I cannot tell you how much I love these three books, or how much I am going to miss this character. I am a fan. I definitely recommend Welcome Home, Captain Harding, but more so, I highly recommend the trilogy as a whole.

Category: LGBT Historical Fiction/Mystery Suspense
Series: Captain Harding
Publisher/Release Date: Lethe Press/September 1, 2013
Format: Paperback/Digital
Grade: B+

Visit Elliott Mackle here.

Complete Trilogy -- Grade: A- (4.7 Stars) 
Captain Harding's Six Day War, #1
Captain Harding and His Men, #2
Welcome Home, Captain Harding, #3

Friday, August 30, 2013

Catching up with more Minis: Samantha Ann King

Hey I'm on a roll with my minis! So here are a few more.

Waiting for Ty by Samantha Ann King

I received a request to review this book and was interested, but was late to respond. So, I decided to purchase it and read it anyway. As you will see below, this M/M romance did not quite work for me and I posted a spoiler-free mini at Goodreads. So, go on to that if you don't want to read the spoiler.

SPOILER: But I really want to talk about why this story didn't work for me. Why? Well, right off the bat there is a big contradiction when it comes to the characters -- they are both admittedly bisexual before embarking on their friends-to-lovers relationship, yet the story begins with the phrase "I don't do men," and that little phrase continues to pop up for a while as both characters think it. Really? Sorry, but no.  If the phrase have been "I would do him, but..." or "I want to do him, but..." or something to that effect, I wouldn't have been pulled out of the story from the beginning. :(
Great friends to lovers premise that doesn't quite deliver. The story begins on a high with a GFY (gay for you) flavor, but contradictions quickly become obvious to the reader. The "I don't do men" thoughts/phrases should not apply in this case to either man. If you've read this story, you know what I mean.

Going forward, the story is sectioned off into two distinctive parts -- one in which the H/H fight their attraction and love for each other (containing sexual scenes that are not quite plausible), and the other where they seek family acceptance -- a highly relevant subject matter. It is unfortunate, however, that these two sections are not better woven in together, as the building sexual and romantic tension found in the beginning is lost half-way through the story and never recovered. (Carina Press, July 29, 2013) Grade: C- (2.75/5.0 Goodreads)

Sharing Hailey by Samantha Ann King

Since Waiting for Ty did not work for me, I wanted to give this author another try to see if I would enjoy her previously published erotic threesome, so I picked this book, Sharing Hailey. What I found is that I enjoyed it a bit more than her M/M romance.
A threesome, not a triad (do not expect M/M love scenes on this one), there were aspects of this novel by King I liked and others I did not:

I liked that the two men had a wonderful understanding of each other and what they wanted from Hailey. Because of the long, deep friendship, and the love that the three of them already feel for each other, when the relationship begins it feels good and true. The sexual scenes are not outstanding, but they are good. The three people involved are equals in the relationship, although the slightly dominant males tend to cater and are protective of Hailey. She, however, is just as protective and loving with them. No BDSM, which makes this a refreshing read.

There is also a pertinent storyline that addresses Hailey's life as an abused woman with ex-boyfriend, Daniel. It is unfortunate, however, that this thread takes over the second section of the story, sacrificing intimate moments and taking personal conflicts between our threesome in a different direction. There is also a sense that this story is not quite finished, at least emotionally there are missing steps that need to be addressed. Overall, an average read with enjoyable moments. Grade: C+ (3.5/5.0 Goodreads)
Her characters in this story are seriously likable and the dynamics between this trio worked really well for me. The men do not engage in sexual play, yet there is love and a bond between them that definitely makes this a good threesome, plus Hailey is really a part of both their lives. The book is not overloaded with sex scenes either, but what really brought the grade down for me was the second section of the story.

Now, if you look above, you'll see that King also seemed to section off Waiting for Ty. In Sharing for Hailey, she introduces the rather serious subject of violence against women, domestic violence, and stalking and she follows through with the subject which was surprising. I think it is wonderful that King weaves in issues with substance in her erotic romances, unfortunately it is not well woven in with the erotic storyline. Because of the violence and seriousness of the situation she presents, one thread distracts the reader from the other, so that after a while all the buildup to the threesome romance goes flat, and never quite recovered... the same happens in Waiting for Ty. Overall though, I think that King has a good touch when it comes to developing a relationship between threesomes, and I'm picky when it comes to those!

Thursday, August 29, 2013

More Minis: Summer Lovin' Anthology, Roux & Urban, Chris Owen

I am hoping to catch up with some full-length reviews, but in the meantime, here are more minis:

Summer Lovin' with JL Merrow, Chrissy Munder, Clare London, Josephine Myles, and Lou Harper

"Summer Hire" by Chrissy Munder - Grade: B+
Chrissy Munder's Summer Hire is sweet, summery, and I really enjoyed how she uses sexual tension and subtle flirting to build up the anticipation. This is a meaty, hot, short story with a great HEA and a highly likable couple.

"Lost and Found" by JL Merrow - Grade: B+
An absolutely wonderful story with a unique setting and great atmosphere. JL Merrow brings a fantastic twist to this summer yarn by incorporating a sexy Viking and a single father as the main characters. I ended this one with a smile on my face. Lovely!

"Salt 'n Vinegar" by Clare London - Grade: D+
Salt 'n Vinegar began with a great premise. Unfortunately, this story took a rather dark turn that just did not fit with this light, summery anthology. The rather serious subject matter of domestic abuse may be better suited to a longer story. In this case, neither the page count nor the subject matter work for me.

"Werewolves of Venice Beach" by Lou Harper - Grade: C+
Lou Harper came up with a rather quirky story about a nerdy college kid and his temporary, but unusual neighbors while he house sits at Venice Beach. I enjoyed this hot little piece with all its memorable characters, adorable dogs, and particularly some of the wrong assumptions that take place along the way.

"By Quarry Lake" by Josephine Myles - Grade: B
The anthology ends on a high! By Quarry Lake is an adorable story of two old friends who finally come to terms with their attraction for each other. Not gay for you by the way, but a story of two young men living in a small village where being gay may be a problem. I loved both adorable characters, the father, and the gorgeous summer atmosphere.

Overall, I definitely recommend the Summer Lovin' anthology. It's a good, solid M/M romance read and for the most part, it lives up its lovely title! (Pink Squirrel Press, August 14, 2013) Grade: B

Cut & Run (Cut & Run #1) by Abigail Roux and Madeline Urban


Cut & Run is a very popular M/M Romance Suspense series by a popular writing duo, and this first book seems to be adored by fans, I believe that is because it is so high on the emo scale. I've had the first two books in my TBR for a long time now and decided to give it a try, particularly since I enjoyed their book Caught Running, a book a reread prior to reading this one. Because Roux and Urban each develop a character, there tends to be quite a bit of head hopping in their stories. I didn't mind that aspect of their writing in Caught Running. For some reason, it really affected my enjoyment of Cut & Run, perhaps because of the length of this book and the dialog scenes. The following are my first impressions as posted on Goodreads:
Likable characters with a good buildup to romance. I enjoyed the banter and bonding that takes place between Zane and Ty. Although frankly I was surprised how much we don't learn about the characters after all those long conversations. This story is overly long, unnecessarily so, with lots of frustrating head hopping. There is action and flash to the crime suspense but as investigators the main characters are not really impressive, so this book is best read for the romantic elements. Obviously a romance in progress. Grade C-
Cut & Run is one of those books where I'm sure I'm in the minority, as I said above the book is very popular. I'm a crime suspense fan and in the case of Cut & Run, I feel that for me, my passion for good crime investigations worked against this book -- I was thoroughly disappointed in that respect, particularly since both main characters are characterized as ace and/or brilliant FBI agents. Anyway, I have Sticks & Stones, the second book of the Cut & Run series by Roux & Urban and I will read it. Will I read the rest of this series? It all depends on how the second book turns out. :)

By the Numbers by Chris Owen

By the Numbers is an M/M Romance that I think is perfect as a summer read. I thoroughly enjoyed this almost conflict free romance with a hot fireman as one of the main characters, some gorgeous puppies, and a cute kid to round up this warm story. There is a mean ex-wife in the picture to give the romance some conflict, but it is minimal. Good as an angst-free reread. Grade: C+

Wednesday, August 28, 2013

I'm back! Minis & Updates: Susan Fox, Susan Andersen, Cara Dee, Amy Lane

Hey, I'm back! I wasn't on vacation or anything, instead I pulled a back muscle and was bedridden for over a week taking pain medication. Not fun. I couldn't sit up long enough to blog, and for a while couldn't stay awake long enough to really concentrate on fresh reading. I missed Wendy's TBR Challenge read and review this month! First time for me, sigh... But, I did get to do some light reading toward the end of the week and reread some favorite short M/M romances.

I've been trying to write some minis and reviews for books I read earlier this month. Some of them are memorable, and frankly it is a shame but some of them just turned out to be quite forgettable!

Home on the Range (Caribou Crossings #2) by Susan Fox

This contemporary western romance is memorable to me for its Canadian Western setting and wonderful atmosphere. It IS different and as it turned out, an absolute treat for me. The fact that the romance takes place on a horse ranch in the fictional small town of Caribou Crossing, which has a history rich with lore about the olden Gold Rush mining days also made it a winner. The gorgeous landscape and horses as described by Fox serve as the perfect background for the romance that blooms between childhood best friends Evan Kincade and Jess Bly Cousins years after they last saw each other.

There is a lot going on in this romance, and a few overused tropes used to achieve that lasting happy ever after for Evan and Jess: the old friends to lovers, the secret child, and one more that I won't give away. So, yes, there is a sense of predictability to the story. However, what is not predictable is that conflicts and struggles are more internal than external as the characters deal with their feelings for each other and personal issues, so that in the process there is measurable character growth. This applies to Evan in particular who in the beginning comes off as a bit of a jackass.

The conflict is internal for Evan, it has to do with his upbringing and his lack of love as a child. His abusive childhood, a subject that is well rendered by Fox. For Jess, there is no conflict when it comes to the love she feels for Evan, only when it comes to her lie. In this, I found Evan to be much more willing to be upfront about his feelings, more sincere about his complex and hard-won growth. Jess on the other hand is much more protective of what she has, even though on the surface she comes off as more giving and forgiving. Thankfully, the old friendship and warmth between Evan and Jess comes through for them. They make a good team and a great, passionate couple. I was so glad they finally found happiness together. (Zebra, August 6, 2013) Grade: B-

Some Like It Hot by Susan Andersen

I either really like or enjoy Susan Andersen's romances, or I have a problem with her characters. In the case of Some Like It Hot, my problem is different. Here are my thoughts as posted on Goodreads:
It's a bad thing when I end up remembering the brothers' relationship more than the romance. A contemporary romance enjoyable for Max and his brother's backstory and the intriguing ending, but with a rather forgettable romance.

Susan Andersen's romances are a hit and miss for me. This book is an obvious miss.
Please note that I read this contemporary romance in August! (Harlequin, July 30, 2013) Grade D+

Aftermath by Cara Dee


This is a new-to-me author and I believe new to the M/M romance genre. Here are my initial impressions:
Interesting and creative approach to the "gay for you" trope. It's so well done that the reader may miss it. A tale of survival, bonding through violent events and finding love in the most unexpected of places and between the most unlikely people.

The author begins the story in the present, and relates the violent events that brought the main characters together by using PTSD flashback episodes. These are necessary to tell the complete story, but also serve to establish the relationship between the two men. I'm not a fan of flashbacks, but in this case they worked for me.

There is a strong bond and a tenderness between the main characters that is touching. There is also a slow buildup to passion that works well. The relationship development is not without conflict, the strongest being their own struggle to survive the recent violence and how it changed them. Other conflicts such as Austin's prior relationships and commitments are not as well addressed.

Overall, a solid read and romance with graphic violence, a psycho, PTSD, loving moments, hot sexy scenes, and a sweeter HEA than expected.
Aftermath was recommended to me while browsing through amazon and it sounded interesting so I picked it up. It's a good thing because in quite a few levels, it worked for me. Please note that despite what you may think when you look at the cover, there is no BDSM incorporated in the storyline. (Amazon Digital, August 6, 2013) Grade: B

Left on St. Truth-be-Well by Amy Lane

Continuing with M/M Romance reads, I enjoyed Left on St. Truth-be-Well by Amy Lane. Lane is an author whose works I have not explored extensively because they tend to be a bit angsty and I have to be in the mood. I'm pretty sure the only other book I've read by Lane so far is Sidecar. Yet this romance is totally different, not angsty or deep in any way, shape or form -- just what I needed this past weekend. Instead this piece set in sunny Florida is a short, light, amusing, hot read by Amy Lane with endearing sexy characters, a fabulous little mystery and enough crazy moments to make it fun. That is it! A quick read, perfect for a summer afternoon.

COMMENTARY: I did not read this little piece as a serious crime suspense, but as a crazy little piece of insanity that led to two people finding each other. So my warning is: if you read this piece as a serious crime mystery, it won't work. So just enjoy the insanity! (Dreamspinner Press, July 23, 2013) Grade: B-

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These are just a few of the books I read. Quite a few more M/M Romances actually, some that have been in my TBR for a long, long time like Strawberries for Dessert by Marie Sexton and Cut & Run by Abigail Roux and Madeline Urban, but I also finished Summer Lovin' with JL Merrow, Chrissy Munder, Clare London and Josephine Myles and while I couldn't concentrate because of those pain pills, other short rereads. I'll come back with more minis later. It's good to be back!

READING:
OMENS by Kelly Armstrong
CARNIEPUNK Anthology (still)