Break: Memorial Day Weekend

I'm going to be away from home this weekend, and will post if I can. But, just in case posting becomes an impossibility, these images are reminders of the real meaning behind Memorial Day.

SF Mini: The Telling (Hainish Cycle #8) by Ursula K. Le Guin

Aka is a planet whose totalitarian government destroyed its culture and history in order to build a technologically-based society, with an eye on a future that would take them to the stars. Its citizens are closely monitored, books and ancient traditions are outlawed, as is their religion, the Telling.

The Telling is Book #8 in Ursula Le Guin's Hainish Cycle series. In this story, Sutty, an alien observer from Earth, struggles to find and later understand Aka's long-lost history and culture - specifically, since Aka's culture stands as a complete opposite to her own experiences in Earth.

Sutty's dangerous journey takes her into the heart of the planet, where she finds that Aka's culture, customs, and traditions, are very much alive. More importantly, despite all attempts by the government to erase it from the collective memory, the Telling has not been lost to time. As Sutty studies and explores this ancient religion, her journey becomes personal, and slowly she loses the objectivity and distance of the observer.

Based on Taoism and revolutionary Chinese culture, Le Guin approaches this work of science fiction for the sociocultural perspective, as it examines human behavior in a closed, restricted, society. Sutty's own struggle to understand herself comes to represent the individual's attempt at self-examination while being part of that same repressed society. Additionally, Le Guin is unquestionably a mistress of language, and in The Telling, she plays with language and its nuances: in this case, language's true significance when placed in context with culture.

The Telling is not a quick or fast paced read, but it is definitely profound, and more than worth the time. I loved it. Highly recommended.

Science Fiction
Published by ACE
Trade paperback, 2000 Edition
-----------

Related Reviews: Books by Ursula K. Le Guin
The Left Hand of Darkness (Hainish Cycle #4) 
The Birthday of the World: and Other Stories
Spotlight: Ursula K. Le Guin and The Hainish Cycle Series

Poetry: Weaving the Boundary by Karenne Wood

Weaving the Boundary by Karenne Wood is, without a doubt, one of my favorite books of the year.

The very thorough summary for this poetry volume states that the collection "explores personal and collective memories and contemporary American Indian realities through lenses of human loss, desire, violence, and love." Yes it does, and, the success of that exploration originates with how Wood expresses those realities through poetry, and weaves history with contemporary issues. Her prose is gentle, lyrical or vigorous one moment, and deeply intimate the next. And haunting, always haunting! This powerful poetry collection shines with truth. Highly recommended.

All four parts of Weaving the Boundary: Keep Faith, Heights, Past Silence, and The Naming are meaningful and intense. Tough as it was to choose, I decided to highlight an excerpt from The Naming.

The Naming (excerpt)

******
Names have determined the world.
To use them, call language out whole,
immersing yourself in its sounds.
We are made from words, stories,
infinite chances through which
we imagine ourselves. Estranging
ourselves from the sensual world
in which language was born, we will die.

What if, as through history, a language
dies out, if its names cannot be uttered
or if they exist mapped
as place markers no one interprets:
Passapatanzy, Chattanooga, Saratoga?
They are part of the ground,
a language of vanishing symbols.

******

Is this what we are now?
fragmented,
a language of shattered dispersal?

Grief keeps watch
across a field darker than water.
We live in a wounded space,
voiceless cries breaking with all
utterance, even the idea of utterance.

Without a vocabulary, how
does the story continue? in words
that have murdered the people
before us, their voices airborne
like corn pollen, out into the desert?

----------
About the Author: Karenne Wood holds an MFA in poetry from George Mason University and a PhD in linguistic anthropology from the University of Virginia. She is an enrolled member of the Monacan Indian Nation and has served on the Monacan Tribal Council for many years. She directs the Virginia Indian Programs at the Virginia Foundation for Humanities.

Highlighting: Weaving the Boundary by Karenne Wood

Evocative, haunting, and ultimately hopeful, Karenne Wood’s Weaving the Boundary explores personal and collective memories and contemporary American Indian realities through lenses of human loss, desire, violence, and love.

This focused, accessible collection carries readers into a deep and intimate understanding of the natural world, the power of language, and the interconnectedness of life. Untold stories are revealed through documented events in various tribal histories, and indictments of destructive encounters between Western colonialism and Native peoples are juxtaposed with a lyric voice that gently insists on reweaving the past, honoring women and all life, creating a sovereign space for indigenous experience. Wood writes, “Nothing was discovered. Everything was already loved.”

Political yet universal, Weaving the Boundary tells of love and betrayal, loss and forgiveness. Wood intertwines important and otherwise untold stories and histories with a heightened sense of awareness of Native peoples’ issues and present realities.

Moving from elegy to evocations of hope and desire, the poems call for respect toward Mother Earth and feminine sensibility. One hears in this collection a longing to be carried deeper into the world, to return to tradition, to nature, to truth, to an innate belonging in the “weaving” of all life.

Publisher: The University of Arizona Press
Publication Date: March 24, 2016
$16.95 Paper; Electronic edition available
96 Pages, 6 x 9

@my brother's poetry reading

Long day at work with a headache to boot! I have a couple of reviews on the works, but unfortunately not for tonight. So, a personal note with a bookish theme.

I'm always mentioning my two older brothers, either in posts or comments, mainly because they have always influenced my reading and, hopefully, I have influenced theirs. We read, read, read. We debate, discuss, agree, disagree, and agree to disagree. It's great fun!

So here is some news. Back in March, my eldest brother Noel was invited to read his poetry at the King Juan Carlos I of Spain Center at NYU. The first picture was taken during the reading, and the one with the three of us was taken during the reception that took place afterward-- that's my brother Alex on the right.

Noel's next poetry volume, in Spanish, will release this summer. Although I have never mentioned it here before, we are all very proud of his work -- past and present.

… On Vander: The Magnificent Tool

Four Nights with the Duke or is it Vander & His Magnificent Tool? (Vander: The Magnificent Tool?) I haven't made up my mind about him yet, but there is no question that this Duke is a tool.

This romance begins as fifteen year-old Mia eavesdrops on fifteen year old Vander and his best friend Thorn (from Three Weeks with Lady X) as they read a romantic poem she secretly wrote about her love for Vander. The two boys are joined by a school mate nicknamed Rotter and the three proceed to destroy the poem by finding sexual innuendos where she meant none, i.e., "moonbeam" = Vander's tool. The boys also act like fifteen year-old idiots and make personal comments about Mia's body parts -- focusing on the size of her breasts. Mia is brave enough to confront them, but as a result becomes totally self-conscious about her looks.

Years later, Mia, now a successful author writing under a pen name, finds herself in a terrible situation and blackmails Vander into marrying her. When confronted by blackmail, Vander reverts to being a tool by opening his breeches and exposing his magnificence to Mia in the hopes of scaring her off.

This man is a Duke? Supposedly. Vander is convinced that because Mia wrote that poem when they were 15, she is still a spinster and blackmailing him because she must be in love and hot to bed him. The arrogant idiot has no choice but to marry Mia, but doesn't even bother to read a letter she writes for him enumerating the conditions of marriage because: "a wife must do as the husband dictates." And, he comes up with the foolish idea that he will allot four times a year to bed her, but first Mia will have to beg him. Shenanigans, tool usage, and the eating of crow by both parties ensue.

The style used by Eloisa James to develop this story, as well as the type of male protagonist, reminded a lot of Three Weeks with Lady X. Yes, Vander is a Duke but he's very rough around the edges and no gentleman. That is proven by his on and off mean attitude, over-the-top lusty behavior (he's a walking erection for most the story) and appalling lack of manners in his dealings with Mia. Mia is a Lady. Never mind that her father was Vander's mother's lover. It is understandable that Vander gets upset over getting blackmailed, and that he resented Mia's father all those years on his father's behalf. But, really? How old is this man?

Mia. I did not understand how a woman who spent years becoming independent by writing her own books, and is spunky enough to take care of her disabled nephew against her uncle's wishes, spends so much time worrying about having big breasts or wishing she were tall and "willowy." Someone please tell if I am wrong, but if I remember correctly during those times shorter women with curves were considered beauties, not "tall, willowy women."  Maybe when Mia was a 15 year old she did not realize this, but as an adult she did not know this?

So what did I like about this book? I loved a couple of the secondary characters and the interactions between them and both Mia and Vander. I particularly loved Vander's drunken Uncle Chancy who stole every scene where he appeared.

This romance has some good sections with humor, but frankly, toward the end I was just tired. I usually love James' writing style, her over-the-top characters, romps and romances. Unfortunately for me, I never stopped seeing Vander as an egotistical fool. So, Four Nights with a Duke was definitely not a personal favorite. Grade C or 3 stars at Goodreads.
------------------

NOTE: I wrote this review a while back (last year after reading the book) and never posted it, I decided it was time. Oh, and I made up my mind about the alternate tile…

Sunday: Weekly Update May 22nd

Happy Sunday everyone! It's time to post an update and short commentary for my 30 Day Blog Challenge for last week.

Monday- May 16th
Nebula Award Winners: Books & Magazines

• From the Nebula Award Winners, Uprooted by Naomi Novik made it to my "2015 Favorite Books & Authors" list. And, I highly recommend Binti by Nnedi Okorafor for the excellent mixture of SF with African culture, the POC protagonist, and the unique world-building ideas incorporated by the author (i.e.: mathematical treeing). 
• Don't miss the free online links provided for Asimov's Science Fiction Magazine, as well as the free online link to the winning short story at Nightmare Magazine. 

Tuesday - May 17th
Review: Eidolon (Wraith Kings #2) by Grace Draven

• I am loving Grace Davren's Wraith Kings' fantasy romance series, and highly recommended Eidolon. There a few unanswered questions which I'm sure will be addressed in the 3rd installment The Ippos King, due to be released in 2017.  

Wednesday - May 18th
TBR Review: The Brush of Black Wings (Master of Crows #2) by Grace Draven

• For my first TBR review of the year, I chose another fantasy romance book by Grace Draven. The reason behind it? It is a bridge story between the Master of Crows and the Wraith Kings series containing spoilers (which I did not give away) for Eidolon. 

Thursday - May 19th
Poetry: Angel Park by Roberto F. Santiago

• Sometimes when I find a book that touches me personally, I'm reluctant to (or can't) share it. Angel Park is one of those… 
• Angel Park is Robert F. Santiago's debut poetry collection. After reading it, I'm left wondering, what comes next from this poet? His poetry is vivid, penetrating, and for those of you reluctant to read poetry, I would describe it as accessible with deceivingly simple language. The more you read the poems, the more substance you will find. 

Friday - May 20th
Music Video: Vivir Mi Vida (Live my Life) Ehh… Mi gente!

• I shared this video because the song itself just makes me want to celebrate life, the moment. This past Friday, that's how I felt. :) 

Saturday - May 21st
Reading Break: A 'Nathan Burgoine Saturday

• These days, reading one book tends to take a few days and blogging takes time. I decided to dedicate my Saturday to reading one book: Triad Blood a new Urban Fantasy release by favorite writer 'Nathan Burgoine. 
• Although it is not necessary to follow the story on Triad Blood, I'm anal and decided to reread or read four short stories connected to the characters. Since I already owned three of the four anthologies, it was a matter of going back to them and purchasing the one I missed. 
• All anthologies are available at Bold Strokes Books. In order: (1) "Three," in Blood Sacraments: Gay Vampire Erotica ed. Todd Gregory. Available on its own for .99 cents or free with any ebook purchase; (2) "Intercession" in Wings: Subversive Gay Angel Erotica ed. Todd Gregory $3.99 (3) "Possession" in Erotica Exotica: Tales of Sex & Magic ed. Richard Labonte, purchased for $2.99, and (4) "Necessary Evil" in Raising Hell: Demonic Gay Erotica ed. Todd Gregory $4.99

That was my weekly recap folks! I did not miss a day for the challenge and that makes me happy. And, hopefully, between the reviews and the links, you will find a few good reads!

Reading Break: A 'Nathan Burgoine Saturday

I'm taking a break to finish reading 'Nathan Burgoine's latest release Triad Blood. Also, reading a few related short works.

Later!

Music Video: Vivir Mi Vida (Live My Life) ¡Ehh… Mi gente!

It's Friday! Time to chill, time to enjoy life.

Vivir Mi Vida is about the joy of life, living the moment. Not allowing sorrow and worries to rule the day by celebrating with laughter, song, and dance. This is Latin music, so the words are uplifting but the music is fantastic! Everytime I listen to Vivir Mi Vida, my body moves on its own, and next thing I know, I'm on my feet dancing! Celebrating the moment.

The video was shot on the streets of New York City. It has that "celebrity" quality since it was shot when Marc Anthony returned to the City for his 2016 concert. But, what I love about it is the neighborhood "block party" atmosphere it conveys. El barrio was smokin' hot that day.

Happy Friday!!