Tuesday, April 22, 2014

Bookish News: SF, Awards, Sales + Links!

Hey, it's Earth Day! The one day per year that serves as a reminder that we all share a beautiful planet we need to care for. Check out earthday.org for information about their "Green Cities Campaign" -- learn, act, impact!


It's April, so it's also time for awards and/or nominations. In the science fiction realm, both are making a big splash at the moment. The British Science Fiction Award (BSFA) winners were announced and the winner(s) for Best Novel were Ancillary Justice by Ann Leckie (Orbit) tied with Ack Ack Macaque by Gareth L. Powell. I've only read the Leckie novel but it is a favorite.


And, Countdown City by Ben.H. Winters (Quirk Books) won the 2014 Phillip K. Dick Award for distinguished original science fiction paperback. This award is sponsored by the Philadelphia Science Fiction Society and the Philip K. Dick Trust. Countdown City is the second book in Winter's The Last Policeman trilogy. So far I've really enjoyed the first two books and am waiting impatiently for the last one, World of Trouble, to arrive at my doorstep!

Last, but certainly not least, the Hugo nominations have been announced and I'm looking forward to the final results in a few categories. I've only read one book from those nominated: Ancillary Justice by Ann Leckie in the Best Novel category, and I have one of the nominees for Best Novella in my TBR, Wakulla Springs by Andy Duncan and Ellen Klages, so I don't have a lot invested, but made a list of books to read instead.

However, I'm dying to find out who wins for Best Professional Artist -- I'm a big Dos Santos fan, although this year I'm leaning toward Julie Dillon. I'm also excited to see two long-time favorite Fanzines as finalists: A Dribble of Ink with Aidan Moher and The Book Smugglers with Ana and Thea. Finally, I always enjoy reading what Foz Meadows has to say at Shattersnipe: Malcontent & Rainbows, so I'm glad she's on the list under Best Fan Writer. Congratulations to all! See complete list of nominees here.

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Speaking of nominations, Weightlessbooks.com is offering a sale on digital copies of all eight Lethe titles nominated for the 2014 Lambda Literary Awards. If you're interested, click here to buy them at $4.99 each. I took advantage and purchased one of the two books from that list I missed reading last year, Like Light for Flies by Lee Thomas.

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Personal bookish news: I'm still going through a serious reading "slump." At the moment I'm just reading short stories, here and there, from different anthologies. But so far, I have only finished four books during the entire month of April although I've started reading countless books. I'm really frustrated at this point and don't know what to do. Rereading is not working, neither is adding new books to my TBR (been there, done that!) I'm just going to relax about it and continue to read what grabs me. Hopefully that will work sooner or later.

Friday, April 18, 2014

Adiós Gabo! García Márquez (March 6, 1927 - April 17, 2014)


Gabriel José de la Concordia García Márquez, born March 6, 1927 in Aracataca, Colombia, winner of the 1972 Neustadt International Prize for Literature and the 1982 Nobel Prize in Literature, best known as the father of magical realism, and his great works One Hundred Years of Solitude (1967), Autumn of the Patriarch (1975), and Love in the Time of Cholera (1985), died yesterday, April 17, 2014.

Gabriel García Márquez has always been one of my all-time favorite authors. At the tender age of eleven, his works were my introduction to Latin American literature and magical realism. When I first read Cien Años de Soledad or One Hundred of Solitud, Macondo was a place that my mind and heart immediately recognized, so that perhaps it inhabited a very personal inner space in my memory longer than it should have. I was too young to really understand the complete scope of his novel at the time, yet I was so dazzled by it! I have since reread the novel many times in Spanish, and later the English translation.

For many years, in my eyes, works by other talented authors did not measure up to this giant's talent. But then, nothing compares to that first author who opens the mind and heart of a youngster to something new and brilliant, and for me, García Márquez will forever be incomparable.

Adiós Gabo!


"Muchos años después, frente al pelotón de fusilamiento, el coronel Aureliano Buendía había de recordar aquella tarde remota en que su padre lo llevó a conocer el hielo. Macondo era entonces una aldea de veinte casas de barro y cañabrava construidas a la orilla de un río de aguas diáfanas que se precipitaban por un lecho de piedras pulidas, blancas y enormes como huevos prehistóricos. El mundo era tan reciente, que muchas cosas carecían de nombre, y para mencionarlas había que señalarlas con el dedo."
MACONDO


Wednesday, April 16, 2014

TBR Review: A Light at Winter's End (Cedar Springs #3) by Julia London

In 2010 I enjoyed reading One Season of Sunshine (Cedar Springs #2) by Julia London, so when the last book of the trilogy, A Light at Winter's End released in 2011, I purchased it right away. Unfortunately as you can see, it has been sitting in my TBR for a long time. I thought this would be a perfect choice for April's TBR Challenge read since the theme happens to be contemporary romance.
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A Light at Winter's End is not what I would consider a pure contemporary romance, but a combination of contemporary romance and women's fiction. It is my opinion that London maintains a good balance between the romance and fiction throughout this novel.

Two years after Wyatt Clark (Summer of Two Wishes, Book #1) lost his wife Macy to first husband Finn, he's back at Cedar Springs, Texas, but he is not the same man. Wyatt has basically become a hermit whose days consist of working his ranch, living in an unkept house, and keeping company with his dog. The only ray of sunshine in Wyatt's life is his baby girl Gracie whom he sees on weekends as arranged with ex-wife Macy, now pregnant with Finn's child. So Wyatt is no longer a refined land developer, but a rough cowboy numb to the world around him, still traumatized by Macy's choice. A clueless Macy who "just wants to be his friend." (By the way, this woman got on my nerves, kind or not she needed to back off!) That slowly changes after Holly Fisher and her nine month old nephew Mason move to the old Fisher family homestead that borders Wyatt's ranch. So that's how it all begins for Wyatt, who starts by giving Holly tips on how to care for Mason and quickly becomes aware of her beauty and sparkling personality. He begins to thaw out after a scorching kiss takes them both by surprise during a play date with the babies.

But this story is written from three different perspectives: Wyatt's, Holly's, and her sister Hannah's. There's a reason for that. Holly's story really begins along with Hannah's and later becomes tangled with Wyatt's. As in One Season of Sunshine, Julia London really focuses on how family dysfunction and the resulting heavy baggage affects all kind of relationships (including romantic ones), and fills this novel with some seriously flawed characters.

Peggy Fisher dies after a long struggle with cancer and leaves the Fisher homestead to Holly in her Will. Holly's sister Hannah resents this turn of events, particularly since she took care of Peggy throughout the long-term illness while Holly, a struggling country music songwriter, worked in Austin and from her point of view didn't help often enough. But the resentments, distance and hostility between the sisters really began long ago. All of it fed and encouraged by their mother who early on placed unattainable high expectations on "smart, perfect" Hannah, and expected nothing from "lazy," Holly -- demeaning them both and simultaneously building bitter resentment all around.

"Smart, perfect" Hannah's life is not so perfect. An alcoholic addicted to prescription pills, she dumps her baby son Mason on Holly after hitting bottom and making the decision to go to rehab. But, she takes off without explaining to Holly where she's going or why. Holly is livid! The baby's father doesn't want to take responsibility either. So after losing her day job, Holly and Mason end up at the old Fisher homestead where she can write her songs and take care of the baby. Holly meets Wyatt and the two slowly begin to build a relationship that includes the babies, Mason & Gracie.

"Lazy" Holly has been going from job to job and man to man for most of her adult life. She's irresponsible and a perennial procrastinator with a list of personal insecurities a mile long. But the one thing she takes seriously in her life is her music. Forced to take care of Mason, and with Wyatt's help, Holly finds that she is capable of more than she thought, and not only falls in love with gorgeous Wyatt, but with baby Mason and the idea of a family that will include them all. When Hannah returns from rehab, Holly refuses to give the baby to Hannah -- the addict who abandoned her son. Wyatt in the meantime gets caught in the middle, and being loving, understanding and supportive of Holly doesn't seem to be enough for her.

And here is where the different perspectives come in handy, because we get all sides of this not-so-pretty story. For Wyatt, it's a matter of "here we go, my heart is going to be ripped out again," but he never stops being a fantastic character. Holly and Hannah, on the other hand, take turns being sympathetic and hateful characters -- neither is wholly likable in this novel. Neither seems to be capable of understanding or wanting to understand the other. I questioned more than once whether these sisters ever really cared for each other at all -- they were both that self-involved and unforgiving. In this instance, London's characterization is excellent. These are three-dimensional characters, no question about it. I'm just not sure readers will be able to connect with them without taking sides.

Wyatt and Holly's romance is sweet and you can tell that he falls in love with her, and she with him. But, and this is a big but, the reasoning behind their final conflict felt thin. It felt as if it was placed there just so that Hannah could make her big move, and the happy ending for Wyatt and Holly, although truly sweet and romantic, was rushed and the weakest part of this novel. I like Julia London's books, I do. She keeps me engaged and brings excellent issues to the table that she fully develops, -- in this case addiction, family dysfunction, and second chance at love -- her romances tend to stay on the realistic side of the scale, and her characters are not black and white. London doesn't tie up her endings in a pretty bow either, unfortunately in this case things were rushed to do so, and that didn't quite work for me.

Category: Contemporary Romance
Series: Cedar Springs
Publisher/Release Date: Pocket Books/February 2011
Grade: B-

Visit Julia London here.

Tuesday, April 15, 2014

Review: The Goblin Emperor by Katherine Addison

"Better to build new bridges, he thought, than to pine after what's been washed away. He dipped his pen again and wrote with printed legibility across the bottom of the page, Edrehasiver VII Drazhar. Edrehasivar VI had had a long, peaceful, and prosperous reign some five hundred years ago.
Let it be an omen, Maia though […]" -- Page 38
The court intrigue in The Goblin Emperor is complex and detailed, but I was really captivated by the main character Maia. Kate Addison's goblin emperor, His Serenity Edrehasivar VII Drazhar, or Maia, is an honorable young man grossly unprepared for a position he was not educated to fulfill. Stuck in a position he never wanted, Maia is lonely and looking for a friend in a place where there are no friends to be found. Instead there are those who may or may not be loyal to the emperor, or who do not or cannot consider Maia as an individual.
"If he could simply have lain down and died of grief, he would have. His mother had been the world to him, and although she had done her best to prepare him, he had been too young to fully understand what death meant---until she was gone, and the great, raw, gaping hole in his heart could not be filled or patched or mended. He looked for her everywhere, even after he had been shown her body---looked and looked and she could not be found." Page 50
The fourth wife of Emperor Verechibel IV of the Elfs, the Empress Chenelo Drazharan, a Goblin princess and Maia's mother, was banished or relegated from the Utheileneise Court by the Emperor when the legal consummation of their marriage resulted in her pregnancy. The Empress Chenelo died when Maia was eight years old, leaving the fourth and youngest son of the emperor to be raised in solitude and neglect by the resentful and abusive Cousin Setheris.

Immediately after his father and three brothers die together on an airship crash, the unprepared and unschooled eighteen year old Maia becomes Emperor of Ethuveraz, ruler of the Elflands. His insecurities show when he arrives at court where he finds intrigue, enemies, and contempt from some, while others just curry favor. The entire novel takes place in Maia's world while he navigates the dangerous and tricky pathways of court politics, betrayals, assassination attempts, an arranged marriage, and in the process learns who he is and the type of ruler he wants to become.

Following the complex pathways of the court intrigue with Maia as he puzzles it all out, slowly growing from an indecisive, self-conscious youth gaining strength and determination to become a peaceful, compassionate ruler makes for some fantastic reading. But, The Goblin Emperor's ultimate success comes from Addison's characterization of Maia as the lonely, brokenhearted young man who needs a friend, the optimistic, hopeful Maia whose understanding of other individuals comes from the heart, his own experiences, and inner strength.

And here is where those all important secondary characters come into play. Addison surrounds her main character with villains, yes, but also with other secondary characters who throughout the novel showcase Maia's character growth. Most of the relationships he forges with them are not entirely positive, and some are downright hostile in the beginning or in their entirety, yet some of these secondary characters propel Maia forward, they make him analyze his situation and himself, discover his own beliefs and grow as a person and as an emperor. For example, Maia's complex relationship with Cousin Sethersis is key in his growth as emperor, yet their personal relationship never goes beyond hostility and heartbreak. Other key secondary characters are Maia's personal secretary Csevet Aisava, bodyguards Beshelar and Cala, as well as his two sisters, his young nephew and heir Idra, his goblin grandfather, and finally his fierce fiancée Ceredin.
"His memory of his father, the only time he had ever seen him, was of the Emperor Varenechibel IV, tall and distant, with glacial eyes and a face as white and cold as marble. He remembered the white robes stiff with embroidery, the moonstones on his father's hands, braided into his hair, hanging from his ears. He remembered the black bands, the only token of mourning the emperor had deigned to wear for his fourth wife, like smears of ink across the whiteness of his person. He remembered his father's bitter mouth, and his smooth silken voice: The damned whelp looks just like his mother. -- Page 21"
Addison adds interest and gives depth to the story by incorporating pertinent social issues to her fantasy without overwhelming the story with them. For example, she weaves in heteronormative bias toward homosexual relationships, as well as strong female characters who carefully navigate gender bias in a restrictive social and cultural environment. Additionally, class and religious differences are incorporated. However, it is racism that is often emphasized through Maia's narrative as Addison utilizes the differences in coloring between elves and goblins and the elves' reactions to goblins, beginning with grey skinned Maia and his mother, and extending to other characters as they appear throughout the story.

Writing style is also quite important in this fantasy. The story is narrated from Maia's first person point of view, however the most unique aspect of the story is that all of Addison's characters use the royal "we" to communicate, with the antiquated "thou" thrown in for good measure and "I" used only to make a very personal statement and to emphasizes some powerful moments in this novel. This style works quite well and the story flows without any of the clunkiness you might expect. If anything interrupts the flow at times, it is the way in which the elven names are used. There is a long cast of secondary and peripheral characters with names and extended family titles that after a while become confusing. There is a "List of Persons, Places, Things and Gods" at the back of the book, but again, referring to it can interrupt that all important reading flow.

The Goblin Emperor by Katherine Anderson (aka Sarah Monette) is a standalone fantasy with light magics, steampunk elements and a strong focus on court intrigue and characterization. This fantasy stands well on its own, with its story of vulnerable, sympathetic Maia and his idealistic views of a peaceful and prosperous future. I absolutely love that about this book! Having said that, I can see fans clamoring for more Maia, wanting to know more. However, for me, this beautiful, refreshing fantasy with its captivating main character is already a favorite. Highly recommended.

Category: Fantasy
Series: None
Publisher/Release Date: Tor Books/April 1, 2014
Grade: A-

Visit Katherine Addison here.

Monday, April 7, 2014

What have I read lately? Goblin Kings, Witches, Lords & Virtues

Happy Monday! How's everyone? I've had an unscheduled week off from blogging, but here I am again. I've been busy for the past couple of months and my reading and concentration are shot. There's a bit of "reader's block" going on and I'm having trouble choosing and/or finishing books at the moment, although I've finished a few.

What have I read? Last week I read Shadow Spell (Cousins O'Dwyer #2) by Nora Roberts which turned out to be a pretty average, predictable read for me, as opposed to The Goblin Emperor by Katherine Addison which was excellent! I will review this book soon, but people, this fantasy is a must read! Maia, Maia, Maia . . . While that was a great reading experience, we all know what happens after we finish an excellent book. Nothing satisfies. I ended up rereading What I Did for a Duke by Julie Anne Long, a historical romance I loved, to see if maybe that would boost my interest in romance? In historical romance? But. . .

What am I reading now? Nothing. Instead I am anxiously awaiting for books due to release on April 8th!

How was my March reading? Well, not fantastic as you'll see below. It is pretty much a list of popular hyped up books of which a couple worked for me. My top reads of the month were Outlander by Diana Gabaldon and Murder of Crows, The Others Book #2 by Anne Bishop, but my FAVORITE was really my reread of Voyager by Diana Gabaldon. I still love that book!

I also ventured into some dystopian YA by reading Divergent by Veronica Roth. That was a really quick read that I found entertaining. I really liked dystopian Chicago as the setting, and the premise along with the young characters kept me interested until the end. I was particularly taken with the idea that a society would come to the conclusion that the best way to function would be to split into factions depending on "virtues" (mind you, only ONE virtue, as if humans would ever be able to eradicate the rest from themselves!)-- intelligence (Erudite), bravery (Dauntless), selflessness (Abnegation), honesty (Candor), and those who believe in peace (Amity). Of course the young protagonist, Beatrice or Tris is a Divergent, someone who possesses more than one virtue (imagine that) and therefore a danger to society as is. I wasn't quite sure what to make of a dystopian world-building where no real back story is given in the first novel of the trilogy about what happened to get society to that point. Who the heck came up with this brilliant idea? How or why did society end that way? I suppose the details are given later in the trilogy, and even though the story is kind of romantic/cute in an extremely violent sort of way, I'm not sure I'm interested enough to find out by reading the other books. I heard the movie was good. :)

Also, following my Gabaldon read and reread last week, I read Lord John and the Private Matter. Lord John Grey is an interesting character to me since he is the one gay character that Gabaldon portrays in sort of a positive light in her Outlander novels -- he is honorable and as straight forward as he can be given the times, laws, and dangers that a homosexual man faced during those times. This book is a sort of military mystery that Lord John solves with help from his brand new valet Tom Byrd and a few military comrades. There are details about Lavender House, an underground club where homosexual men gather, but there is also blackmail, murder, and dangerous liaisons. This is not as great a book as Gabaldon can write. The facts and details are there, but it is missing emotional impact. So this was a good, but not great read for me.
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Total books read: 7
 Contemporary: 2
 Historical Fiction/Romance: 3
 Urban Fantasy: 1
 Fantasy: 1



Top Reads of the Month:
Outlander (Outlander #1) by Diana Gabaldon: B+
Murder of Crows: A Novel of the Others (Book #2) by Anne Bishop: B+
Me Before You by Jojo Moyes: B-
Divergent by Veronica Roth: B-
Lord John and the Private Matter (Lord John Novel) by Diana Gabaldon: C

Re-read:
Voyager (Outlander #3) by Diana Gabaldon

Upcoming Review:
Satisfaction by Sarah Mayberry

Sunday, March 30, 2014

. . . On Outlander by Diana Gabaldon

Outlander by Diana Gabaldon. It is now considered a classic by many, particularly by fans of the series. First published in 1991, the book is really a mixture of genres: historical fiction, romance, action/adventure and science fiction/fantasy. Regardless, it won the Romance Writer's of America RITA Award of that year and rightly so. Outlander is all those things, but first and foremost it focuses on the passionate and all-consuming romance that develops between Claire Elizabeth Beauchamp Randall and James Alexander Malcolm MacKenzie Fraser, or Claire and Jamie.

Throughout the past decades, I've read most of the Outlander series, from Dragonfly in Amber (Book#2, 1992) through A Breath of Snow and Ashes (2005), but I never read Outlander. I began with the second book, read forward, and decided to save Outlander for the end so I could reread the whole series at once! Was that ambitious or what? In 2011 when Nath visited me for the first time, she noticed those enormous Gabaldon books on my shelves and asked if I was a fan. That's when I told her my story. Before going back to Canada, she surprised me with an anniversary copy of Outlander! Still, stubborn as I am, I did not read it. With the upcoming release of the mini-series, however, I decided it was time. Sigh . . . I want to watch it!

Catriona Balfe as Claire Randall
I absolutely loved Voyager! That book hooked me on the series. I followed the story quite well, with much of the background information given at some point during other books in the series. But, what I didn't know, of course, is that I missed so many of the little details that begin in Outlander and that Gabaldon carries throughout the series -- introduction of characters, small intimacies, moments that are later referred to, but that don't have the same emotional impact unless read first hand. I missed out on the young, virginal Jamie asking all those shy/bold questions of the older, sexually experienced Claire. Those wonderful, intimate moments rendered by Gabaldon as the two get to know each other and fall in love -- the laughter and the pain, the craziness, the quiet evenings and perennial lust, the bickering and fights.
Sam Heughan as Jamie Fraser

Jamie and Claire's adventures are fantastic. They are not only filled with action, but with historical facts and political intrigue that plagued Scotland in 1745. It not only includes the intricacies of clan politics, in this case the MacKenzie and Fraser clans, but also with secret plans for the Jacobite uprising. Gabaldon's details of day to day life as part of an18th Century Scottish clan with all the restrictions, dangers, ignorance and superstitions, are fascinating. As in the rest of the books in this series, the best aspect of reading this information is that the reader mostly views events through Claire's 20th Century eyes. Although she's from another era, 1945, Claire often echoes the reader's thoughts.

I also missed a lot about Frank Randall, Claire's 20th Century husband. There are obvious reasons why I didn't like Frank in Voyager. In Outlander, however, Frank and Claire seem to be a couple happily trying to grow closer after a long separation that occurred during WW II when Claire served as a combat nurse and Frank, now a professor and historian, as some sort of spook soldier.

Tobias Menzies as Frank Randall
Claire accidentally travels back in time to the 18th Century, meets Jamie and basically commits bigamy by marrying him -- admittedly under duress -- and adultery when their marriage is joyfully consummated. However, she spends most of the time confused, attempting to get back to her time and to husband Frank. This even as her feelings for Jamie grow and change.

There are a few points of interest in how Gabaldon deconstructs Frank's character and in the way that Claire and the reader eventually come to perceive the man.

1) Gabaldon begins by making Frank a good, but somewhat distant man whom Claire is obviously fond of but whose personality and personal interests seem to bore her.
2) Gabaldon also plants a small seed of doubt about Frank's fidelity before Claire goes back in time.
3) In 1745, Gabaldon uses Frank's ancestor Jack Randall to slowly vilify Frank by proxy. She achieves this by giving Jack not only Frank's face but his smile and mannerisms.
4) Black Jack Randall is portrayed as an evil, out of control, sadistic English sodomite with no redeeming qualities whatsoever. A revolting man who not only nauseates Claire, but often  confuses/throws her off because of that "Jack/Frank" face, smile, look.
5) By the time Claire makes her final decision to stay and/or return to her own time, who really wants her to go back to a Frank who may or may not be a cheating ass? A Frank who was engendered by an abusive monster like Jack Randall? I know I didn't! Interesting and fascinating developments.
Tobias Menzies as "Black" Jack Randall

Claire lies and attempts to blend in are sometimes good but often get her and those around her in trouble. She has medical experience as well as some general historical knowledge, but her forward attitude as a 20th Century woman dropped in the middle of the 18th Century is what really singles her out. And lets just say that although Claire is a survivor, she is also a poor liar. To my surprise, I found that I like the older Claire much more than the Claire of Outlander -- there's a lot of measurable growth to this character throughout the series.

Jamie is straight forward and impulsive which also tends to get him and others in all kinds of trouble. He has the heart of a hero, even though he constantly negates this and often says that he's just doing what needs to be done. He's adorably charming, hardheaded, a man of his times whose open mindedness and intelligence make him the perfect candidate for learning.

Case in point, the now famous (or is it infamous?) scene where Jamie spanks Claire with his sword belt after she disobeys his orders and almost ends up raped and/or killed, also placing Jamie and his men in danger. "The beating scene." Knowing Claire's character and Jamie's relationship with Claire from the other books in the series, I remember being surprised the first time I heard about THE scene. Frankly, I expected her to clobber him over the head with a 2x4 or with a full chamber pot -- she fights him, but unfortunately that doesn't happen.
"Well, I'll tell ye, lass, I doubt you've much to say about it. You're my wife, like it or not. Did I want to break your arm, or feed ye naught but bread and water, or lock ye in a closet for days---and don't think ye don't tempt me, either---I could do that, let alone warm your bum for you."
Jamie believes that corporal punishment of his wife is not only acceptable but expected -- a man of his times. However, he learns that this behavior is not acceptable to Claire -- and at that point he becomes a man open to change going against upbringing and culture. This is a disturbing scene, but I believe it is one that accurately portrays how things would have turned out in that situation during that place and time in history. Actually, corporal punishment takes place widely and often in Outlander, not just to "punish" women/wives, but to discipline children, to keep clan members loyal and true, and ultimately as torture.

Claire and Jamie
If Gabaldon portrays those violent times with disturbing frequency and uncomfortable accuracy, she also makes time for detailed intimacy. Gabaldon writes intimate moments like no one else. Moments that are hard to forget. In Outlander I loved the beautiful days and nights that Jamie and Claire spend at Jamie's family estate of Lallybroch with the family. The chapters have wonderful names and give an idea of what goes on: The Laird's Return, Kisses and Drawers, More Honesty, Conversations by the Hearth, Quarter Day, Hard Labor.
"Hearing the rustle of footsteps approaching through the grass, I turned, expecting to see Jenny or Mrs. Crook come to call me to supper. Instead it was Jamie, hair spiked with dampness from his pre dinner ablutions, still in his shirt, knotted together between his legs for working in the fields. He came up behind me and put his arms around me, resting his chin on my shoulder. Together we watched the sun sinking behind the pines, robed in gold and purple glory. The landscape faded quietly around us, but we stayed where we were, wrapped in contentment." Chapter 32 -- Hard Labor
In Outlander I also found the kind of secondary characters you love to hate and others you hate to love. I loved hating Black Jack Randall with a passion! I wanted someone to slowly strip his skin off with a rusty knife! On the other hand, I had a soft spot for Dougal MacKenzie and kept thinking that under other circumstances he would make a fantastic central character. I hated loving him on the pages of Outlander, but for some weird reason I did.

This is a fantastic, highly addictive series! There's the delicious romance, yes, but there's also all that action, adventure, history, fantastic characterization, and Gabaldon's amazing gift for portraying intimacy in the midst of chaos. I read Outlander this past week and immediately picked up my favorite Voyager to reread, finished it, and am already eyeing Drums of Autumn! Ohhh… no! Highly. Addictive.

If you haven't done so, check out the latest information, pictures, and teasers about the upcoming mini-series here.

Sunday, March 23, 2014

Review: Cub by Jeff Mann

Not every gay teen yearns for fashion and popular culture. Some boys are pure country folk and like the feel of flannel and the smell of the farm. And they're neither lithe nor muscle-bound but stocky boys, the ones who develop hairy chests, arms, and faces years earlier than their peers. One such seventeen-year-old is Travis Ferrell, shy among most of the other kids at school, but proud of his West Virginia roots. He has not yet admitted his passion for handsome guys--and his idea of what handsome is and what handsome does is not much different from him. Soon he'll learn that he's not unique; gay culture has a name for young men like him. Cubs. Lambda Literary Award-winning author Jeff Mann has written a touching romance for the outsider in us all.
Cub is a special gift from Jeff Mann to all young cubs out there. It is written for young adults who feel like outsiders, including the gay mainstream community. My first thought when I began reading Cub was that Mann dug deep into his own history and experience to create this young adult romance, the central character Travis Ferrell, and Travis's journey of self-discovery.

Travis is a handsome young man from a small conservative town in West Virginia. A bright thinker and budding poet, at seventeen Travis enjoys the quiet life he leads with his grandmother at their farm. Graduation is coming up and that means leaving for University and while Travis looks forward to the freedom this will bring him, he also finds himself wrestling with some deeply confusing sexual fantasies, frustrating desires, and questions about his future.

Travis knows he's gay but he is not like Martin, the one kid who came out in school and was run out of town. Travis is shy, quiet, and self-contained, more so after his best friends graduated and left town. He often feels different, as well as confused and horrified about his sexual desires and recurring fantasies to both control and protect someone of his own, and doesn't understand the intensity of the darkly passionate and tender feelings that turn him on. He is attracted to boys like beautiful mechanic Mike Woodson -- tall, strong, hairy boys who resemble him and enjoy life (and food) the way he does.

Cub is a story of discoveries and firsts -- first love and sexual experiences. Travis and Mike discover that their sexual desires and fantasies are shared, that there are others who feel the same way, and that there is nothing wrong with those desires. Mann handles the boys' introduction to kink, leather, and the Bear community slowly and with an understanding, gentle hand. There are some wonderful scenes where he uses sexual play instead of graphic scenes to illustrate the boys' explorations and sense of wonder. However, it is through conversation that all is explained with a deft hand: their deepest fears, the need to control and protect, to trust and feel safe.

Mann places plenty of realistic obstacles in the boys' way -- hiding their love, fighting school bullies and adults whose conservative views may not allow them to live the life they want, together. For Mike, it is fighting poverty, an abusive father, and an uncertain future. The boys often philosophize about life, they question, look for answers, and come up with their own conclusions. Jeff Mann's young characters have a thirst for knowledge and strong beliefs.

Jeff Mann is so talented that he can write anything and do so successfully. But young adult, you ask? Yes, he can write that too. In this case he does so with the authority of someone who has experience on the subject.  Cub fills an empty space within LGBT young adult reading materials by thoroughly connecting with the outsider, identifying and soothing the fears and opening up a whole new world to young cubs.  Highly recommended.

Category: LGBT/Gay Young Adult Romance
Publisher/Released: February 14, 2014 by Bear Bones Books
Pages: 215
Grade: A-

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Wednesday, March 19, 2014

TBR Review: Me Before You by Jojo Moyes

Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun tea shop and she knows she might not love her boyfriend Patrick.

What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps her sane.

Will Traynor knows his motorcycle accident took away his desire to live. He knows everything feels very small and rather joyless now and he knows exactly how he's going to put a stop to that.

What Will doesn't know is that Lou is about to burst into his world in a riot of colour. And neither of them knows they're going to change the other for all time.
This is not a book I would have chosen to read at this point in my life, but my Internet Book Club chose it as the book of the month read, and once I began checking it out, couldn't stop reading. I've had it in my TBR pile since last year and I haven't read anything by Jojo Moyes, so, it's the perfect choice for this month's TBR Challenge theme -- new-to-me author.

Me Before You by Jojo Moyes is a great book about life, yes life, and the right to make your own choices. I loved the main characters, the measurable growth we see in Lou, but most of all the emotional ride. However, if you haven't read this book (I think I must be the last one to pick it up and pay attention to the subject matter, but just in case), please note that this is not a romance so don't pay attention to that summary. This is fiction that uses a love story as a device to make a point.

Lou is a young woman who loses her job as a waitress in a coffee shop and has no ambitions. At home, she is the main bread winner but she's treated like a stupid cow. But the worse part is that Lou believes she's a stupid cow. Her life changes when she's assigned a job as care giver to Will Traynor, a quadriplegic whose life is filled with pain, and whose whole focus has become the right to be treated as a person who can still make his own choices, including how or if he lives or dies.

Moyes does not handle the underlying moral questions with a subtle touch. She presents both sides of the right to die question, but I found her approach preachy. As a result what comes is foreshadowed in a big way.

I love Louisa's narrative voice and liked the brief shifts in point of view to that of other characters, but sorely missed Will's which we only get as the prologue. It is as if he ceases to have a perspective or point of view about his life after his accident. But then, maybe that's the point -- his point of view does become crystal clear.

Me Before You is a good story notable for its controversial subject matter. As a new-to-me author, Moyes hit a few good spots. She kept me reading, I liked her characters, measurable character growth and the emotions that she was able to wrench from me as a reader. On the negative side, I didn't like the foreshadowing or the feeling that I was being preached at, regardless of what I believe personally. Will I read more books by this author? Yes, now that I know she writes good fiction I will definitely give her other works a try.

Category: Contemporary Fiction
Publisher/Release Date: Pamela Dorman Books/Viking/December, 2012
Grade: B-