Review: The Master of Seacliff by Max Pierce

A gothic mystery with a decidedly masculine point of view.

The year is 1899, and Andrew Wyndham is twenty years old—no longer a boy, but not yet the man he longs to become. Brought up by a harsh and stingy aunt and uncle in New York City after the death of his parents, young Andrew dreams of life as an artist in Paris. He has talent enough but lacks the resources to bring his dream to fruition. When a friend arranges for him to work as tutor to the son of a wealthy patron of the arts, Andrew sees a chance to make his dream come true and boards a train heading up the Atlantic coast. His destination is the estate called Seacliff, where he'll tutor his new charge and save his pay to make the life he dreams of possible. But danger lurks everywhere and nothing is quite as easy as it seems.

The Master of Seacliff by Max Pierce is an American gay gothic historical mystery with a romance. We've all read gothic historicals before, right? Pierce reeled me with great atmosphere, a multi-layered mystery and some excellent characters.

Let's begin with the setting. Our main character Andrew travels from New York City to an unnamed place up the Atlantic Coast to Seacliff, a doom and gloom estate that just reeks with atmosphere and a personality all of its own. As soon as the place is described you just know the place is either full of ghosts or something awful is going to happen.

Then there are the characters. There's the young and naive young hero, the handsome and brooding master of the household, and what I thought was a rather large cast of characters for a gothic. Pierce works them all into the mystery, and either uses them as red herrings to throw off the reader or incorporates them into the story to give it depth. The characterization is excellent and I came away from the book thinking of all these characters as having quite distinct personalities. Well done!

There's Duncan, the unhappy, unconventional master rumored to have killed his father to gain access to the business, and young Timothy, born out of wedlock, is a terror with no manners. Then there are brother and sister Leo and Elena from the neighboring estate who initially seem to be a breath of fresh air, but are they really Duncan's friends or is there something else going on? And then there's the staff who range from the downright creepy to those with tragic histories and/or secrets.

The story is definitely traditional gothic historical mystery. Our young and very naive hero is talented but poor Andrew Wyndham. He dreams of going to Paris to paint but lacks funds, so he secures a temporary three-month position at Seacliff as tutor to Timothy, son to the Duncan Stewart, Master of Seacliff. Seacliff and its inhabitants, however, are about to make those three months tough for young Andrew.

Secrets abound at Seacliff, and as Andrew begins to unravel them danger lurks everywhere, and to top it all off sensual undercurrents and confusing feelings place him in an awkward position. Who is the murderer? Who can he trust? As the bodies begin to pile up, Andrew can't decide and he needs to find out fast or he might be the next victim. Pierce leads the reader all over the place with this story, it's great! I can tell you that I guessed and changed my mind numerous times along the way and was never certain who did it until the very end.

Although the mystery in The Master of Seacliff definitely takes precedence over the romance and you won't find explicit sexual scenes, there is plenty of sexual tension between our central characters -- especially when our yet-to-become sexually aware Andrew becomes a bone of contention between brooding Duncan and sexy Leo. The romance between our two protagonists is developed slowly throughout the story and woven quite well with the mystery. I particularly like that when it comes to the romance Pierce went along with tradition and Andrew, although young, is not easy and in the end holds out for true love.

It has been a while since I read a gothic historical mystery, and frankly I enjoyed The Master of Seacliff. The American setting and the great atmosphere were both a plus for me as was the excellent characterization. And even though in some levels I found this to be a standard gothic historical, the male perspective gave this story a fresh feel, and the multi-layered mystery with its great twists was a joy to read as was the happy ending to the romance.

Category: LGBT - Gay Gothic Historical Mystery/Romance
Series: None
Publisher/Release Date: Lethe Press/January 16, 2012
Grade: B

Visit Max Pierce here.

New Releases: Historical Romances Feb-May 2012

It's time to highlight a few upcoming 2012 new releases. There are quite a few upcoming historical romances releasing within the next few months that I'm really looking forward to reading. Here are just a few of them, beginning with the end of February and ending with May 2012.

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Title: The Temporary Wife/A Promise of Spring by Mary Balogh
Release Date: February 28, 2012

In two classic tales of Regency-era romance from New York Times bestselling author Mary Balogh, the vagaries of love have a way of challenging the most convenient arrangements.

THE TEMPORARY WIFE
Miss Charity Duncan has no illusions about Lord Anthony Earheart’s proposal. The arrogant aristocrat has made it painfully clear what he wants: a wife who will enrage the father he despises and then disappear from his life. In exchange, Charity’s family will receive the money they desperately need. But after Charity agrees to this mockery of matrimony, she soon discovers a startling fact: She has fallen for Anthony, and breaking their marriage vows may also break her heart.

A PROMISE OF SPRING
Grace Howard has every reason to be devoted to Sir Peregrine Lampman. After all, the gallant gentleman rescued her from poverty by making her his bride. Even more nobly, he did not withdraw his affection after she confessed to a youthful folly that had compromised her virtue. But Grace did not tell the whole truth about the handsome lord who betrayed her—and now the one thing she’s kept from Perry threatens to destroy her last chance at true love.

The Temporary Wife (1997) and A Promise of Spring (1990) were originally released by Signet. They have been out of print forever! Dell is re-releasing both of those books under one cover, and as I'm a Balogh fan, this is a "must buy/must read" for me.

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Title: The Surrender of Miss Fairbourne by Madeline Hunter
Series: The Fairbourne Quartet, Book #1
Release Date: March 6, 2012

A woman running a prestigious London auction house? Preposterous! But that is exactly what Emma Fairbourne intends to do when her father dies, leaving her the reins of this fabulous enterprise. Of course, she is not addlepated enough to do this openly and scare away her wealthy collectors. So she and her friend concoct a deception, hiring a handsome and charming front man who will do her bidding...

All would have proceeded smoothly--if it weren't for the maddening interference of Darius, the arrogant Earl of Southwaite, who has been her father's "silent partner" and now shares ownership of Fairbourne's. An earl, of course, has no interest in running an auction house--and Darius is certainly not interested in allowing the lovely Miss Fairbourne to run it either, her ludicrous scheme notwithstanding. Clearly the business must be sold.

But the headstrong Emma is like no other lady he has ever encountered, refusing to follow his dictates. Holding his temper in check, Darius decides to attack on a different front. There is another way to achieve her surrender, one far more pleasurable for both of them...

I like Madeline Hunter's books. It has been a while since I read any of them, although I do have a few of them in my "to be read" pile. But this is an opportunity to begin with the first book of a new series. I'm getting on the bandwagon.

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Title: The Rake by Mary Jo Putney
Release Date: March 27, 2012

Fate has given a disgraced Rake one final chance to redeem himself--by taking his place as the rightful master of an ancestral estate. But nothing prepares him for his shocking encounter with a beautiful lady who has fled a world filled with betrayal. Now he will awaken in her a passion more powerful than anything she has ever known--a passion that can doom or save them both if they dare to believe.

Here's another re-release! The Rake is one of Mary Jo Putney's most popular books. This book was originally released by Super Regency Signet in 1989 under the title "The Rake and the Reformer." It won the Romance Writers of America RITA Award for Best Romance in 1990. The book has been re-released since then under the title The Rake, and now it's coming out again. I don't own this book, so I'm definitely getting this new version of the old classic. :)

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Title: The Duke's Perfect Wife by Jennifer Ashley
Series: Highland Pleasures, Book #4
Release Date: April 3, 2012

Lady Eleanor Ramsay is the only one who knows the truth about Hart Mackenzie. Once his fiancee, she is the sole woman to whom he could ever pour out his heart.

Hart has it all--a dukedom, wealth, power, influence, whatever he desires. Every woman wants him--his seductive skills are legendary. But Hart has sacrificed much to keep his brothers safe, first from their brutal father, and then from the world. He's also suffered loss--his wife, his infant son, and the woman he loved with all his heart though he realized it too late.

Now, Eleanor has reappeared on Hart's doorstep, with scandalous nude photographs of Hart taken long ago. Intrigued by the challenge in her blue eyes--and aroused by her charming, no-nonsense determination--Hart wonders if his young love has come to ruin him . . . or save him.

And.... yay! Hart's book is coming! Am I going to miss the fourth book about the Mackenzie brothers? No way! I've liked Hart from the beginning and can't wait to find more about him. Plus I really liked Lady Eleanor in the last book. I'm curious, really curious. This is a "must read" for me.

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Title: The Proposal by Mary Balogh
Release Date: May 1, 2012

In Mary Balogh’s engaging and seductive new novel of drama and romance, a woman comfortable in her solitude allows temptation to free her heart, when a daring war hero shows her how truly extraordinary she is.

THE PROPOSAL

Gwendoline, Lady Muir, has seen her share of tragedy, especially since a freak accident took her husband much too soon. Content in a quiet life with friends and family, the young widow has no desire to marry again. But when Hugo, Lord Trentham, scoops her up in his arms after a fall, she feels a sensation that both shocks and emboldens her.

Hugo never intends to kiss Lady Muir, and frankly, he judges her to be a spoiled, frivolous—if beautiful—aristocrat. He is a gentleman in name only: a soldier whose bravery earned him a title; a merchant’s son who inherited his wealth. He is happiest when working the land, but duty and title now demand that he finds a wife. He doesn’t wish to court Lady Muir, nor have any role in the society games her kind thrives upon. Yet Hugo has never craved a woman more; Gwen’s guileless manner, infectious laugh, and lovely face have ruined him for any other woman. He wants her, but will she have him?

The hard, dour ex-military officer who so gently carried Gwen to safety is a man who needs a lesson in winning a woman’s heart. Despite her cautious nature, Gwen cannot ignore the attraction. As their two vastly different worlds come together, both will be challenged in unforeseen ways. But through courtship and seduction, Gwen soon finds that with each kiss, and with every caress, she cannot resist Hugo’s devotion, his desire, his love, and the promise of forever.

Mary Balogh is coming out with a new book, and I will not miss reading The Proposal. This is a long summary! It's about a Lady and a soldier. Ms. Balogh likes her soldiers and I love the way she portrays them. I will be looking for a fresh approach to her portrayals. I'm really looking forward to this book. :)

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So these are just a few of the upcoming historical romances I'm looking forward to reading from now until May 1st. How about you? Is there a historical romance you just cannot wait to read?

Review: He Will Laugh by Douglas Ray

He Will Laugh traces the intense love between two young men. From the excitement of their first meeting to the aftermath of a tragic suicide, the speaker searches for grace and understanding amid his grief and the wealth of memory that remains.

He Will Laugh by Douglas Ray begins with the end. After reading that first gripping poem I dare anyone not to keep reading, as it is almost immediately apparent that this little book is more than a poetry collection, it is a contemporary story of love found and lost written in prose.

In the aftermath of his lover Issac's suicide the narrator takes the reader through a journey. From that first meeting to its tragic conclusion, through prose, Ray is relentless in wringing out emotion from the reader. He does so magnificently by conveying grief, the devastation of loss, sensuality, joy, frustration, and finally bittersweet understanding and closure.

This 82 page collection is divided into three sections, Now, Then and Time Unredeemable. Each section is introduced by a poem that sets the tone for that particular section. A hunting, sorrowful poem that in the end also brings closure, "November 8" serves as the perfect introduction to the first section, Now.

Now recounts the present events and the grief and loss that the narrator experiences after his young lover dies. "Salo" is one of the most gripping poems in this section, as the narrator recalls Isaac's appreciation for Pasolini's film Salò and begins by describing the scene at the end of the film and ends the poem by describing Isaac's suicide and the narrator's regrets. However, from "Get that in Writing," to "How We Grieve," and from "Still" to "You say, There's nothing special about 20" [...Call me Hadrian. Antinous, his lover, died at 20, and Hadrian deified him a daemon of arts, like Pan and Bacchus...], the poetry in this first section makes a deep, strong impact on the reader.

Then begins with a poem that says it all with its title, "Find the Precedent in Childhood." This section addresses the past, the joy of that first meeting, the sensuality, passion and yearning of a lover, as well as the frustrations that came with the long term relationship between the narrator and young, troubled Isaac. Some of my favorite poems are found in this section, as our narrator goes from sublime happiness to depths of despair as the relationship's reaches its inevitable conclusion.

In Time Unredeemable the poet ends with one single poem that captures the present, the past and the "what ifs," or all those possibilities that will never be realized, "Chaconne for Neuroses." And yet, at this time, at the end, I returned to the beginning and ended my reading experience with the first poem, November 8. I kept coming back to that one poem, possibly because I find it to be such a complete piece.

One of the most interesting aspects of Ray's prose in He Will Laugh is that it is both distinctly contemporary and yet it manages to convey the rather timeless flavor found in works by poets throughout the ages. He uses musical and religious allegations, Greek and Roman historical figures, and often cites the Spanish poet Garcia Lorca, while mixing popular figures like John Waters and other cinematographic figures and classic films in his poetry. His prose is lyrical and prosaic, contemporary and classic, quite an arresting combination. Certainly the timeless yearning, joy and grief that comes of love found and lost are well rendered.

The outcome is that I cried and grieved with this lover who lost, felt his immense joy at finding love, as well as his anger and frustration, and yes... fell a little in love with Isaac too. He Will Laugh is a magnificent debut by Douglas Ray and this poetry collection with it's particularly poignant and relevant view of the contemporary gay man's experience is a must read. Highly recommended.

Here are excerpts from two of my favorite poems.

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This is the day the gates to the underworld

open [...]

Remember your name, the miracle

of laughter. Bring pleasure to the sad gods,

though you leave this world to grieve,

to replace your intricate streams of blood

with methanol and formaldehyde.

                  November 8 (excerpt - page 11)

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You are a symphony, love, stretched
from clef to double-line, which summons
silence. Your feet, placed apart neatly,
consonant as thirds, each toe nimble,
articulate enough to play a tocatta complex
as Widor's.
                Sight Reading (excerpt - page 38)

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About the Author: Douglas Ray teaches at Indian Springs School, a boarding and day school in Birmingham, Alabama. He received his B.A. and M.F.A. from the University of Mississippi.

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Category: LGBT Poetry
Series: None
Publisher/Release Date: Lethe Press/February 2012
Source: Lethe Press
Grade: A-

Poetry: Konstantinos P. Kavafis... Days of 1903

Days of 1903

I never found them again—all lost so quickly...
the poetic eyes, the pale face...
in the darkening street...

I never found them again—mine entirely by chance,
and so easily given up,
then longed for so painfully.
The poetic eyes, the pale face,
those lips—I never found them again.

by Konstantinos P. Kavafis


Translated from the Greek by Edmund Keeley/Philip Sherrard

TBR Review: Anyone But You by Jennifer Crusie

TBR Challenge 2012 February Theme: Recommended Read

I read my first novel by Jennifer Crusie in September 2010 thanks to Tracy who sent me a copy of Welcome to Temptation. The following month in October 2010, Nath came to visit and recommended and gifted me with Anyone But You (plus quite a few other books in Crusie's backlist). The book has been sitting in my TBR pile ever since. So, thanks to both Tracy for convincing me to read this author, and to Nath for recommending this book.

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She was beginning life fresh -- new job, new apartment. No husband. All she wanted was a puppy. A happy, perky puppy. Instead she got Fred. Part Basset, part beagle, part manic-depressive.

Nina loved Fred. Everything was great. Well, her best friend went through men like tissues and somehow Nina had to single-handedly save the company she worked for, but her life was great. Until Fred brought home Alex Moore -- poster boy for lonely women. No, no, no she yelled at her hormones and her heart. Anyone but Alex.

Still, Fred did have very good taste...

Anyone But You was first released by Harlequin in 1996 under their Love & Laughter line. I chose to read it not just because of the author, but hoping that the story would be filled would love and laughter. It was.

Nina moves to her new apartment after a divorce. She's finally happy with her life as is except that she wants a perky dog to keep her company. But when it comes down to it, instead of choosing a perky little dog to cheer herself up, falls in love with the smelly, depressed-looking Fred in a scene that immediately hooked me on this story. By next day Fred brings home drool-worthy Alex Moore, the gorgeous downstairs neighbor. Soon the attraction turns out to be mutual, and even after Nina finds out Alex is an ER doctor, she keeps reminding herself that he's just a kid.

The two become friends who share their daily concerns and well... Fred. The attraction grows but here's the main conflict between Nina and Alex, age. Nina just turned forty and Alex just turned thirty, so this romance has an older woman/younger man theme. Of course Alex doesn't care about the age difference, but to Nina this is a big deal.

This was an enjoyable read for me with the promised love and laugh out loud moments here and there. The main characters in the story are likable and fun. There are really three main characters: Nina, Alex and Fred. They are a trio, and their scenes together are the best. Oreo cookies, milk, and a special bra become part of their intimate, relationship-building moments, and a watchful Fred doesn't just bring this couple together, he becomes a witness to more than just their movie nights.

He looked at Fred.
"Pay attention. You may pick up some pointers here."
Nina moved against the pillow. "He's just a child. He shouldn't be watching."

Whether you are a dog lover or not, these scenes are there to be enjoyed. :)

Although this is a short, quick read, the romance is stretched out throughout and well developed. Nina and Alex become friends first as Alex basically woos Nina in a sideways sort of way, and Nina accepts that wooing even while telling herself that she's too old for him. I love the apartment window-hopping, Alex's miscalculations when it comes to wardrobe (loved the Daffy Duck shorts), and their movie nights together, plus once they get between the sheets there is more than sizzle between them.

There is a conflict that arises because of those age insecurities mentioned above, both Nina's and interestingly enough Alex's. Having read a few of Crusie's books now, I found it interesting that even this short, fun book touches on certain themes found in her later novels: dysfunctional and unhappy wealthy families, cold, uncaring parents (see dysfunctional families), couples that might not want a family, and a yearning for a simpler life as the ideal for happiness.

There are not too many secondary characters in this short story, but the ones that are highlighted are excellent. I particularly like Alex's brother Max and Nina's best friend Charity, both secondary characters that show personal growth throughout this short romance without taking the focus away from the main couple. Plus the upstairs senior neighbors, Norma and Rich, are a wonderful addition that contribute to the overall story.

Anyone But You is light, funny and fun, and although it is a bit dated with 1990's pop culture references, reading this contemporary romance is a great way to spend a Sunday afternoon. Plus, if you haven't read it yet, good luck with not falling in love with Fred!

Theme: Recommended Read
February Review

Category: Contemporary Romance
Series: None
Publisher/Release Date: Harlequin/August 1, 1996
Source: Gift from Nath
Grade: B+

Visit Jennifer Crusie here.

Reading: The Lover's Dictionary by David Levithan

A sweet and touching modern love story, told through dictionary entries

How does one talk about love? Do we even have the right words to describe something that can be both utterly mundane and completely transcendent, pulling us out of our everyday lives and making us feel a part of something greater than ourselves? Taking a unique approach to this problem, the nameless narrator of David Levithan’s The Lover’s Dictionary has constructed the story of his relationship as a dictionary. Through these short entries, he provides an intimate window into the great events and quotidian trifles of being within a couple, giving us an indelible and deeply moving portrait of love in our time.

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Some favorite entries so far:

ardent, adj.

It was after sex, when there was still heat and mostly breathing, when there was still touch and mostly thought... it was as if the whole world could be reduced to the sound of a single string being played, and the only thing this sound could make me think of was you. Sometimes desire is air; sometimes desire is liquid. And every now and then, when everything else is air and liquid, desire solidifies, and the body is the magnet that draws its weight.

basis, n.

There has to be a moment at the beginning when you wonder whether you’re in love with the person or in love with the feeling of love itself.

If the moment doesn’t pass, that’s it—you’re done. And if the moment does pass, it never goes that far. It stands in the distance, ready for whenever you want it back. Sometimes it’s even there when you thought you were searching for something else, like an escape route, or your lover’s face.

beguile, v.

It's when you walk around the apartment in my boxers when you don't know I'm awake. And then that grin, when you do know I'm awake. You spend so much time in the morning making sure every hair is in place. But I have to tell you: I like it most like this, haphazard, sleep strewn, disarrayed.

candid, adj.

  "Most times, when I'm having sex, I'd rather be reading."
   This was, I admit, a strange thing to say on a second date. I guess I was just giving you warning.
  "Most times when I'm reading," you said, "I'd rather be having sex."

Review: Matthew (The Circle Eight) by Emma Lang

A man learns to hold what is his

It is a vast spread in the eastern wilds of the newly independent Republic of Texas, the ranch their parents fought for … and died for. To the eight Graham siblings, no matter how much hard work or hard love it takes, life is unthinkable without family…

In the wake of his parents’ murder, Matthew Graham must take the reins at the Circle Eight. He also needs to find a wife in just thirty days, or risk losing it all. Plain but practical, Hannah Foley seems the perfect bride for him . . . until after the wedding night.

Their marriage may make all the sense in the world, but neither one anticipates the jealousies that will result, the treacherous danger they’re walking into, or the wildfire of attraction that will sweep over them, changing their lives forever.

Matthew is the first book in The Circle Eight, a western historical romance series by Emma Lang. I love westerns, so how could I not read this book, plus I've never read anything by this author before and just had to try it.

Matthew Graham is the eldest of eight siblings. He's only twenty five years old when his parents are brutally murdered at their ranch and his youngest brother, 5 year old Benjamin, disappears. His six siblings range the ornery teenage Olivia,  to the sweet seven year old Catherine, and he's responsible for every single one of them as well as the ranch that his parents worked so hard to build up and maintain. The Circle Eight ranch is his family's future and with the help of his argumentative, frustrating and determined siblings he will do anything not to lose it.

Before his father was murdered, he applied for a land grant to enlarge his ranch but had yet to claim it. Matthew goes to claim the land, but once at the office he's told that his wife also has to sign the papers otherwise the grant becomes null and void. Matthew lies and says his wife.... Hannah... is back home. He is given a 30 day extension to bring his wife back to sign the papers. Backed against the wall, he has to find a wife named Hannah fast or lose his family's future.

Hannah lives with her granny at the local boarding house. She's considered a plain-looking spinster, kind of invisible, with a bit too much at the top and too much at the bottom to be considered attractive, at least that's the way she describes herself. She dreams of a family and a man who will love her, but knows that this is probably not part of her future, until she meets Matt over turnips at the grocer's and hope kindles in her heart.

What do I like about this book? I enjoyed quite a bit actually. The story as a whole and the premise for the series. As a western historical romance this story covers all the bases.There is the romance that remains the focal point with memorable secondary characters that contribute a great deal to the plot. There's are also a couple of outside conflicts: one with a villain that is solved by the end of the book, the other concerning the ranch and the land also resolved, and another conflict that stays unsolved and that will be recurring throughout the series.

The main characters in this romance are both likable, particularly the female protagonist and that's also a positive for me. I specifically liked that the heroine, Hannah discovers her inner strength and shows marked growth from beginning to end. She begins as a shy woman who seems to be afraid to show her true self to others, and grows into a woman who is not afraid to fight for herself or for those she loves. She gives of herself to others, but also knows that she deserves to be loved and respected. Now, the fact that she has her granny there to give her a push in the right direction when she wavers is a great addition to this story too. Heather's grandmother's input and advise is invaluable to her personal growth.

Matthew well... I love that although he married Hannah to claim the land and because she happened to have the right name, he was really attracted to her from the beginning and let her know. He couldn't keep his hands off Hannah even when he tried. I love how he gets lost whenever he kisses her, and frankly I think that Lang truly conveys the enthusiasm in a sexual relationship between a 25 and a 23 year old free to indulge in daily sexual bouts for the first time quite well! Lots of passion there.

The relationship between the siblings is quite important in this story. It was very well done. They all tease, argue, frustrate, and love each other just as siblings do. Healthy ones, anyway. The underlying understanding they have for each other even as they argue and complain, particularly with the eldest sister Olivia who's hostile to everyone, including herself, and winds up blaming everything on Hannah, is quite believable.

Did I have niggles and problems with the book? Well, yes. There's repetitiveness found throughout the story, particularly during the times when the main characters' inner dialogue or thoughts come into play. For example: Matthew's and Hannah's internal musings and/or reasoning as to why they can't allow themselves to love each other, particularly Matthew's. And when it comes to plot points that I thought were slightly off, I found the siblings' reactions to losing their baby brother Benjamin, including Matthew's, a bit unnatural in its lack of urgency, particularly because they are such a close-knit family.

Overall, however, Matthew by Emma Lang is a quick, enjoyable and solid western historical romance with a passionate and likable couple and memorable secondary characters. I am quite curious to find out how this series will turn out and look forward to the next book.

Category: Western Historical Romance
Series: The Circle Eight, Book 1
Publisher: Brava/February 1, 2012
Source: Kensington Publishing
Grade: B

Visit Emma Lang here.

Review: We the Animals by Justin Torres

We wanted more. We knocked the butt ends of our forks against the table, tapped our spoons against our empty bowls; we were hungry. We wanted more volume, more riots. We turned up the knob on the TV until our ears ached with the shouts of angry men. We wanted more music on the radio; we wanted beats; we wanted rock. We wanted muscles on our skinny arms. We had bird bones, hollow and light, and we wanted more density, more weight. We were six snatching hands, six stomping feet; we were brothers, boys, three little kings locked in a feud for more. "We Wanted More"

With his short, 128 page debut coming-of-age novel We the Animals, Justin Torres packs a powerful punch.  This is one of those little books that I had in my queue of electronics books to read last year, and didn't get to until December. Once finished, I was sorry I didn't get to it earlier.

Where do I begin? Do I summarize the story first? No. I'll begin by giving you my impressions of the book itself. There's such velocity and power in the narration that it's tough to put this short book down for even one minute. The characters in this story are so rich and vibrant that they jump off the pages and the reader can't help but want to go on to know how the story ends. Torres' sparse writing style, like negative space in a painting used to emphasize shade and color, is highly effective, as what is not said is just as powerful as what is written.

The story is about three little boys, three brothers who are basically raising themselves as their mother works the evening shift and sleeps during the day, while their Paps is in and out of their lives. Their father is Puerto Rican and their mother is white, and the relationship between these parents is volatile, unstable, sometimes loving, confusing and ultimately traumatizing. Their parents are originally from Brooklyn but they live in upstate New York where families like theirs are not the norm.

"This is your heritage," he said, as if from this dance we could know about his own childhood, about the flavor and grit of tenement buildings in Spanish Harlem, and project in Red Hook, and dance halls, and city parks, and about his own Paps, how he beat him, how he taught him to dance, as if we could hear Spanish in his movements, as if Puerto Rico was a man in a bathrobe, grabbing another beer from the fridge and raising it to drink, his head back, still dancing, still stepping and snapping perfectly in time. "Heritage"

The brothers grow up almost as a unit, with wants and needs that they scrimp and scrape to find on their own. There's a self-absorbing love within the family unit that keeps them in a fierce sort of protective vacuum for years. They grow up learning how to avoid their parents' battles, their father's belt, how to tiptoe while their mother sleeps during the day, making up their own games and getting into mischief as a unit. Torres effectively conveys joy, as well as the dysfunction in the boys' lives through their games, whether they are flying trash kites, smashing tomatoes or pretending to be "the magic of God."

As the story quickly moves along and the brothers grow in the midst of a chaotic household, physically and psychologically abused by self-absorbed parents, they begin to see beneath the surface of the fights and into the real dysfunction that permeates their family. The brothers' relationship begins to splinter ["When we were brothers..."], and although the two older brothers remain close, our young narrator feels more and more like an outsider, separate, alienated. As the story races to its climactic ending to uncover the reasons behind the boy's alienation, the story gains speed and by its conclusion the reader is left breathless and more than a little heartbroken.

The story is sectioned off into vignettes or short stories narrated in the first person point of view by the youngest brother. The narration is powerful, the sections are short and to the point with a sparse prose that makes We the Animals a quick, if powerful read. Is the book perfect? Of course not. There is a section at the end of the book where the point of view shifts to the third person, distancing the reader from the most poignant and heartbreaking moment in the story. Whether the author's purpose was to place that distance there or not, the abrupt change in perspective broke the spell I was under and interrupted the immediacy and urgency of that first point of view perspective that is so effectively used up to that particular point.

We the Animals by Justin Torres is a unique coming-of-age story that will leave you breathless with its content and speed. This is a heartbreakingly memorable story and one I highly recommend.

Category: Literary Fiction/LGBT
Publisher/Released: Houghton Mifflin Harcourt/August 30, 2011 - Kindle Ed.
Grade: B+

Visit Justin Torres here.

Poetry: Konstantinos P. Kavafis

I’ve Looked So Much....

I’ve looked on beauty so much
that my vision overflows with it.

The body’s lines. Red lips. Sensual limbs.
Hair as though stolen from Greek statues,
always lovely, even uncombed,
and falling slightly over pale foreheads.
Figures of love, as my poetry desired them
.... in the nights when I was young,
encountered secretly in those nights.

by Konstantinos P. Kavafis (1917)


Translated from the original Greek by Edmund Keeley/Philip Sherrard