Monday, August 4, 2014

July's Rereads & Minis: Ann Leckie, Eloisa James, Ben H. Winters, Josh Lanyon

During the month of July I went back to my old habit of rereading a few favorites. Actually, this year, I have been rereading at least one favorite book per month. It is an old habit that keeps me grounded in my reading and that has always been more than enjoyable because there are always details to discover or rediscover in those old (or new) favorites.

As you will see below, I read some of these books a long time ago and others recently. I don't remember when I read Duchess by Night by Eloisa James but I know it was before I began blogging in 2009. I read and reread Fair Game by Josh Lanyon back in November of 2010, but have not reread it since. Countdown City by Ben H. Winters is a 2013 summer read, and the most recent read is Ancillary Justice by Ann Leckie, from January 2014.
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Ancillary Justice by Ann Leckie (Reread)

I had to reread Ancillary Justice. I am really looking forward to the second book of the series Ancillary Sword and wanted to take my time with a reread. There were a few thoughts that crossed my mind when I finished my reread (much has already been discussed about how Leckie approaches gender in this novel -- all characters are referred to as "she"), but there was another thought that kept coming back. In my original review I mention how "emotions," particularly those coming from an AI (artificial intelligence), surprised me. But really, it's more than just the emotional impact, it is how well Leckie weaves in interpersonal relationships throughout this space opera.
An interpersonal relationship is a strong, deep, or close association or acquaintance between two or more people that may range in duration from brief to enduring. This association may be based on inference, love, solidarity, regular business interactions, or some other type of social commitment. Interpersonal relationships are formed in the context of social, cultural and other influences. The context can vary from family or kinship relations, friendship, marriage, relations with associates, work, clubs, neighborhoods, and places of worship. They may be regulated by law, custom, or mutual agreement, and are the basis of social groups and society as a whole. From Wikipedia
And, that is it. It's not just Breq's sense of self -- Justice of Toren/One Esk/Breq -- and how broken he feels or how he interacts with Station or other ships, recognizing a part of himself, but how he interacts and develops a close bond with Lieutenant Awn before the break. More importantly, however, it is the slower and deeper bond that reluctantly develops between Breq and Captain Seivarden Vendaai -- two broken individuals. There are other relationships such as the one with Lieutenant Skaaiat Awer that are brief and built on "solidarity." These are all fantastic examples of the core interpersonal relationships that make this book such an excellent read, but there is more.

Leckie also uses interpersonal relationships to build the foundation for the Radch civilization's cultural and social structure. For example: a person from a powerful House offering clientage to a person from a House in a lower social position is both a business transaction and a social/personal commitment. This is the basis in which the Radch's society functions. Clientage then becomes a way to forge "intimate" relationships, but with power and social standing playing the more significant role. Leckie then uses changes taking place in the Radch's cultural and social structure, the struggle for power, social standing and/or the status quo in how those basic interpersonal relationships develop within that structure as the main impetus for her conflict. These are just a few (condensed) stray thoughts, read the book for more.

Countdown City (The Last Policeman II) by Ben H. Winters: B+ (Reread)

I read Countdown City last year and decided to reread it in July before picking up the last book of the trilogy. I never reviewed it and didn't post it as read! Well, I don't know what happened, but this second book is great. It begins a few months after Hank Palace loses his job and is asked to look for his old babysitter's husband who went "bucket list." His sister Nico helps him find clues along the way. I've said before that Hank Palace is the star of this series, even as the pre-apocalyptic world-building is exceptional. This second book is not a disappointment as many middle books tend to be in trilogies. Instead it adds to The Last Policeman with a meaty mystery and by amping up the already tense end-of-times atmosphere created in that first book. Countdown City was a great read that left me salivating for the last book of the series. Additionally, it is a must read because details and characters introduced here are key to the last installment.

Duchess by Night (Desperate Duchesses #2) by Eloisa James: Grade B+ (Reread)

I absolutely loved this book the first time I read it (before I began blogging), and loved it again this time around. I picked up this novel last month when I was looking through my RITA Award winners for a TBR read. It is one of my favorite books from the Desperate Duchesses series so it was no surprise that after going through a few pages I ended up rereading the whole book! I had forgotten how much I loved the romance and characters. Duchess by Night is definitely one of the best books of the series. A few points:

1) Regardless of the fact that Harriet is a widow and Jem is a widower and single father there is a certain joyfulness to this romance that makes me smile.
2) I love that Jem Strange is immediately attracted to Harriet as Harry, and that although he tries to get rid of that attraction and attempts to make a "man" out of Harry, there comes a moment when he accepts the fact that he's just attracted.
3) I found it interesting that Harriet discovered her female confidence and beauty while dressing and acting out the role of a man.
4) The romance between Harry/Harriet's and Jem is filled with sexual tension and passion.
5) I love Villiers' character period, but I love that his secondary role in this novel is meaningful without the necessity of him having to play the fool or the villain.

Fair Game by Josh Lanyon: Grade B+ (Reread)

Fair Game is another reread. I decided to look for a book by Josh Lanyon that typifies what I think of as one of his best. I initially gave Fair Game a B because I think during that time everything I read by Lanyon was compared to the Adrien English mysteries and suffered by the comparison, however if you read that review it is obvious that I really enjoyed the book, so my grade goes up to a B+.

Fair Game has it all for me. It has a passionate romance with significant obstacles and fantastic characterization that I really enjoyed during my first read, but that I have come to appreciate even more during rereads. The mystery kept me at the edge of my seat with dangerous action, gruesome moments, and a great ending. I was totally satisfied at the end of this reread.
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Grades: I don't remember my initial grade for Duchess by Night, but it's definitely a B+ now. Fair Game changed for the better, and both Ancillary Justice (A) and Countdown City stay the same.

I will return with more of my summer reading updates -- new releases and contemporary romance reads -- later this week.

Thursday, July 31, 2014

Review: The Filly by Mark R. Probst

Mark R. Probst's The Filly is an LGBT young adult historical western romance. Probst captures the textured atmosphere and characterization found in traditional vintage westerns by focusing on a naive young man as he first experiences the beauty and dangers of the West. These firsthand experiences are later complicated by his growing attraction for a close buddy and existing prejudices and laws of the times.

The novel is divided into three sections beginning with The Cowboy which features seventeen-year-old Ethan Keller's life in a small Texas town. Ethan has two passions: books and horses. The books he borrows from the town’s teacher and resident spinster Ms. Peet with whom he shares a passion for literature. The horses he visits on his way home from his job as a clerk at the general store, but his dream is to own a beautiful horse one day. Life changes for Ethan after he meets Travis Cain, an itinerant young cowboy looking to work in the area. Travis befriends Ethan by allowing him to ride his gorgeous mare and eventually talks Ethan into signing up and going along with him on a 900-mile cattle drive.

In the second section, The Drive, Probst's novel really shines with detailed beauty and western atmosphere as young Ethan and Travis travel through plains, rivers, mountains and desert, encounter dangers and even death on the way to their final destination. During this time, Ethan discovers he feels more than friendship for Travis who obviously returns his feelings. Also notable in this section is Probst's execution of the tender, warm and loving romantic scenes, as well as the budding relationship between Travis and Ethan. Conversations during intimate interactions help Ethan understand his feelings, but also serve as cautionary foreshadowing of what is to come.

As the drive ends, Ethan and Travis make plans for a future together, but first they make their way home to prepare for a new journey. And so the third section, San Antone, begins. Travis and Ethan are met by heavy complications and events take a grim turn as they unfold. This section contrasts heavily with both The Cowboy and The Drive where the expectation and actualization of adventure and love drive the story. Probst introduces new characters with a few from the previous two sections returning to round up his cast of key secondary characters. Of those, Ms. Peet and Ethan's brother Willie are particularly notable to end. As things turn out, anachronistic thinking drives events to a certain conclusion. However, those events contribute to the happy ending expected of a romance. It is not a forced happiness, instead it is one that makes sense and works well within the context of this historical western.

I love my westerns and The Filly by Mark R. Probst fits perfectly in that category. It offers the small western town atmosphere and grandeur of the old American West, small town conflicts and the spirit of great adventure, but at its core this story is about truth, honor, prejudice, loyalty, friendship, and love. The Filly is a grand adventure and a solid contribution, perfect for LGBT young adults.

Category: LGBT/YA Historical Western Fiction
Series: None
Publisher/Release: Lethe Press/July 1, 2014 - Kindle Ed.*
Grade: B


*Note: The Filly was first released in 2007 by Cheyenne Publishing. It was rereleased in print by Lethe Press on July 1, 2014. It is also available in both audio and in ebook formats.

Sunday, July 27, 2014

Summer Reading: Land of Love and Drowning by Tiphanie Yanique

I think of Land of Love and Drowning as Tiphanie Yanique's magical-realism version of the U.S. Virgin Islands' history as told through the tangled lives of three generations of one family beginning with the trade between the Danish and Americans on March 31, 1917 and ending approximately in 1970.

Land of Love and Drowning may be read from two perspectives: as a multi-generational novel with a deeply disturbing subject matter at its core and magical elements taken from cultural folklore, or as a magical realism piece in the style of Gabriel Garcia Marquez's One Hundred Years of Solitude where characters and generations symbolize the historical and cultural struggles of a continent, or as is the case in Land of Love and Drowning, the annexed U.S. Virgin Islands.
"The people who had come together to make Captain Owen Arthur Bradshaw could be traced back to West Africans forced to the islands as slaves and West Africans who came over free to offer their services as goldsmiths. Back to European men who were kicked out of Europe as criminals and to European women of aristocratic blood who sailed to the islands for adventure. Back to Asians who came as servants and planned to return to their Indies, and to Asians who only wanted to see if there was indeed a western side of the Indies. And to Caribs who sat quietly making baskets in the countryside, plotting ways to kill all the rest and take back the land their God had granted them for a millennium."
Eeona Bradshaw, the eldest daughter of Captain Owen Arthur and Antoinette Bradshaw, is part of a pre-trade generation that comes to symbolize the old class-conscious, pre-American Virgin Islands. Ambitious but with a lack of vision, Eeona seeks freedom by clinging to an old way of life that erodes beauty and magic through resentment, hatred, and contempt of anything that reflects change. Still beautiful, but diminished and always arrogant, she idolizes a flawed past and attempts to preserve it by keeping its secrets and hiding the truth to disastrous effects. In the story, Eeona’s father Captain Owen Arthur with whom she becomes obsessed, and her mother Antoinette from whom she inherits her blind ambition represent the past.

Owen Arthur's bastard son Jacob exposes prejudices and racism, laying open America's true views and feelings toward the islanders during the American South's Jim Crow era. But Jacob, limited by fear and cowardice loses both love and magic by surrendering his true identity and becoming what he detests in exchange for success and acceptance. Jacob grows up as a McKenzie, a wealthy and well-known island family. Although he knows the truth about his identity, Jacob refuses to acknowledge it until it is too late.

Owen Arthur's youngest daughter Anette belongs to the post-trade generation. Proud of her Virgin Island roots, her narrative is entirely in the "Caribbean language tourist guidebooks will call Creole." Anette symbolizes the true spirit of the islands -- vibrant, open, loving, big hearted, magical, ambivalent, proud and ruthless. She is blinded by love and blindsided and deceived by family secrets, just as holding an incomplete view of its rich and flawed history blindsided and deceived a whole generation of islanders to the reality of their American status after the trade. She becomes the mother of future revolutionaries, islanders returning to their cultural roots, as well as to those who leave the shores and their hearts behind.

At the back of the book Yanique explains that some of the island's history used to create this novel was gathered from her grandmother, she also used her family's background to create some of the characters, and while some events are true to history the rest falls under fiction. The folklore or "magical stories" such as the Duenes are fiction and magic, while the "obeah" tradition comes from West African religions and can be found throughout the Caribbean, albeit under different names.

Yanique's female characters are well defined and central both to the story and as symbols in the magical realism aspect of this tale with male characters taking a backseat or weaker roles, but serving as a strong influence throughout both. Throughout the novel, the author uses heavy foreshadowing at the beginning of chapters or sections (sometimes throughout the narrative) and then develops the story until it comes to the expected conclusion. I found this technique intriguing but not always effective. The writing and descriptions of St. Thomas and Anegada are lovely, but what I enjoyed the most is how well characterization is tied to the historical fiction and magical realism aspects of the story. I found Yanique's characters to be as vibrant and complex as the mixture of cultures and antecedents that make up the U.S. Virgin Islands' population and as beautiful and magical as its nature and folklore.

This is a strong debut novel and one I recommend to readers who enjoy this style of magical story telling, however also take into consideration that disturbing subject matter/taboo relationships are central to the overall story. Grade B

Tuesday, July 22, 2014

Summer Reading Update I: Featuring My Favorite Uncle by Marshall Thornton

My summer reading is going well, although it has taken me in a different direction than expected. I usually read contemporary romance during the summer, but this year I hit the list of great new LGBT releases I posted earlier in June and ran with those first! I've already reviewed a few of them: A Shiny Tin Star by Jon Wilson, Wingmen by Ensan Case, Butcher's Road by Lee Thomas, and Now and Yesterday by Stephen Greco. But, I also read The Filly by Mark R. Probst, and My Favorite Uncle by Marshall Thornton. So far, the books live up to the title of my post. There are two A reads in there, a couple of B+'s, and some pretty strong B's!

I need to clarify that My Favorite Uncle by Marshall Thornton (Wilde City Press, 2014) is a combination of gay comedic romantic fiction, instead of a straight up gay fiction story. It has a happy ending.

Take a single gay uncle used to privacy with little to no social life or contact with his closest family, throw in the unexpected arrival of a runaway nephew who on his 18th birthday signed himself out of a "gay rehabilitation" clinic where his religious parents sent him after finding him having gay sex, and there are going to be problems. Martin Dixon doesn't know anything about teenagers, he just wants peace and privacy, but going against his better judgment attempts to provide the kid with guidance. Carter wanted his uncle to be a buddy, not some old guy lecturing him about safety and a code of conduct. After feeling repressed by parents and environment, Carter ignores Martin's advice and goes wild on cruising escapades. They butt heads until each comes to the conclusion that if only the other had a boyfriend, all would be resolved. That's when the fun begins and real conflicts arise.

I first wrote some quick impressions for My Favorite Uncle at Goodreads immediately after finishing the book:
"I really liked this book and sincerely enjoyed the combination of humor and depth Thornton uses to engage the reader in this familial, generational tale of personal discovery and rediscovery."
I would like to add that Thornton has a knack for reeling the reader in with his characters' narrative, which becomes evident in this book soon after beginning the first chapter. Thornton utilizes two points of view that of the uncle and nephew, so the reader gains a full picture of events from both perspectives. Humorous scenes are driven by misunderstandings due to the generation gap between Uncle Martin and Carter as well as by the different lifestyles they've lead. However with the deeper, sensitive issues and resulting heartbreaking moments Thornton weaves with the humor, this novel becomes more than a cute comedic read. As Martin helps Carter navigate new waters, his own personal lifestyle comes into question and character growth (and I don’t just mean for the young nephew) becomes key to this novel’s successful conclusion. A B+ read for me, My Favorite Uncle by Marshall Thornton is a recommended read.

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Reading: Within this grouping of LGBT reads, I began reading Let Me See It: Stories by James McGruder but had to put it aside to read my TBR book of the month. It is a slow going type of read, but I hope to pick it up again and finish it before long because I have other books to get to. I'm in the process of finishing up The Full Ride: Bottom Boys Get Play by Gavin Atlas, I already have Little Reef by Michael Carroll in my Kindle, and there are some August releases that I don't want to miss.

Additionally, I began reading from my Summer Wish List: SFF/UF list and will be posting an update on those books soon, as well as on contemporary romances, rereads, and July 'must reads.'

Sunday, July 20, 2014

June 2014: Recap, Favorite Reads, Updates

I'm late posting my recap for the month of June, but it was a necessary evil as I had to play a bit of catch-up first with reviews and such before posting it. I found some great reads in the otherwise busy, stressful month of June. It was good kind of stress with lots of work as I readied myself for an extended holiday week during the first week of July, and our sweet Cami's eighth grade graduation in the middle of it all. My daughter Vanessa was a happy, proud mom! We were all happy and proud! Kids grow too fast, don't they?

Going back to books, I hit my summer reading list and managed to read a few romances by favorite authors, mysteries, and a series of LGBT books on my list of "must" reads.

Total Books Read in June:  11
Contemporary Romance: 1
Historical Romance: 1
Paranormal Romance: 1
Sci-Fi/Fantasy (Speculative Fiction/Horror): 1
Mystery (Contemporary Western): 1
LGBT: 6 (Fiction: 1, Historical Fiction/Romance: 1, Romantic Fiction: 1, YA Western Romance: 1, MM Romance: 2)

Top Reads of the Month:


My June top reads fall under vastly different categories, yet all three have something in common. Beautifully written and executed, these are books with memorable characters and journeys too riveting to put down.

1)  The Girl with All The Gifts by M.R. Carey: A
2)  Wingmen by Ensan Case: A
3)  Always to Remember by Lorraine Heath: A-

All three B+ reads were greatly enjoyed by me. I'm addicted to Craig Johnson's Walt Longmire contemporary western mystery series (both the book and TV series), and a long time fan of Nalini Singh's Psy/Changeling series, neither installment disappointed. I'm also a fan of gay fiction short story anthologies, and in June I read a great one! (See note and information below)

4)  Any Other Name (Walt Longmire #10) by Craig Johnson: B+
5)  Shield of Winter (Psy/Changeling #13) by Nalini Singh: B+
6)  With: New Gay Fiction ed. by Jameson Currier: B+
A note on Jameson Currier's With: New Gay Fiction: I did not review the whole anthology, instead I highlighted three short stories, however, the book contains 16 short stories in total. It took me a while to finish this anthology because I read each story between other books. As a final assessment I will say this, the editor chose the right stories and writers for this anthology, and each story is definitely worth reading. As a bonus, I found a few new-to-me authors whose works I will be reading. Below, I'm including the book summary and list of contributors.

With: New Gay Fiction, edited by Jameson Currier, features sixteen authors writing on relationships with men: gay men with their friends, lovers, partners, husbands, dates, tricks, boyfriends, hustlers, idols, teachers, mentors, fathers, brothers, family, teams, co-workers, relatives, and strangers.

Contributors include David Bergman, Michael Carroll, Lewis DeSimone, Jack Fritscher, Ronald M. Gauthier, Michael Graves, Shaun Levin, Dan López, Jeff Mann, Vincent Meis, Matthew A. Merendo, Joel A. Nichols, David Pratt, Tom Schabarum, Stefen Styrsky, and William Sterling Walker.
The B grouping of books read in June were all solid, as in "you can be assured, these are very good reads." Again, these are very different reads even though two are in the LGBT category. Now and Yesterday is adult gay fiction with a multi-layered plot that invites deep thought, while The Filly is a young adult western romance enjoyable for its beautiful writing, fantastic western atmosphere and a great journey. And let's not forget No Sunshine When She's Gone, a light and breezy contemporary romance that is perfection as a beach or poolside read.

7)  Now and Yesterday by Stephen Greco: B
8)  The Filly by Mark R. Probst: B (Upcoming Review)
9)  No Sunshine When She's Gone (Barefoot William #3) by Kate Angell: B

The two reads that fall under C grades in June are from the MM Romance category and both are from favorite authors. These are both good M/M romances with Sam and Aaron by L.B. Gregg a bit more enjoyable for me than Everything I Know by Josh Lanyon. I don't have anything negative to say about these stories, except that neither book really stood out for me when compared to previous works published by these great authors.

10) Sam and Aaron (Men of Smithfield #5) by L.B. Gregg: C+
11) Everything I Know by Josh Lanyon: C

That is it for June 2014. I'm already deep into my July 'summer' reading list and trying to do a better job of keeping up with reads and reviews!


Friday, July 18, 2014

Now and Yesterday by Stephen Greco

I love books that explore generational differences through intimate relationships and the effects those differences may or may not have on the individuals. Stephen Greco's Now and Yesterday in-depth exploration of aging and the evolution of relationships through queer history from the 70's gay revolution to current times, partly met my personal expectations of this of novel.

Through Peter's character, Greco focuses the romance aspect of his novel on struggles faced by survivors of an aging boomer generation of gay men who lost its vast majority to the AIDS epidemic, limiting choices to those looking for a meaningful relationship to a much-reduced group of contemporaries or men from a much younger generation. Additionally, because Peter's portrayal is largely anchored to the past, it affords Greco the opportunity to incorporate 70's post Stonewall queer liberation details and its resulting history through the same character.

Peter, a man of a "certain age," considers himself forward-thinking with a focus on the now and outlook toward the future. He uses that outlook and innate insight to maintain a successful career as an advertising executive. But musings about aging and the past are triggered by loneliness after he befriends Will, a young bartender for whom he develops a strong attraction that turns to love. It takes Peter a long time to get unstuck while he processes the past to make a grab for the future.

An AIDS survivor and widower, Greco's Peter is aging well and financially successful. In reality, Peter became a victim of grief after the loss of his partner Harold in 1989, and a man who gave up his dreams and settled -- first for a career in advertising and later into a ten year relationship with the wrong man. He struggles with these issues throughout the novel, both the settling and abandonment of dreams, which Greco uses to incorporate (the loss and restoration) of guidance as a theme. A theme explored simultaneously through Peter's past and Will's uncertainty about his future.

Greco portrays the 28 year old Will as a young, beautiful, rudderless man whose search for a future becomes a riddle he can't seem to solve, but who harbors a desire for a "true connection" that keeps bringing him back to Peter.
"So what's the big play now that you're an honest man, Will? A career, a relationship? A family?"
"I don't know, I don't know! I never had to know these things. I don't know how to know them."
In Greco's novel, Will represents a generalized view of a younger generation of gay men who seem lost and looking for success in a New York City where what you do = who you are. This view is clearly stated in a conversation between Peter's friend Jonathan and Will:
"Forgive me for saying so, but your generation is fucked," he said. "And I don't mean in a good way."
"I know," said Will.
"Completely overprotected and underchallenged."
"I know."
"And you've amused yourselves to death. No wonder all of you sit around watching vampire and zombie stories."
Will is not portrayed as a man without a thought otherwise Peter would not be attracted to him. He is interested in a stable relationship and queer history (although sometimes I thought that was his only attraction to Peter), and he succeeds in making a living as a magazine journalist, but he is ambivalent about everything. What makes him an "interesting" man? Why does he seem to have the upper hand in the relationship? The fact that he is young and beautiful? Is he really emotionally invested? Greco's characterization of Will eluded me and unfortunately I never saw him as more than a beautiful, if lucky, young man. Peter's insecurities about the age difference are understandable, yet he has so much more to offer including emotional involvement, leaving questions as to an emotional imbalance in this romantic relationship.

Tightly intertwined with these threads, Greco includes the story of Peter's friend and contemporary Jonathan, another widower and AIDS survivor sadly diagnosed with prostate cancer. Jonathan's vibrant personality, views of life, and witty dialogue, are uplifting and add life to this story. The intimate friendship and love between Jonathan and Peter provide the much needed connection with the reader that is missing from Peter's relationship with Will. I love Greco's characterization of Jonathan, a filmmaker who regardless of mourning his man to the end, unlike Peter, grabbed life by the balls and didn't let go until it was all done. I was particularly riveted by sections featuring Jonathan's film interview with a closeted poet who decides to come out in his 80's.

Greco's novel touched a few unexpected chords. I love the frankness and truth that comes across through his character's musings on aging, as well as how tightly he weaves in the impact, cost and effect of recent queer history. On the other hand, I found the proffered views about the younger generation of gay men to be somewhat bogged down by retro thinking and a tendency toward generalization in their portrayals. Regardless, Now and Yesterday is unquestionably a beautiful piece of writing infused with nostalgia and multiple layers that deserve a reader's time to properly dissect and process.

Category: LGBT/Contemporary Fiction/Romance
Publisher/Release Date: Kensington Publishers/May 27, 2014
Grade: B


Wednesday, July 16, 2014

TBR Review: The Iron King (Iron Fey #1) by Julie Kagawa

July's theme for Wendy's TBR Challenge is Lovely Rita -- Past RITA Winners or Nominees.

Young Adult romance is not my usual cup of tea. So why did I choose this book when I have many others to choose from in my stack of books? I was surprised to see it on the list of RITA winners under Young Adult "Romance," and the fantasy aspects of the book appealed to me. Besides, The Iron King was a gift from Nath during her 2011 RWA visit to NYC and it has been lingering in my TBR pile too long.

Meghan Chase has a secret destiny—one she could never have imagined…

Something has always felt slightly off in Meghan's life, ever since her father disappeared before her eyes when she was six. She has never quite fit in at school…or at home.

When a dark stranger begins watching her from afar, and her prankster best friend becomes strangely protective of her, Meghan senses that everything she's known is about to change.

But she could never have guessed the truth—that she is the daughter of a mythical faery king and is a pawn in a deadly war. Now Meghan will learn just how far she'll go to save someone she cares about, to stop a mysterious evil no faery creature dare face…and to find love with a young prince who might rather see her dead than let her touch his icy heart.

2011 RITA Winner for Young Adult Romance
The Iron King is a young adult fantasy with romance elements. The characters are based on Shakespeare's play A Midsummer Night's Dream, and the setting is the Nevernever or Faeryland. Meghan Chase's whole life changes on her sixteenth birthday when her brother Ethan is kidnapped and a changeling takes his place. Her life-long friend Robbie (or Robin Goodfellow/Puck) gives her a potion to help her see through glamour and escorts her to the Nevernever to search for Ethan where the real adventure begins.

There, Meghan discovers that she is King Oberon's half-breed daughter and that as his only child she can easily become a pawn in an ongoing war between her father's Summer Court and Queen Mab's Winter Court. But Meghan doesn't care and will do anything to take her brother home. When she discovers Ethan has been taken by an unknown evil in Faeryland, Meghan strikes dangerous bargains with anyone willing to help, including self-serving Grimalkin, a Cait Sith (or fey cat), a haggish Oracle, and Queen Mab's youngest son, the gorgeous but icy Winter Prince, Ash.

The Iron King has the ingredients to make a young adult fantasy a success: adventurous young characters with a rebellious streak, a beautiful magical setting filled with danger, tough challenges to overcome, friendships, loyalty, angst, and love. But besides all that, what really makes this fantasy stand out is Kagawa's successful incorporation of contemporary technology to the plot as part of the magical elements.

This is a young adult book, so if you look at the romance from a young adult's perspective, I'm sure that Meghan's crush on the beautiful, dark haired Winter Prince and his admiration for her also makes this aspect of the book a success. There is a beautiful scene at a ball where they dance and a mutual attraction is evident. Later, throughout their dangerous journey the attraction grows and Meghan and Ash forge a forbidden bond. However, there is no happy ever after in The Iron King (this is a series), and that being the case, I have to question whether this particular book qualifies as a romance.

Favorite Character: Grimalkin
This self-serving cat has enough personality to make up for Ash's constant gloom and grumpiness, Puck's overprotective streak, and Meghan's rashness. The cat's characterization is memorable and reminds me of those old fairy tale creatures that take unaware heroes through the wrong path just to teach them a lesson or two.

I enjoyed The Iron King. It's a light fantasy, solid and appropriate for young adults with the beginning of what promises to be an adorable young adult romance. I am saving the book for my nieces and will probably purchase the whole series for them. I know they will love it!

Category: Young Adult Fantasy/Romance
Series: Iron Fey
Publisher/Release Date: Harlequin Teen/February 1, 2010
Grade: B

Visit Julie Kagawa here.

Sunday, July 13, 2014

The Last Policeman Trilogy: World of Trouble by Ben H. Winters


World of Trouble is the conclusion, and the most personal and passionate installment, of Ben H. Winters' pre-apocalyptic mystery trilogy The Last Policeman.

"And I won't let go and I can't let go
I won't let go and I can't let go
I won't let go and I can't let go no more"
---Bob Dylan, "Solid Rock"

There are fourteen days left before Maia, the asteroid known as 2011GV₁, collides with Earth on October 3rd. Chaos and fear reign as some people panic, losing control, while others brace for the worst and hope for the best. Some are barricaded in basements or holes in the ground, last minute suicides abound, and yet others kill and hoard goods in order to survive whatever may come. Money is worthless, but water, food, gasoline, and guns, are priceless.

Detective Hank Palace gave up the relative safety of Police House in Massachusetts to search for his sister Nico. Hank last saw her in July after she saved his life. He can't forgive himself for letting her go with a dangerously radical group and not keeping his promise to keep her safe. Hank's search takes him on a road trip to a deserted police station in Ohio where he finds evidence of a brutal crime and Nico's presence. As the countdown to October 3rd begins, it leaves him little time and desperate to solve one last, very personal, case.

The focus and attention to detail makes World of Trouble an outstanding mystery read. I don't want to spoil the mystery by summarizing the entire story, but I will give you this much, World of Trouble is not a stand alone and it is imperative that Countdown City be read beforehand as details from that novel become key to Hank's search for Nico and to solving a final case filled with twists and unexpected turns. However, as in the first two books of this trilogy, Hank Palace's character is the real draw.

With the imminent destruction of the world at their doorstep, to most friends and the people Hank encounters throughout his investigation, he appears as nothing more than a quixotic character wasting his time. But we all know that Hank cares deeply, and that gathering information, getting the answers, and solving the mystery, also allow him to process fear, grief, loses, brief periods of joy and an acceptance that serves as a respite from the chaos surrounding him.

Winters achieves this marvelous characterization by personalizing Hank's cases throughout the trilogy and tightly weaving them with his well established pre-apocalyptic world building. In a World of Trouble, Winters combines the tight timeline with Hank's strict methodology and his emotional investment in the case to build and maintain a thrum of tension felt throughout the whole installment.

How far would you go to protect a loved one? And how would you choose to spend your last days on Earth? The answers to those questions represent the final central theme for World of Trouble through Hank's search for his sister, and as the end approaches, through his experiences with other characters, and to the fantastic end of this trilogy.

The Last Policeman trilogy is an excellent fusion of science fiction and mystery. Its effectiveness is derived from Ben H. Winters' creation of a pseudo contemporary setting that gives the overall story arc plausibility, and a central character that comes to symbolize human civilization by asking the tough questions even at the end of times. Highly recommended.

Category: Science Fiction/Mystery
Series: The Last Policeman
Publisher/Release Date: Quirk Books/July 15, 2014
Source: ARC Quirk Books
Grade: A-

Trilogy:
The Last Policeman, #1
Countdown City, #2
World of Trouble, #3

Thursday, July 10, 2014

Review: Butcher's Road by Lee Thomas

Butcher's Road is an atmospheric mystery thriller with supernatural elements, set in the violent 1932 gangster-ruled streets of Chicago and the spiritual world of a rainy New Orleans.

The story revolves around Butch Cardinal whose lifetime decisions led him from success on the wrestling mats to working as enforcer and errand boy for a Chicago Irish mobster. Unfortunately for Butch, he is sent to pick up a package from an Impellitari henchman and ends up smack in the middle of a hit. Butch escapes with the package and is framed for the murder, becoming a haunted man and the target of Italian Chicago mob-boss Marco Impellitari, dirty Chicago cops, a psychopath hit man, and the Alchemi, a secret organization of powerful magicians who collect, utilize, and protect arcane artifacts composed of "thinking" steel. With help from friend and ex-coach Rory Sullivan, Butch flees to New Orleans where he discovers that the ugly necklace in the package is an old mythical relic, and unexpectedly finds refuge in the arms of ex-wrestler and club owner Hollis Rossington.

Butcher's Road has been described as a "blend of gangster noir and supernatural horror." I agree. The story is dark. Lee Thomas incorporates the deep sense of hopelessness permeating the 1930's into plot, characterization, and atmosphere. His Chicago gangsters are unsophisticated, non-charismatic and resort to bloody violence without a second thought, and neither gangsters nor cops are glamorized in this novel. This is best exemplified by Thomas's characterization of Detective Curt Conrad whose portrayal as a physically and personally repulsive self-serving man without an iota of scruples symbolizes the police department's corruption in all its glory. Contrasting heavily is Thomas’s subtle characterization of Detective Lennon as an ambivalent man whose bouts of conscience make him a no-less self-serving or corrupt cop.

The supernatural aspects of the story are well established. Serving as an introduction to this theme, Thomas utilizes Butch's search for the truth surrounding the object he unwittingly possesses, leading to the discovery of magical objects and personal mystical powers, while further expanding on this theme with more explicit, if somewhat obscure, revelations through the Alchemi's hot pursuit and eventual contact with Butch.

While the occult plays a key, central role throughout and to end of this thriller, for me, it is Thomas' masterful portrayal of the incremental escalation and eventual loss of control of psychopathic killer Paul Rabin that provides the real horror. Rabin's role begins with a whisper in what seems like an innocuous scene, slowly progressing with coldly executed blood-letting, and escalating until all that is left are the amped-up internal screams of an out-of-control killer and the horror-filled vicious scenes he leaves behind.

Thomas portrays Butch as an honest man who never learns to play the "game" and whose harsh life lessons, beginning with an abusive father and ending with a fixed match that led to his present situation, taught him not to expect a fair fight. The odds are against Butch's survival and he becomes resigned to losing, but what I love most about him is his refusal to go down without a fight. His relationship with Hollis is unexpected, specifically because Butch is initially shocked by proof of Hollis's sexuality and tells him so with frankness. However while hiding at Hollis's home, Butch remembers past experiences that trigger a growing sexual attraction for Hollis, a giving man he already likes and respects. Eventually Butch makes the first move, beginning what becomes a peaceful, joyful period for both men.

Butcher's Road by Lee Thomas has a relentless quick-pace with the few moments of allowed reprieve filled with relevant information used to drive the story forward. It is an exciting thriller -- darkly violent and bloody -- that offers highly effective contrasts between warm and horrifyingly chilling moments and a surprising twist at the end. Highly recommended.

Category: LGBT - Spec Fic/Mystery Thriller
Series: None
Publisher/Release Date: Lethe Press/May 1, 2014 - Kindle Ed.
Grade: A-

Other recommended reads by Lee Thomas:
The German
Torn